Djénéba Koné

A young biracial woman raised in France travels to Burkina Faso in search of the mother she hasn’t seen in many years. Meanwhile, in Paris, an émigré from Burkina Faso who makes her living as a cleaner teaches the Dioula language to a white middle-class office worker, in this affecting story of global displacement.

Adam Ousmane is a pool attendant at a local resort. When the new managers decide to downsize, Adam loses his job to his own son, Abdel. Shattered by the turn of events, Adam is pressured into contributing to the Chadian war effort. With no money to speak of, the only asset he can donate is his son.

Faro is a real goddess of a real tribe (the Bamana) in the West African country of Mali. In a landlocked country like Mali, covered in part by the Sahara Desert, water is a resource that can never be taken for granted. The Bamana village in Faro: Goddess of the Waters not only sits on a riverbank, but also depends for much of its food on fish from the river. Faro is the dominant character in this film, the unseen force for which all action takes place. (c) Ferdy on Films [Marilyn Ferdinand]

Caught in the stranglehold of debt and structural adjustment, Africa is fighting for its survival. In the face of disaster, representatives of African society bring an action against international financial institutions. The trial takes place in Bamako, in the yard of a house, among its inhabitants.

When an elderly man reveals that his son Hammala is the illegitimate son of a purported witch, the ugly side of social customs rears its head. Shunned by the community, an ashamed Hammala leaves the village, only to return four years later, despite his outcast status.