Fernando Alfonsín

A famous director arrives in Cangas do Morrazo, in Galicia, to reconstruct in the theater the story of María Solinha, accused of witchcraft and burned by the Inquisition in the 17th century. The protagonist of the play suffers, in the 21st century, sour echoes of the aggression suffered by María Solinha in the 17th century.

Galicia, northern Spain, January 2, 1921. The steamship Santa Isabel, sailing towards Argentina with more than two hundred emigrants on board, sinks off the coast of Sálvora Island. Three island women, María, Josefa and Cipriana, who have bravely set sail aboard a fragile skiff to save the shipwrecked, are treated as heroes by the cynical authorities; but León, an inquisitive and tenacious Argentinean journalist, starts asking uncomfortable questions.

Roberto and Miguel have been dating for ten years. A decade of that common life will return to their memories during four days of November. A seemingly strong relationship will start to crumble with each new memory. This increasingly significant life backgroung will show, little by little, the true nature of their shared life. Meanwhile, more than 2000 kilometres apart, in The Two Berlins, a greater relationship is about to change too. In the deep of a relationship lie hidden feelings forged by a common past. Secrets and resentments that the rest of the world can not see, separated by a wall that seems unbeatable. The wall separating Roberto and Miguel was not the only wall that fell down that cold November night.

When Liliana decides to return to Uruguay she will have to face up to a new dilemma, perhaps the last great dilemma of her life: To choose between supporting a collective case for female prisoners, raped during the time of the dictatorship, or to reconcile with her son and be able to live peacefully as a mother and a grandmother.

A prisoner recently escaped from prison tries to recover the loot he hid a few years earlier in a remote and secluded village, but what there is is a sentence worse than jail. Claims elderly, strange disappearances, spirits, a peculiar priest and to the very archpriest of Santiago star in a horror story, humor and fantasy. First production of stop-motion with clay made ​​in Spain. It features the voices of Luis Tosar, Geraldine Chaplin, Manuel Manquiña, Jorge Sanz and Paul Naschy among others. Since October 2022, on the director's YouTube channel, Fernando Cortizo: "FREE VIEWING (SUBSCRIBE!) and, if you like the film, you have the POSSIBILITY TO MAKE DONATIONS here below TO HELP PAY THE DEBTS of the cost of making it, because did not recover the cost of production due to the SCAM OF THE DISTRIBUTORS.". (Spanish and Galician audio, multilanguage subtitles) https://www.youtube.com/watch?v=4h7yoEMrL6A