Editor
Eighteen-year-old Victor loses his parents in a car accident three months before his baccalauréat. He is taken in by his godfather Michel, an enigmatic man who lives in the outbuilding of a chateau with his daughter Caroline, a young woman in her twenties.
Screenplay
Eighteen-year-old Victor loses his parents in a car accident three months before his baccalauréat. He is taken in by his godfather Michel, an enigmatic man who lives in the outbuilding of a chateau with his daughter Caroline, a young woman in her twenties.
Director
Eighteen-year-old Victor loses his parents in a car accident three months before his baccalauréat. He is taken in by his godfather Michel, an enigmatic man who lives in the outbuilding of a chateau with his daughter Caroline, a young woman in her twenties.
Screenplay
A man leaves everything behind to travel aimlessly through France, letting himself be guided only by the people and landscapes he encounters: four days and four nights of wandering, during which his lover tries to locate him via Grindr, a smartphone dating app.
Director
A man leaves everything behind to travel aimlessly through France, letting himself be guided only by the people and landscapes he encounters: four days and four nights of wandering, during which his lover tries to locate him via Grindr, a smartphone dating app.
Director
A documentary about the French film director Paul Vecchiali.
Cinematography
A survey of various gay cruising sites around France.
Editor
A survey of various gay cruising sites around France.
Writer
A survey of various gay cruising sites around France.
Director
A survey of various gay cruising sites around France.
Accomplice
French independent director Paul Vecchiali playfully bites the hand that periodically feeds him (and many of the nation's other creative filmmakers) in this dark comedy. Writer and director Vecchiali stars as a moviemaker named Paul Vecchiali, who is trying to complete his latest project, a dramatic love story about a young couple whose relationship is complicated by the man's addiction to drugs. Short on funds, Vecchiali approaches the National Cinema Center, who offer loans and grants to independent filmmakers whom they believe are deserving. The NCC is less than impressed with Vecchiali's latest script, and they turn him down, just as they have done a number of times in the past. Angry and determined that the NCC will never break the spirit of another director, Vecchiali and his crew block out a plan to assassinate the nine members of the funding board, though the press and public seem more bemused than outraged by the sudden rash of killings.
