Shintarō Ishihara

In the year 2220 A.D., the Earth Federation launches a plan to evacuate Earth when discovering that a travelling black hole capable of destroying anything in its path is on course towards the solar system. As the people on Earth prepare to relocate to planet Amare, whose ruler offers refuge, the tyrants known as the "S.U.S. Empire" attack the first Earth evacuation fleet. After learning that his wife Capt. Yuki Mori-Kodai disappeared in the battle and that legendary space battleship Yamato has been fully rebuilt, Susumu Kodai accepts command of the ship as he intends to not only help humanity once again, but also find Yuki in the hope of helping his relationship with his daughter Miyuki, who puts the blame on him for her mother's disappearance. But in order to fullfil the mission, the Yamato must go through battles against the SUS Empire, who intend to spoil humanity's hopes of finding a new place to live in and turn Earth into energy for their own selfish needs.

In 1943, as Japan's WWII effort falters, a vice-admiral proposes training squadrons of "volunteer" flyers to crash their armed planes into Allied warships. Yarn follows the lives of kamikaze pilots, as remembered by an aging Kyushu restaurateur who cherishes their memory. Honoring the dead and multiple military anthems may stir the soul of some Japanese, but elsewhere auds will make a one-way trip for exits. Battle scenes are well-executed and script delivers some memorable scenes, but overall competent helming and thesping are powerless over writer-cum-Tokyo governor Shintaro Ishiara's repetitive storytelling. A post-war postscript adds considerable length to an already over-extended narrative. Tech credits are good quality.

In 1943, as Japan's WWII effort falters, a vice-admiral proposes training squadrons of "volunteer" flyers to crash their armed planes into Allied warships. Yarn follows the lives of kamikaze pilots, as remembered by an aging Kyushu restaurateur who cherishes their memory. Honoring the dead and multiple military anthems may stir the soul of some Japanese, but elsewhere auds will make a one-way trip for exits. Battle scenes are well-executed and script delivers some memorable scenes, but overall competent helming and thesping are powerless over writer-cum-Tokyo governor Shintaro Ishiara's repetitive storytelling. A post-war postscript adds considerable length to an already over-extended narrative. Tech credits are good quality.

Taku Shinjo spins this rural drama about ancient taboos and encroaching modernity. Takamine (Gitan Otsuru) is a big-city workaholic sent to a small remote island to seal a business deal. His predecessor almost managed to convince the island's 17 inhabitants to sell their stake and make way for a resort hotel -- that is, before he died under dubious circumstances. Takamine finds the islanders polite and kind but unwilling to discuss business; instead, they tell him to become an islander. So the city-slicker stuffed shirt loses his tie and starts to help the women plant and the men fish. He soon makes his acquaintance with Takako (Mitsuko Baisho), the widowed daughter of the island's chief. She lives alone with her crazed son who is kept Jane Eyre-style chained to a stake. One moon-lit night, their mutual attraction boils over, resulting in a naked, passionate roll on the beach.

Taku Shinjo spins this rural drama about ancient taboos and encroaching modernity. Takamine (Gitan Otsuru) is a big-city workaholic sent to a small remote island to seal a business deal. His predecessor almost managed to convince the island's 17 inhabitants to sell their stake and make way for a resort hotel -- that is, before he died under dubious circumstances. Takamine finds the islanders polite and kind but unwilling to discuss business; instead, they tell him to become an islander. So the city-slicker stuffed shirt loses his tie and starts to help the women plant and the men fish. He soon makes his acquaintance with Takako (Mitsuko Baisho), the widowed daughter of the island's chief. She lives alone with her crazed son who is kept Jane Eyre-style chained to a stake. One moon-lit night, their mutual attraction boils over, resulting in a naked, passionate roll on the beach.

Takeshi, bound to be an outlaw youth, boards at the home of his female schoolmate who works at the family restaurant in devil-may-care Akasaka.

Follows a young med student's relationships with two women: a dangerous affair with a childhood friend and his mother's struggle to rebuild their estranged relationship.

Seeking revenge against the guard who tormented him, a young man returns to the island where he was imprisoned in reform school. But his plans for vengeance are disturbed when he encounters a strange and beautiful young woman

Seeking revenge against the guard who tormented him, a young man returns to the island where he was imprisoned in reform school. But his plans for vengeance are disturbed when he encounters a strange and beautiful young woman

Years of warfare end in a Japan unified under the Tokugawa shogunate, and samurai spy Sasuke Sarutobi, tired of conflict, longs for peace. When a high-ranking spy named Tatewaki Koriyama defects from the shogun to a rival clan, however, the world of swordsmen is thrown into turmoil. After Sasuke is unwittingly drawn into the conflict, he tracks Tatewaki, while a mysterious, white-hooded figure seems to hunt them both. By tale’s end, no one is who they seemed to be, and the truth is far more personal than anyone suspected. Director Masahiro Shinoda’s Samurai Spy, filled with clan intrigue, ninja spies, and multiple double crosses, marks a bold stylistic departure from swordplay film convention.

