Mateo Guzmán

When his father dies, Eliécer is left in charge of his half-sister. The decision not to take responsibility, forces him to the mission to take the girl to the capital to find her mother who abandoned her when she was a baby.

The piece, an experiment that begins on the skin, in the skins of a family that spoke in silence about a tropical dictatorship in the 1980s, the dictatorship of a house. The skins whispered silently and their voices were heard in the corners, on the walls, in the cooking pot, on the soupspoon, on the wet beans. As the soldiers marched in the streets, the echo of their footsteps resonated in the walls of the home of a military man’s family, a house where the words were forgotten. With few oral resources, some photographs and some stolen confessions, the director proposes an exploration that goes from the personal to the political through a fictionalized experience of the family story related to the dictatorship of Panama.

Many years ago, Cebaldo bade farewell to his family, who are members of Panama's indigenous population. Now, working in a Portuguese fishing port, he is overcome by nostalgia every evening and plays a melancholy song on the jukebox in a café.

In a small village on the edge of the war between the military and the cartels, a little boy escapes to the forest to plead to the gods of nature for his disappeared mother's safe return.

A young woman discovers she was submitted to several surgeries to correct her intersexual body as a baby. She has to find her own self outside gender binaries.

What seems to be the story of a promising young artist, Tito Lombana, and that of his romance with an intelligent and liberal Italian, begins to dress in shadows. Why the most famous work of Lombana, "The old shoes" (in Cartagena), is not accredited to his name? What is the reason for the taboo that covers it in your own family? The granddaughter of the artist explores the life of his grandfather without sparing himself uncomfortable questions. Through the testimonies of his wife, his family and the people who knew him, the character reveals his folds... From FICCI

Two filmmakers from different countries explore the memories of their mothers, to create a narrative fiction concerning the recovery of life.

Alfonso is an old farmer who has returned home to tend to his son, who is gravely ill. He rediscovers his old house, where the woman who was once his wife still lives, with his daughter-in-law and grandson. The landscape that awaits him resembles a wasteland. Vast sugar cane plantations surround the house, producing perpetual clouds of ash. 17 years after abandoning them, Alfonso tries to fit back in and save his family.

Belisario's wife is very ill. A healer comes to meet them. He gives Belisario the mission of climbing the Andes to bring back a powerful object buried in the snow and try to save her.