The film consists of a series of tightly interlinked vignettes, the most sustained of which details the story of a man and a woman who are passionately in love. Their attempts to consummate their passion are constantly thwarted, by their families, by the Church and bourgeois society in general.
Based on a short story written by Novel Prize for Literature in 1894, Grazia Deladda, “La Grazia” is a classic Italian-drama that follows the story of the a man (Giorgio Bianchi) who fell in love with beautiful shepherdess (Carmen Boni). Separated by fate, the man had an accident on his way back to his wife. For years, absence of her husband has made the woman suffer. She takes care of her child while waiting for her husband’s return.
In Renaissance Florence, a Florentine trader meets a shipwrecked stranger, who introduces himself as Tito Melema, a young Italianate-Greek scholar. Tito becomes acquainted with several other Florentines, including Nello the barber and a young girl named Tessa. He is also introduced to a blind scholar named Bardo de' Bardi, and his daughter Romola. As Tito becomes settled in Florence, assisting Bardo with classical studies, he falls in love with Romola.
Based on the famous historical novel by Alessandro Manzoni, and set between 1628 and 1630 in Lombardy "northern Italy" during the Spanish domination, tells of the contrasted marriage between the two young textile workers Renzo and Lucia. The 1922 version is the most ambitious and spectacular film in all Italian silent cinema, with remarkable mass scenes and some images that triggered the censorship.
"Tigre Reale" (1916) was the film that consolidated Frau Menichelli's stardom, a film more than suitable for her performing skills and silent idiosyncrasy that any silent diva would kill to star in… In "Tigre Reale", Frau Menichelli performs the part of Frau Natka, a Russian countess with a troublesome past and an uncertain future. She was married to a revolutionary and the matrimony ended in tragedy. She likes to flirt with men but due to her traumatic sentimental past, she doesn't allow herself attachments. That is until she meets a young diplomat who will help her to make up her mind and exorcize her old sentimental traumas.
