Fight Choreographer
In Part I we see the young would-be swordsman setting out to achieve greatness in war, achieving nothing because fighting on the losing side, & then beginning his long period of wandering & training, with the goal always in mind of his duel with Kojiro. Part II builds toward that great duel on Ganryu Island, with considerable focus on Musashi's planning & forethought as to how to gain an advantage.
Choreographer
The adopted son of an Osaka courier falls in love with a prostitute and, discovering that she is about to be purchased by a client, steals money from his employer to redeem her. Hunted criminals, the two young lovers take flight to Yamato, but, as in Chikamatsu's other domestic tragedies of love and duty (known as sewamono), they must be pursued and their passion destroyed by death. Favourite Uchida themes, such as the indenturing of a prostitute (cf. YOSHIWARA; A BLOODY SPEAR AT MT. FUJI), and his characteristic emphasis on performance and theatrical artifice re-emerge here; but the daring device of having Chikamatsu appear as a character - not unlike having Shakespeare interpolated into a film adaptation of one of his plays - is just one of many surprises this remarkable film holds. “Extraordinary” (Donald Richie).
