Producer
Hélio is a police chief who tries to free his city from the hands of Paulo, owner of a rundown nightclub that conceals criminal activities behind the stage where young girl Mariana performs every night. Mariana is a dancer who dreams of leaving the town and her stained past, alongside her brother, a henchman who is missing and being pursued by the police chief. This ties Hélio to the young girl's destiny, who remains trapped in a life of cyclical actions and frustrations, forcing her to immerse in representations as if they constituted her reality. On his journey, Hélio gets closer to Mariana, tries to help her, but this results in a brutal clash of interests, which leads both of them, and the city as a whole, to a tragic end.
Writer
Director
Documentary on "Antonio das Mortes", Glauber Rocha's 1969 film.
Assistant Camera
This film shows people with constant psychological and social conflicts: the violence among outlaws, conflicts between man and woman, police and society.
Writer
While waiting for directions, two revolutionaries hide in a church, where they meet a woman who wants to have a son with one of them.
Director
While waiting for directions, two revolutionaries hide in a church, where they meet a woman who wants to have a son with one of them.
Camera Intern
A new incarnation of Cangaceiro bandits, led by Coirana, has risen in the badlands. A blind landowner hires Antônio to wipe out his old nemesis. Yet after besting Coirana and accompanying the dying man to his mountain hideout, Antônio is moved by the plight of the Cangaceiro’s followers. The troubled hitman turns revolutionary, his gun and machete aimed towards his former masters.
(segment "Balanço")
Film in four segments: "Colagem", "Balanço", "Bandeira Zero" and "Sexta-Feira da Paixão, Sábado de Aleluia", having in common a strongly allegorical and gross protest tone in the approach of its subjects.
Director of Photography
Film in four segments: "Colagem", "Balanço", "Bandeira Zero" and "Sexta-Feira da Paixão, Sábado de Aleluia", having in common a strongly allegorical and gross protest tone in the approach of its subjects.
Cinematography
Raul, a playboy, marries Sheila and hire Nina, a photographer, to take erotic snapshots of his wife. Nina acquires an interest on Sheila, and through a maid, investigates the couple's intimate life.
