Autobiographical vanity showcase commissioned by Tabe Slioor, a self-made socialite and notorious symbol of loosening morals in early 1960s Finland. The film exploits the scandal she caused as the secret mistress of the mayor of Helsinki. Left unfinished because of her quarrels with the production company, the story relies heavily on her shamelessly narcissistic narration.
Niskavuori's Aarne (Arne från Niskavuori) is a Finnish drama film from 1954. It is based on Hella Wuolijoki's play Niskavuori's Bread. In chronological order of the Niskavuori series, the film is the fourth. Aarne has married Ilona and left the house in Niskavuori, which he hosts, where his former wife Martta still lives, while the old mistress is holding the reins. Aarne and Ilona live in Helsinki, but Aarne has not been able to completely break away from Niskavuori, but keeps secretly in touch with the headmaster and gives instructions on the farm management.
Eager young radio reporter Teräsvuori stages a one-man burglary into the Helsinki Art Museum, recorded on tape for a later broadcast by his friend Laakso. Things go awry when a gang of real criminals overhear their plans and book their heist to coincide. Teräsvuori gets caught but escapes from police custody to start his private investigations together with female radio colleague Eila.
Once a naïve, love-struck girl now forsaken by her lover, Maija leaves her island home to work as a housemaid in the city, only to be seduced by her employer's son Erkki, then forced to leave the household in order to avoid the scandal of a pregnancy. With few prospects for a decent job, Maija is reduced to working as a bar hostess to make ends meet, ever fending off the advances of disreputable clients, even as she continues to hold out hope for an enduring love that will redeem her from her fate.
Esko makes a bet that he will marry the first young woman he encounters. This turns out to be Kirsti, who promptly turns down the proposals. But when she finds about the bet, she agrees to marry him in order to get her revenge.
The romantic musical comedy Kaikki rakastavat is a key work in Finnish film history since it was the first feature film of Valentin Vaala as the house director of Suomi-Filmi and the film which launched the most beloved screen couple of Finland, Tauno Palo and Ansa Ikonen.
