Maiki Marín

Jon is a troubled teenager who has been expelled from school. His mother decides to teach him a lesson sending him away with his grandfather Max, a retired military man who lives in a village by the seaside. But the time they will spend together won’t be that simple, Jon likes to flirt with danger and bad companies, and the veteran has now settled down into a comfortable life.

Adolescent Hector faces a major lifestyle change after moving into his aunt's flat in a blue-collar suburb of Madrid.

After the closure of their shipyard in Northern Spain, a few former workers: Santa, José, Lino, Amador, Sergei and Reina keep in touch. They meet mainly at a bar owned by their former colleague Rico. Santa is the most superficially confident and unofficial leader of the group. A court case hangs over him relating to a shipyard lamp he smashed during a protest against the closure. José is bitter that his wife, Ana, is employed when he is not.

Unbenownst to a middle-aged teacher of handicapped children, his long-term suffering girlfriend is pregnant with his child. The film philosophically explores the ideas of free will and destiny as they relate to the characters and their life choices.

Santiago wakes up like any other morning. He goes down to the kitchen and his whole family is waiting for him: it's his birthday. They all sing "Happy Birthday to You" and give him presents. But when he opens the present of his youngest son, he gets angry and says he doesn't like it. The boy starts crying and saying that he loves him, but Santiago answers that he doesn't believe him and he tells the boy that he is fired and that he wants another son, who is thinner, who doesn't need glasses and who resembles him more. Written by Pablo Montoya

Carlos is a young student, just 21. Nice or annoying as he likes, enjoys provoking and transgreding. In the night he goes out to meet his friends in the Kronen, a bar. Every situation can be taken a little farther. There are no limits, no accepted barriers. And more each time, each adventure is chained to the next, as if it were a continuous night. A long description of people: grandfather, parents, sister, girlfriend, friends. And, among that, the obscure will of living every minute as if it were the last one. But something which happens puts Carlos and his friend against a reality they have been trying to ignore.

A group of Africans clandestinely reaches the coast of southern Spain. Among them is Alou, a 28 years old Senegalese. As all his belongings are stolen while in Almsería, he has no choice but to engage in street vending. His only pleasure are the letters he writes to his family to tell the vicissitudes of his Spanish adventure.

A 50-year-old playwright (Jesus Puente) bemoans his fate from his secluded home in Northern Spain in this depressing drama. Side plots include an actress and former acquaintance who comes to visit and his amorous diversions with a 20-year-old local woman.

In the North of Spain, Estrella grows up captivated by her father, a doctor with mystical powers—and by the enigma of his youth in El Sur, a near-mythical region whose secrets haunt Estrella more and more as time goes on.

Juan Sahagún, since childhood, feels passion for his mother. One day in the street he sees a woman identical to her. He follows her and finds out that she works as an actress in a theater company, so Juan decides to hire the whole company to represent the people who have influenced him in his past. They recreate the same situations of yesteryear and Juan acts as the child he was, to relive the memories already forgotten.

Angela is a young waitress who turns her back on society when she meets and falls in love with Pablo, a reckless criminal delinquent. Along with Pablo’s gang of car thieves, the pair embark on a drug and disco-fueled robbery spree as they hurtle toward oblivion.

A drama teacher casts a woman in a play about torture, and the two eventually become lovers. As production of the play develops, the director begins to receive threatening letters.

José, a fifty-year-old homosexual magician, feels the need to return to Granada, the place where he spent his childhood, perhaps to embrace the painful memory of tragic experiences, perhaps to bury it definitively.

Juanito, a peaceful fan of bullfighting, has become picador's assistant to see from the same arena the show in which he brags he is one of the protagonists. Furthermore, he believes he has discovered in a neighbor a potential figure of bullfighting sphere.

In Extremadura, Spain, Pascual Duarte, a humble, simple and ignorant peasant, condemned to a boring and humiliating existence with no future, commits a horrible act during a day of such heat that enervates his disturbed mind and his anger, which he will not be able to calm down until, after following a bloody path of senseless violence, he faces his own tragic destiny.

In Carlos Saura’s exquisite Cría cuervos…, Ana Torrent portrays the disturbed eight-year-old Ana, living in Madrid with her two sisters and mourning the death of her mother, whom she conjures as a ghost (an ethereal Geraldine Chaplin).

Angel is a poacher who lives in the forest with his domineering mother. One day he goes to the city and meets Milagros, an escapee from a reform school and the lover of a known criminal so he takes her to his house in the mountains.

In a fictitious South American country there's lots of political tension, the labor-unions have all their members on strike. The public demands the return of politician B. from exile. However private trucker Pal can't afford to strike, so he's beaten up and his truck burned. In the headlines he's described as strike-breaker. This is only part of an intrigue which shall get him to murder B.

When the single middle-aged Luis travels from Barcelona to bury the remains of his mother in the vault of his family in Segovia, he is lodged by his aunt Pilar in her old house where he spent his summer of 1936 with her. He meets his cousin Angelica, who was his first love, living on the first floor with her husband and daughter, and he recalls his childhood in times of the Spanish Civil War entwined with the present.

A woman living in a small town discovers after fifty years that she is actually a man. Will she change her sex and suffer the reaction of a narrow-minded society?