The universe of Argentine independent cinema. The imposture. The unfulfilled dreams. Confinement—the capability for irony, the skill for comedy and the sagacity of UPA! Una película argentina (2007) are back, renovated, to explore the whims of a microworld still in turmoil.
Director
Producer
Three couples with their children. A long weekend in the countryside. A reunion between friends that starts with enjoyment and laughter becomes a cohabitation that will bring up old conflicts, hidden secrets, and unexpected encounters.
Writer
Three couples with their children. A long weekend in the countryside. A reunion between friends that starts with enjoyment and laughter becomes a cohabitation that will bring up old conflicts, hidden secrets, and unexpected encounters.
Director
Three couples with their children. A long weekend in the countryside. A reunion between friends that starts with enjoyment and laughter becomes a cohabitation that will bring up old conflicts, hidden secrets, and unexpected encounters.
Writer
Director
Writer
Víctor Tellez is an intellectual, world-weary film critic who prefers to think in French and eschew the clichés of romantic movies...until he finds himself living a sappy, feel-good love story of his own.
Director
Víctor Tellez is an intellectual, world-weary film critic who prefers to think in French and eschew the clichés of romantic movies...until he finds himself living a sappy, feel-good love story of his own.
Writer
"Hello Julián. Look, a week ago you told me we had to talk and you never answered a call again. I don't know, I need you to explain something to me ... whatever, invent it if you want." Julián has to go to his appointment, and start talking.
Director
"Hello Julián. Look, a week ago you told me we had to talk and you never answered a call again. I don't know, I need you to explain something to me ... whatever, invent it if you want." Julián has to go to his appointment, and start talking.
Assistant Director
Marcos (Gustavo Garzon), an existentially bored university lecturer, gets a grant to return to his birthplace to carry out biochemical research. There he meets old buddy Raul (Leo Masliah), who is now a priest. The story opens out to bring in their schooldays 20 years earlier, during Argentina’s politically active ’70s, when Raul was going out with Tamara (Victoria de Elizalde), who now lives in Paris with husband Paul (Ginger Poujoulet). The mature Tamara (Laura Melillo) returns to be with her sick mother, and Marcos unwittingly stumbles across some high-level politico-economic corruption on the part of the lab’s owners, led by Dr. Castembacher (Jean Pierre Reguerraz). In a piece in which perfs win out over plot, Garzon is satisfyingly nuanced as the disillusioned Marcos. Technically, pic’s restricted budget makes itself felt.
Director
