Producer
Merjem-Meri, an unambitious, 30-year-old homemaker and mother to 8-year-old girl Mila, moves back to her parental home after 10 years of marriage. Soon after, Meri realizes she is stuck in a circle of provincial rules and expectations and a complex relationship with her ambitious mother and spoiled younger brother. Her hope to get the custody of her daughter wanes from day to day because she has no chance of finding a permanent job. The only thing that makes her happy, but also makes everyone else look down on her, is participation in an audition for a film role in her neighborhood.
Producer
What could be a beautiful fairy tale for some - boy meets girl - could also be the beginning of a horror film for Faruk. The young man is crushed between the dark world of his criminal cousins in Sarajevo and the discovery of love. The film powerfully visualises and contrasts a harshness and tenderness experienced and dreamed.
Producer
Nikola’s children are taken away from him after social services decide that he is too poor to provide them with a decent living environment. He sets off on foot to lodge a complaint in Belgrade.
Line Producer
In an urban war zone where everything that moves is a target, Paul tries to live, love and inform.
Co-Producer
Colombian girl, who studies law in France, arrives to Sarajevo in order to write a study about the War Crimes Tribunal. Unexpectedly she finds herself in the center of the intimate tragedy of her new friend, a native woman.
Producer
It’s like almost all is lost. Yet still they are here – abandoned bungalows, an artificial lake, dirty plastic bottles, lost donkeys and stray dogs, draining pipes running over fields of salt, deserted factories, statues of revolutionaries, concrete playgrounds covered with weeds, rotten fruit, folded T-shirts, pop songs, decades of forgetting, a single room with a blue tent inside. And it felt like a kiss.
Associate Producer
Sarajevo on 28 of June, 2014. At the Hotel Europa, the best hotel in town, the manager Omer prepares to welcome a delegation of diplomatic VIPs. On the centenary of the assassination that is considered to have led to World War I, an appeal for peace and understanding is supposed to start from here. But the hotel staff have other worries: having not been paid for months, they are planning to go on strike. Hatidza from the hotel laundry is elected strike leader even though her daughter Lamija, who works in reception, is firmly against industrial action. Meanwhile, in the sealed-off presidential suite, a guest from France rehearses a speech. Elsewhere, a television reporter conducts interviews about war and its consequences. Was Gavrilo Princip, the 1914 assassin, a criminal or a national hero? What long shadow does his deed cast into the present?
