Connie Martín

Movies

My Pana
Director of Photography
Pana is a popular world from Venezuelan slang that means many things: as a noun it refers to a friend, a good person; as an adjective, it’s a positive quality, someone nice, someone friendly and enjoyable. A coming-of-age story, the short My Pana is also a tale of immigration and exile, a portrait of a teenager adapting to a new society with the few tools he knows to survive: his youth, his body and, ultimately, his own resilience. Through the point of view of a teenager we’ll understand the hardships of million of Venezuelans abroad and the consequences of corruption, exile and the fractured soul of a person who was pushed to leave his true life to adapt to a hostile new place.
Corte
Director of Photography
Joaco's infidelity breaks up the couple with Vanesa. Trying to maintain a friendly relationship is a possibility that Vanesa accepts because she cannot think without him. The acceptance of the separation will be a painful path but one of personal growth.
Sand Eyes
Cinematography
Clara, a psychologist, and her husband Gustavo have been separated since the disappearance of their son, Lucas. A year after Lucas' disappearance, Gustavo finds on Facebook information about a girl, Augustina, who went missing just two days after Lucas. The broken couple go Augustina's parents in an attempt to find clues about their sons disappearance.
10 palomas
Director of Photography
A serial killer with a taste for the theatrical is killing powerful judges and leaving their bodies surrounded with dead pigeons. Félix, a detective haunted by his past, is the only one who is able to solve this enigmatic case.
Murciélagos
Director
Buscando a Myu
Director of Photography
Primer Round
Cinematography
A couple meets in a restaurant to sort out the future of their relationship, marked by mistrust. In this meeting, where both are trapped in a one-sided story, the inside will burst into the outside, breaking the fourth wall.
Double Pair
Cinematography
Two twin sisters are making a birthday cake. Like a two headed creature, they appear to be a projection of one another. In the brief afternoon they spend together, they relive past conflicts and some shared fears that come back to haunt them.
Upa! 2: El regreso
Cinematography
Eight years after the first installment, Ailén, Fernando, and Nina, meet again in the BAFICI competition. From that reunion, they decide to resume their unfinished project: Tandil/Tromso. They bring along two new collaborators: Martín and Nancy.
Jess & James
Cinematography
Jess is a bohemian youth with secrets to hide from his shrewd parents. James feels trapped living with his irritable mother. After meeting for a sexual encounter, the two young men set off on a spontaneous road trip across rural Argentina to reunite with Jess' estranged brother. On their journey, they confront strange occurrences and engage in a ménage à trois affair that brings them closer. Their newly found affection grows, all while discovering a fresh vision of freedom and happiness. JESS & JAMES is a sexually charged road-trip movie, a love story, and a coming-of-age tale, set against the mythical landscape of the Argentinian Pampas.
I am Mad
Director of Photography