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Directed by Vilhelm Glückstadt.
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In 1911 the German poet Hugo von Hofmansthal wrote a new version of the medieval morality play Everyman, and this was staged in Danish translation at the Royal Theatre in Copenhagen in 1915. At the time, it was radical example of symbolist abstraction. Its success inspired a film version, Enhver [Everyman], directed by Vilhelm Glückstadt for Filmfabrikken Danmark. The film, however, was set in a modern-day environment. It depict the moral choice confronting its protagonist at struggle because two attendant spirits, one good and one bad. The protagonist is tempted by dark figure of evil and succumbs, rejecting God and leading a life of iniquity, but he is then haunted by guilty visions until he finally dies, asking God for forgiveness at the last moment.
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A crooked Danish crime drama from director Vilhelm Glückstadt and Filmfabrikken Danmark.
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The story of Den Fremmede, the earliest of the surviving Gliickstadt films, revolves around Poul Wang (Emanuel Gregers), a confidential clerk for a trading company. One evening he goes to a nightclub with some friends while his wife, Clara (Gudrun Houlberg), waits at home. He cannot pay his bill and, in his drunkenness, asks that it be sent to his home the next morning. When the bill arrives, he still cannot pay it; apparently it is for a rather large sum. Poul visits Frandsen, a moneylender, and borrows the money to pay the bill. Later, Frandsen goes to Poul's office to collect and, when it still cannot be paid....
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Gernau, a successful engineer, is married to a younger woman, Anna. Their marriage is fraught with jealousy, with Anna still being wooed by her former sweetheart. When an accident occurs at the inauguration of his life’s work, The Dock, Gernau’s world collapses. He loses his mind and is admitted to a mental hospital. As he gradually returns to his former self, an old obsession stirs: is Anna faithful to him? (stumfilm.dk)
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Good versus evil concerning Prince Udo, owner of the Isle, and the beautiful Flora, goddaughter of the gardener. Inspired by the painting by Böcklin and poem by Adam Oehlenschläger.
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