Shin'yō Nara

Tetsuji Takechi's third film is based on two short stories by Jun'ichirō Tanizaki. The film depicts the lurid and violently erotic dreams of a writer, his wife and his sister, after having spent a night out drinking and visiting sex shows. It underwent extensive censorship before the government would allow it to be released. About 20% of the film's original content was cut and this footage is now considered lost.

Ignoring the protests of his working-class mother, a young man becomes wrapped up in the world of delinquents and yakuza.

A young woman becomes president of a business.

Motoko Fujikawa works in the Seisen Church as an assistant to pastor Maki Inokichi. Motoko falls in love with Inokichi's virtuous character and devotes herself to the rehabilitation of a delinquent girl, gradually finding her job at the institution more worthwhile than the marriage recommended by her parents. Meanwhile, inside Inokichi's heart a flame of unknowing love for the single-minded Motoko begins to burn...

Asako works in a hostel for troubled young women. When a beautiful young girl is brought in one day after committing theft, Asako finds out from the older widow she works with that the new girl is undoubtedly her half-sister. When the younger sister suddenly flees on account of a misunderstanding, Asako makes up her mind to find the mother who deserted them both.

An attempt is made to suppress a journalist's investigation of collusion between a rural police chief and the local gangster bosses.

After Japan's loss in the war, the wealthy, cultured, liberal Anjo family have to give up their mansion and their way of life. They hold one last ball at the house before leaving. The seemingly cold, cynical son secretly grieves for his defeated father and the values that the war destroyed, while the daughter tries to prevent father from taking his life and to find her own place in the new Japan.

Second film of the Bannai Tarao series starring Chiezo Kataoka

A lawyer fights doggedly for a more just legal system to rid Japan of its draconian penal system.

Japanese war movie.

Japanese propaganda film about the Normanton Incident.

Shuhei Horikawa, a poor schoolteacher, struggles to raise his son Ryohei by himself, despite neither money nor prospects.

A reformatory in the remote countryside houses 200 delinquents and problem children. The teachers and caretakers face much trouble. The school is often short on water, and one day, the well runs dry.

A spirited young teacher challenges the conservative school employing her with liberal thinking and teaching methods.

Adaptation of Kishida Kunio's novel. Set against the backdrop of a power struggle within a hospital, depicts the love lives of the director's daughter, the administrative director, a doctor, and a nurse.

Weed with Flowers

Jie (Michiko Kuwano) attended a women's university with the financial support of her geisha sister Oha (Hiroko Kawasaki) and became a lawyer. The aim. Michiko (Kuniko Miyake), one of the seven best friends from the same women's college, is getting married. The man she's marrying is her sister's lover.

Eiko is an innocent young lady born into a wealthy family with nothing to offer. She was good at singing, and lived her life playing around with her cronies, organizing music concerts and so on. However, things change when her father's business fails and she was suddenly thrown out into the world without any foundation. Eiko has no one to support her after she loses her social status, and her only tutor, Shinnosuke (Natsukawa Daijiro) was the only one who was sincere. Eiko is a stickler for using everything she can get her hands on, and she quickly moves into Shinnosuke's house.

A man who works late hours at a deadening job lives together with his wife and his younger sister. The younger sister's a modern girl who's starting to receive romantic attention from one of her co-workers.

A Japanese wartime film directed by Yasushi Sasaki.

A businessman’s daughter falls in love with one of her father’s employees.

A musical film made for the inauguration of Shochiku's Ofuna Studio, with an all-star cast of the era.

Jyuta, an honest owner of a taxi company, has a younger half-brother who is involved in the yakuza world and doesn’t get along well with his mother. Jyuta tries to correct him…

The story is centered around the devastating experiences of two villagers, Osaki Shuichi, and his cousin, Nishimiura Kinue, when they leave their hometown for the metropolis of Tokyo. They are in love with each other, but Kinue is expected to marry the lawyer Kanda Seiji. In consequence, Shukichi leaves for Tokyo, where he becomes tutor to the son of the rick Iwaki family. The heartbroken Kinue also makes her way to the capital, where she becomes a bar hostess.

The film tells of the strained relationship between a mother and her two sons after the death of the family patriarch.

Ryoichi and Chikako, brother and sister, live together. Chikako toils during the day and, at night, prostitutes herself to fund his college tuition.

An actress returns to Tokyo after a successful stint in Hollywood to reclaim—with the help of her gangster brother—the daughter she abandoned years before.

A young man falls in love with a prostitute and is disowned by his family. He is then drafted, and heads off to war. Script exists - considered to be a lost film.

Early Japanese sound film, a remake of Josef von Sternberg’s DOCKS OF NEW YORK set in Yokohama.

Two people are fascinated by a sculptor's statue. The film is lost.

Michiko gets pregnant after a rape. She marries a boring business partner of her father to avoid the shame. Later she meets the rapist again who is now a union leader in opposition of her husband.

Bored in his marriage, a dentist flirts with a young woman on a train. However he soon finds himself embroiled in a series of misunderstandings with his wife, the young woman and her husband. Considered to be a lost film.

The 1929 Japanese film "Mother" which helped child actress Hideko Takamine become a star.

Early feature film by Hiroshi Shimizu.