György Onódi

In a small port town at the end of the 19th century children are disappearing. A mysterious man in black who stalks the town may be Death itself. And nine-year-old Laurin is suffering terrifying dreams and hallucinations of a man carrying a sack and frightened children calling for help from behind closed windows.

Two old women who happen to be pickpockets stole money from Simon, the taxi driver. The police are unable to find the thieves, so Simon decides to find them himself.

The corpulent and ageing Ivicz, once an excellent baker, works as a deliverer now. He lives alone. At the weekends following the toilsome weekdays he is the boss. He regularly travels to the country, to work as the incorruptible referee of third class national soccer games.

Istvan Varju a.k.a. Kanya is a track driver. He drives alone on the roads and listens to the radio. We're In the middle of seventies, the radio broadcasts hungarian beat music. He is convinced that interesting and significant events in the life happen on the roads, so we should go, go and go in order not to miss something.

Jutka, a young woman who works in a factory, falls in love with Andras, a university student. She pretends to be a student, to him and to his parents, and begins to live a lie. Finally she rebels against Andras and his demands and the social conventions that forced her to live a lie.

István and Jakab are fire-extinguisher experts. They travel the country to check fire-extinguishers at country factories. During their tours of inspection they chase women, drink in dirty pubs and live in clover.

A twenty-year-old young man believes that sport and philosophical books help him to be strong enough to meet life, but his determination and will give way to depressing memories.

It is the story of Bálint Balassi , the poet and warrior. The scene is Hungary at the end of the 16th century. The soldiers stationed at the castles of Hungary's border defence-system spend their days with anti-Turkish raids, hunting and womanising.

Five social misfits undergo cryogenic suspension. When they awake in the far distant future, they find a world devastated by nuclear war. Yet they discover that each of them has some personal involvement - and responsibility - for the series of the events that ended in the destruction of the world they knew.

A young woman leaves a state orphanage to find her mother in this interesting examination of how the overt repression of women in the older pattern of village life has been replaced by the more subtle exploitation inherent in the apparently freer existence of young girls in the contemporary city.