On a winter’s day, Nena gathers her family to celebrate her birthday. Il paradiso del pavone is a small journey into the intimacy and authenticity of human beings: a film about an extended family in which everyone talks but no one really listens. Until an unexpected event forces the family members to look into each other’s eyes and reveal themselves for what they really are.
Macheath (Mack the Knife), notorious bandit and womanizer, runs afoul of Jonathan Peachum when he marries Peachum's daughter Polly in a ceremony of doubtful legality. Peachum's resolve to have Mack sent to the gallows is complicated by the fact that Mack's old army buddy is the chief of police, Tiger Brown. Peachum and his wife commence a series of strategems to ensnare Mack: bribing prostitutes to turn him in, exercising their influence over the police, and ultimately threatening to ruin the coronation of Queen Victoria by having all the beggars in London (whom Peachum controls) line the parade route. Mack is imprisoned, escapes, and is imprisoned again. When his hour of execution arrives, however, a mounted messenger appears with the Queen's reprieve, which includes a baronetcy and an annual pension of 10,000 pounds.
Viola is a girl who has just cut off a love affair and lives alone with her dog. One day he decides to browse the world of erotic chats and meets the mysterious Mittler, who begins to advance more and more audacious requests, until they decide to discover their respective identities.
A mysterious killer eliminate the singers of a brand new music Festival in Naples. Some journalists will try to discover who is that murderer who seems to be obsessed by the song "Funiculi, Funicula".
In a farmhouse in southern Italy, an old woman dies. Her husband summons their sons: from Rome, Raffaele, a judge facing a political case for which he risks assassination; from Naples, the religious and ideological Rocco, a counselor at a correctional institute for boys; from Turin, Nicola, a factory worker involved in labor disputes. Once home, each encounters the past and engages in reveries of what may come.