Muraki, a hardboiled Yakuza gangster, has just been released from prison after serving a sentence for murder. Revisiting his old gambling haunts, he meets Saeko, a striking young upper-class woman who is out seeking thrills, and whose presence adds spice to the staid masculine underworld rituals. Muraki becomes her mentor while simultaneously coping with the shifts of power that have affected the gangs while he was interred. When he notices a rogue, drug-addicted young punk hanging around the gambling dens, he realizes that Saeko's insatiable lust for intense pleasures may be leading her to self-destruction.

As the post-war turmoil continued, Take, the boss of the waifs, stole the money of US soldiers and lived with friends. They were like children of wolves. By chance, they were found by and became a members of a yakuza family. Five years later, Take dominated the port town as a young boss.

Yukiko Shiba, a doctor, and Akira Sakai, a composer and musician, are lovers. Their love is a forbidden one. He is married, with children. She is a doctor with a bright career ahead of her.

A segment of “Love at Twenty” is a weird, grotesque and clumsy tale of obsessive and morbid love.

Love at Twenty unites five directors from five different countries to present their different perspectives on what love really is at the age of 20. The episodes are united with the score of Georges Delerue and still photos of Henri Cartier-Bresson.

Love at Twenty unites five directors from five different countries to present their different perspectives on what love really is at the age of 20. The episodes are united with the score of Georges Delerue and still photos of Henri Cartier-Bresson.

An employee at an oil cartel (Mihashi) is haunted by an act years before when he euthanized a fellow soldier when the two were adrift at sea during the Pacific War. Matters are complicated further when he falls in love with the soldier's younger sister (Tsukasa).

Japanese crime film.

Starring Akira Takarada as a lightweight boxing champion.

Starring Akira Takarada as a lightweight boxing champion.

At Tokyo Gakuen University, Takema, son of Tatsunosuke, chief of the Waku gang, is a freshman who wishes to prepare himself for a better life away from gang activities despite the wishes of his father who wants him to assist strengthen the gang against the Kawano group. Takema's classmate, Akiko, is the daughter of Eiko who operates a restaurant, and through her he obtains a lodging in the house of Shiu, a dancing mistress. The students enjoy their life, but most have their troubles. Sakamoto works as a laborer on the docks to help pay for his schooling, and Akiko worries over the relationship between her mother and Sakurai, a corrupt politician, suspected to be involved in graft over jet aircraft.

While in vacation in a sea side house, a young man fall in love with a beautiful woman who pretends to live by herself in the sea. The fishermen of a nearby village think she is a monster, the female of a shark killed many years before, responsible for many disappearances.

While in vacation in a sea side house, a young man fall in love with a beautiful woman who pretends to live by herself in the sea. The fishermen of a nearby village think she is a monster, the female of a shark killed many years before, responsible for many disappearances.

Akiko Mizushina, a university student, is in love with Keisuke Okazaki, a member of the rugby team at the same university. Sugiura, a brilliant scholarly student, also has feelings for Akiko. During the summer vacation, Akiko thought she was enjoying the joys of youth, but she was filled with a feeling that something was missing.

College students come up with a scam to rob a gambling house. When it comes time to collect, the money isn't there, leading the young men into even more serious crime.

Udaka is a new, post-war city where corruption has already taken hold. A persistent district attorney wants to arrest and convict Katsumata, a laughing, self-confident thug. The D.A. gets an anonymous letter about the suicide five years' before of a city council member. Evidence about the case leads the D.A. to Tachibana, struggling to go straight after involvement with the mob and a prison sentence for killing the man responsible for the rape and suicide of his fiancée. One of Tachibana's friends is Keiko, the daughter of the dead councilman and the ward of another powerful official. How do these stories connect?

Udaka is a new, post-war city where corruption has already taken hold. A persistent district attorney wants to arrest and convict Katsumata, a laughing, self-confident thug. The D.A. gets an anonymous letter about the suicide five years' before of a city council member. Evidence about the case leads the D.A. to Tachibana, struggling to go straight after involvement with the mob and a prison sentence for killing the man responsible for the rape and suicide of his fiancée. One of Tachibana's friends is Keiko, the daughter of the dead councilman and the ward of another powerful official. How do these stories connect?

A former boxer gets involved with a club hostess trying to escape the clutches of her gangster employer.

A female reporter is fired for writing about police corruption; to make money while hiding from the press, she posts a bounty upon herself.

Two brothers compete for the amorous favors of a young woman during a seaside summer of gambling, boating, and drinking.

Two brothers compete for the amorous favors of a young woman during a seaside summer of gambling, boating, and drinking.

Two brothers compete for the amorous favors of a young woman during a seaside summer of gambling, boating, and drinking.

Shimada is a student of U College. When the college's baseball team wins the day, he and his friend Ito drug two girls they met at the game.

The film tells the story of a group of high school boxing team members who spend their days drinking, sailing and chasing girls, and who more often than not spend their nights getting into brawls. In particular, it focuses upon Tatsuya, a sullen young man, who falls in love with Eiko, a proud upper-class girl.

The film tells the story of a group of high school boxing team members who spend their days drinking, sailing and chasing girls, and who more often than not spend their nights getting into brawls. In particular, it focuses upon Tatsuya, a sullen young man, who falls in love with Eiko, a proud upper-class girl.