André Van In

Ali, Sofiane, Nora... arrive for their first year at the Pasteur lower-secondary school in Gennevilliers, and discover a new world... one that the fourth-year students Anissa, Méline and Marion... are just about to leave. What is at stake in these entry-point and final-year classes? In the four years spent there, the youngsters enter their teenage years, begin to perceive their place in society and have to think about their future. From December to June, this chronicle follows the maths teachers, Anne-Sophie, Fabienne and Richard, who are also the class teachers for the first and final year pupils. We discover all the out-of-class meetings and paperwork, as well as the end-of-year committees that decide what kind of education the youngsters will go on to do. In a far from easy situation, the teachers are forced to rethink their educational role, which is not limited to transmitting knowledge.

Two lesbians are victims of a break-in. Together with their clan of friends, they undertake a wild investigation, with suspense and rigour, to arrive at the truth. Sensitivities are aroused around life choices, and political choices. Questions of morality comically embellished with words of abuse falling into drunkenness.

Stretching along the River Seine, Evry Ville Nouvelle is one of those utopian towns created by town-planners and architects, where habitat, work and leisure are mixed together so as to promote social contact and community life. However, recession soon puts a term to ambitions. Certain districts turn into ghettos, catchment areas for a poor and marginalised population with little hope of finding a job or fitting into society. The film explores life in the Pyramides district, following the 402 bus route through the town and other "difficult" districts. Buses passing through their territory are one of the teenagers' favourite targets. Given the rise of sometimes violent fighting, the local public transport service (the TICE) has organised a prevention network involving the district's inhabitants. For these mediators, dialogue and prevention are the only arms possible when dealing with youngsters who feel that they live "in the outer zone"

The challenge of the "Truth and Reconciliation Commission" set up by Nelson Mandela in South Africa is to achieve a truly democratic society. Composed of 17 members and Desmond Tutu, this Commission will be relayed throughout the country by groups called "Khulumani" (literally: "Free the Word"). For a little over a year, it will invite victims, perpetrators and witnesses of apartheid to tell the truth about the past. The filmmakers have been authorized to follow this incredible process, which should lead to the re-founding of the nation, for its entire duration. The film focuses on the collective character of the Commission, crossed by ethical, political and philosophical questions, as well as on a few characters, victims and executioners, linked by a common history. They are filmed in their interrogations and their steps to re-establish a link between a past and a possible future.

The challenge of the "Truth and Reconciliation Commission" set up by Nelson Mandela in South Africa is to achieve a truly democratic society. Composed of 17 members and Desmond Tutu, this Commission will be relayed throughout the country by groups called "Khulumani" (literally: "Free the Word"). For a little over a year, it will invite victims, perpetrators and witnesses of apartheid to tell the truth about the past. The filmmakers have been authorized to follow this incredible process, which should lead to the re-founding of the nation, for its entire duration. The film focuses on the collective character of the Commission, crossed by ethical, political and philosophical questions, as well as on a few characters, victims and executioners, linked by a common history. They are filmed in their interrogations and their steps to re-establish a link between a past and a possible future.

The challenge of the "Truth and Reconciliation Commission" set up by Nelson Mandela in South Africa is to achieve a truly democratic society. Composed of 17 members and Desmond Tutu, this Commission will be relayed throughout the country by groups called "Khulumani" (literally: "Free the Word"). For a little over a year, it will invite victims, perpetrators and witnesses of apartheid to tell the truth about the past. The filmmakers have been authorized to follow this incredible process, which should lead to the re-founding of the nation, for its entire duration. The film focuses on the collective character of the Commission, crossed by ethical, political and philosophical questions, as well as on a few characters, victims and executioners, linked by a common history. They are filmed in their interrogations and their steps to re-establish a link between a past and a possible future.

Documentary directed by Julie Henderson et al.

How did the end of the Soviet Union change the way of thinking, the way of behaviour of militant French Communists ? For the first time and during several months meetings of a Communist Party cell in one of Paris' industrial suburbs were filmed by André Van In. Set against these meetings, the militants are filmed discussing their commitments, their dreams, their mistakes. Beyond questions about power or the political machinery, they share their faith in militancy and their hopes for a fairer society.

A look at the life of society's outcasts through three locations: the Fleury-Mérogis prison, a low-income housing project in the Paris region, and the shacks of a vacant lot at the gateway to Saint-Ouen. A reflection on the idea and use of freedom.

In 1985, the audiovisual training association Varan organized a documentary film workshop in Johannesburg, South Africa. The 12 young trainees filmed their community and their country from the inside, beyond the poor authorized journalistic clichés. Their material is organized in a chronicle, animated by the variety of subjects and views, and constitutes a real journey to the heart of apartheid, which we must look at today to measure how far we still have to go. 9 subjects are successively developed.

In Paris, there is a network of men married to young Filipinas, chosen through an international agency. Here is the portrait of a couple from this business: immersed in a happiness that drowns the spectator.

The gestures, the words, the rites of a day like any other in the offices of a large insurance company.

Philo Bregstein tells us this film looks at Pasolini's life and art to explain why he died. The film traces Pasolini's life chronologically - family roots, hiding during World War II, teaching, moving to Rome, being arrested and acquitted many times, publishing poems, getting into film, being provocative, and being murdered. Interviews with Alberto Moravia, Laura Betti, Maria Antonietta Macciocch, and Bernard Bertolucci are inter-cut with readings of Pasolini's poems and with clips from four films - primarily the Gospel According to St. Matthew - to illustrate his changing ideas and points of view. Bregstein makes a case for Pasolini's being lynched.