Suzana Amaral

Suzana Amaral

Birth : 1932-03-28, São Paulo, São Paulo, Brazil

Death : 2020-06-25

History

Suzana Amaral (born March 28, 1932 in São Paulo) is a Brazilian film director and screenwriter. She is best known for the 1985 film A Hora da Estrela. Description above from the Wikipedia article Suzana Amaral, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Profile

Suzana Amaral

Movies

Candango: Memoirs from a Festival
In 1965, a year after the military coup in Brazil, an oasis of freedom opened in the country's capital. The Brasília Film Festival: a landmark of cultural and political resistance. Its story is that of Brazilian cinema itself.
Hotel Atlântico
Writer
A road movie that follows a solitary man as he sets of on a journey to the south of Brazil. The strange characters and absurd situations he encounters along the way present an extraordinary portrait of human relations.
Hotel Atlântico
Director
A road movie that follows a solitary man as he sets of on a journey to the south of Brazil. The strange characters and absurd situations he encounters along the way present an extraordinary portrait of human relations.
A Hidden Life
Screenplay
Young girl, born and raised in an isolated farm, is brought to a small town to live with her cousins, her only relatives. Once in town, she encounters great difficulty adapting to city life.
A Hidden Life
Director
Young girl, born and raised in an isolated farm, is brought to a small town to live with her cousins, her only relatives. Once in town, she encounters great difficulty adapting to city life.
Hour of the Star
Writer
Macabéa has just moved to the big city after her aunt, who raised her, died. She gets a job as a typist and moves into a boarding house with three other women. In her spare time, she listens to a radio station called Time; on Sundays, she likes to ride the metro. Then she meets Olímpico, a northeasterner like herself, who has dreams of becoming a congressman.
Hour of the Star
Director
Macabéa has just moved to the big city after her aunt, who raised her, died. She gets a job as a typist and moves into a boarding house with three other women. In her spare time, she listens to a radio station called Time; on Sundays, she likes to ride the metro. Then she meets Olímpico, a northeasterner like herself, who has dreams of becoming a congressman.
Semana de 22
Director