The Year Without Light (2023)
Genre : Crime, Drama
Runtime : 15M
Director : Marlon Morales
Synopsis
Northern Mexico - 1997. Ulises, a detective tired of the violence that his work and country present, narrates in detail his last case before retiring: The disappearance of Lucía Pardo.
short film by Guy Sherwin
I had rooms at the front and back of the house and I recorded sunlight passing through them in the course of the day, as well as across the buildings seen from the windows. Sometimes I would set the time-lapse camera running and go off to work, leaving it to record the sunlight in the empty rooms. Another room in the flat was used for rehearsal by the saxophone player Alan Wilkinson. The soundtrack comes from recordings I made while walking from room to room as he was playing. This is mixed with a variety of music from the street, reflecting the multi-ethnicity of the location - Greek music, reggae, country & western. G.S. (LUXONLINE)
A pioneer of visual music and electronic art, Mary Ellen Bute produced over a dozen short abstract animations between the 1930s and the 1950s. Set to classical music by the likes of Bach, Saint-Saëns, and Shoshtakovich, and replete with rapidly mutating geometries, Bute’s filmmaking is at once formally rigorous and energetically high-spirited, like a marriage of high modernism and Merrie Melodies. In the late 1940s, Lewis Jacobs observed that Bute’s films were “composed upon mathematical formulae depicting in ever-changing lights and shadows, growing lines and forms, deepening colors and tones, the tumbling, racing impressions evoked by the musical accompaniment.” Bute herself wrote that she sought to “bring to the eyes a combination of visual forms unfolding along with the thematic development and rhythmic cadences of music.”
"I try to leave the imagination of the spectator as free as possible by using purely invented, abstract forms rather than representational forms. In watching these films it is not necessary to search for hidden meanings of try to associate these invented forms with familiar objects. The spectator may simply relax and look at these films as one would listen to music in order to fully respond to them." -Davis
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