María Villar

An adaptation of “Sea Foam”, a chapter from Cesare Pavese’s “Dialoghi con Leucò” published in 1947. The ancient Greek poet Sappho and the nymph Britomartis meet beside the sea and have a conversation about love and death. Sappho is said to have thrown herself into the ocean from lovesickness. Britomartis apparently tumbled off a cliff and into the water while fleeing from a man. Together, the two discuss the stories and images that have emerged around them to try and understand, at least for a moment, the bittersweet nature of desire.

For over six years, Javier and Valeria have been trying to get pregnant. At work Javier is approached by Camila, a coworker, and tells him she is pregnant with his baby. In the following days, his relationship—indeed, his entire existence—starts to fall apart.

The filmmaker Julián Pintos and his alter ego find themselves confined to their isolated home in the countryside during the pandemic ravaging Europe in the 21st century and embark on a strange journey of initiation, in which they will meet the mysterious Silver Mask (Myriam) and the two disturbing theatre masks, muses of comedy and tragedy, split into Esther and Diana. The characters are trapped in an enigmatic time tunnel and their only escape is to find the heart of Europe, recalling their respective pasts linked to the Old Continent and bringing to the surface the deepest ghosts and fears that each of them hides.

A man steals his wife's diamond ring and sells it to buy a pinball. Three friends travel to the coast to buy a pinball but are scammed and receive unexpected help. A woman accidentally kills her lover, disposes of his body, and later learns that he might have diamonds on top of him. Three absurd stories of love and crime around the popular machines.

Mariel wants to play Isabella in Shakespeare’s “Measure for Measure”. With the support of Luciana, who is also an actress, she has already rehearsed the part. But during the audition, Mariel realises that Luciana is trying out for the same role.

An enormous effort of narrative complexity made up of six independent, successive stories, connected by the same four actresses living very different experiences in very different universes…

Portrait of Leónidas Barletta, founder of Teatro del Pueblo, the first independent theatre in Latin America. This film on the controversial theatre director and left wing journalist is constructed from the letters and books Leónidas sent to his young sister María Angélica, godmother of director Miguel Colombo, who decides to leave her brother's legacy in the hands of her godson before she dies.

Julia discovers that she is pregnant with her ex-husband, but he does not know it. He is thirty years old and must decide what to do with the baby on the way. At night, it is not easy for him to sleep, and when he does he has distressing dreams. He dreams that he drowns, that he sinks deeper and deeper and can not get out of the water.

The sad story of Andersen's little match girl; the fate of Balthazar, Bresson's donkey; the impossible love affair between a militant of the Red Army Faction and an Argentinean pianist; the adventures in Buenos Aires of Helmut Lachenmann, who is trying to stage an insane opera; the problems of Marie, Walter and their daughter, who are trying to survive on very little money…

Camila, a young Argentine theater director, travels from Buenos Aires to New York to attend an artistic residency to develop a Spanish translation of Shakespeare's "A Midsummer Night's Dream." Upon her arrival, she begins to receive a series of mysterious postcards which set her down a winding path through her past and towards her future.

A year after his father’s death, Victor returns to Buenos Aires in order to reconquer the life he was forced to abandon. He brings a new project with him for his former theater company: a radio-play of Shakespeare’s “Love’s Labour’s Lost”.

Several actresses get caught up in a web of romantic intrigue while performing in a production of Shakespeare's "Twelfth Night."

A group of actors retire to an island in Tigre to rehearse William Shakespeare’s As You Like It and suddenly Luisa, who is playing Rosalinda, makes a bad decision.

Pilar lives in the south. She recently lost her father and is now on her own. María came to visit her, to keep her company and take a break from the boyfriend she's on the point of leaving. Neither has the wherewithal to comfort the other. Neither knows what they want. They barely know what they don't want. They don't want to go back to their lives. They don't want to think about the future. They don't want to be alone. They don't want their holiday to end. A timber yard about to close, a horse and a dog, a few men, a little alcohol and the cold waters of the southern lakes.

A group of girls and boys in their twenties settle in a country house that seems completely isolated from civilization, invited by Helena, who plans something humiliating for one of the guests.

A young Argentinian woman who works as a museum guide uses her passion - reading - as a means of expression to channel the emotional and working lives of those around her.