Veterinarian Britta has recently separated from her boyfriend and is open to a new beginning, preferably in Brittany, where she spends the summer vacation with a befriend couple. After a rain shower, she unexpectedly stumbles upon her idyllic dream house, only to run over the fisherman Yves with her bike in her blissfulness. Unfortunately, Yves also wants to buy the house that is up for sale in an anonymous bidding process. He and his father can no longer make a living from fishing, and he wants to build up a second source of income in the form of holiday apartments. The empty neighboring house would be ideal for this. At first, Yves finds Britta more annoying than nice. But she gains ground with her fearless and positive nature. When Yves finds out who his opponent in the bidding process is, he tries to badmouth his beautiful home area in presence of the German doctor. Everything would be so much easier if it weren't for those darn feelings. House or love, that is the question now.
Pension landlady Sophie imagined her job as mayor differently: not even the garbage collection works anymore! In order to defuse the scandal, she temporarily stores all municipal waste on her own yard. The improvisation artist gets active support from Felix, who appeares virtually with a paraglider out of the blue and skilfully turnes Sophie's head. Just now, Sophie's ex-mother-in-law Brigitte is at the door. The grande dame from Paris wants Sophie to return to her son Phillippe to prevent the unsuitable young successor who, in her opinion, does not come from a good family and only wants to take over the business. While Leonie is happy about her grandmother's visit, Sophie wants to know as little as possible about her. She is amazed at the unexpected magic that the sophisticated Brigitte unleashes on her grumpy barn occupier Barthl. He buys an elegant suit and dresses up neatly to impress the elegant elderly woman. But unfortunately more uninvited guests show up.
Master filmmaker Alexander Sokurov (Russian Ark) transforms a portrait of the world-renowned museum into a magisterial, centuries-spanning reflection on the relation between art, culture and power.
