Sárga liliom (1914)
Genre :
Runtime : 0M
Director : Félix Vanyl, László Beöthy
Synopsis
This mostly lost film (please check your attic) is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.
After accidentally killing an opponent in the ring, a professional wrestler takes a job at a group home for youth offenders. But when a psychopath wearing a wrestling mask begins butchering the teenage residents, their rehabilitation will become a no-holds-barred battle for survival. Originally filmed in 1994 but completed in 2019.
Determined to land Jim as her husband, footloose Nita contrives to get herself pregnant by him.
When Mona Frentiss dies, she has her confidante "Doctor Bobs" watch over her family, especially her youngest daughter Patricia. The family has been raised in a most unconventional manner, with Mona having a much younger lover and the father Ralph keeping his own lover on the side. As Patricia grows older, she attracts the attention of her mother's former lover, the much older (than Patricia, who in the book is in her early to mid teens) Carey Scott. Patricia tempts fate with her wild ways, nearly loses her virtue to a musician aboard an ocean-going boat, and is saved in time by Carey. Realizing that he is the man for her, she settles down into an experimental marriage.
Although Esther Whitaker is in love with Caleb Tilden, her sea captain father demands that she marry his first mate. However, Esther's grandfather encourages her and Caleb to marry in secret. After Grandfather Whitaker's death, Esther discovers she is pregnant. The captain, believing that she has disgraced the family, beats Caleb to death (at least that's what he assumes) and drags his daughter along on the ship. Afraid of the consequences, the captain refuses to go home and eventually the crew mutinies.
An industrialist badly in need of money hopes to marry his daughter off to a rich suitor, but she only has eyes for her penniless childhood sweetheart.
When her husband dies and leaves her penniless, Mrs. Lawrence Evringham moves in with her wealthy but grim father-in-law and schemes to marry Eloise, her daughter, to the rich Dr. Ballard.
Marilyn Monroe's final project, "Something's Got to Give", has become one of the most talked about unfinished films in history. The story of the film and Marilyn's last days were seemingly lost… until now. Through interviews, never-before-seen footage and an edited reconstruction of "Something's Got to Give", Marilyn Monroe: The Final Days provides a definitive and fascinating look at the last act in the life of the world's most famous and tragic superstar.
The abandoned Balfour House, which former owner was found dead five years earlier, comes back to life with the arrival of two suspicious sinister-looking tenants. (This movie was lost in 1965 during a fire.)
When a rare species of butterfly is found in a mysterious valley in Japan, a pair of entomologists go to investigate and find more. They discover Varan, a giant monster, Who decided to leave the valley and head straight for Tokyo.
Voices of the City is a 1921 American silent crime drama film starring Leatrice Joy and Lon Chaney that was directed by Wallace Worsley. It is considered to be a lost film.
A hard-bitten saloon girl falls for a dashing outlaw, and tries to keep the local sheriff from catching him and sending him to prison.
Charles (Henry Hewitt), Joseph (Ian Fleming), and Sir Benjamin (John Charlton) are in love with Maria (Dodo Watts), and Lady Sneerwell (Anne Grey) is in love with Charles.
A reconstruction, made from still photographs, of the lost 1927 Tod Browning film London After Midnight (1927) starring Lon Chaney.
The TARDIS crew lands in the Himalayas of Cathay in 1289, their ship badly damaged, and are picked up by Marco Polo's caravan on its way along the fabled Silk Road to see the Emperor Kublai Khan. The story concerns the Doctor and his companions' attempts to thwart the machinations of Tegana, who attempts to sabotage the caravan along its travels through the Pamir Plateau and across the treacherous Gobi Desert, and ultimately to assassinate Kublai Khan in Peking, at the height of his imperial power.
Humphrey Van Weyden and Maud Brewster are rescued by a nearby ship when the ferry they're on is rammed and sinks. However, instead of dropping them off ashore, the ship's fearsome captain, the brutal Wolf Larsen, forces Humphrey to work as a cabin boy--and has other ideas for the pretty young Maud. (Written by frankfob2@yahoo.com)
A Man's Past (1927)
Luise Fleck's first credited work as a co-director.