Sohn In-ho

The daughter of a restaurant owner gets kidnapped. The water boy (who's almost a girl because his wee-wee was chopped off) want to free her. But therefor he first has to become a real man with real kung fu skills. So he starts training with an old guy

When a young boy finds himself alone in the world when his adoptive father disappears after a fight, his first thought is to go to Shaolin.

The film based on the true story of Kim Gwang-seon, a mineworker who survived a collapse of Gubong Mine in August 22, 1967. The story focuses on the importance of saving a life, and the survivors' will to live.

With superb artistic sensibility, the film depicts the bleak reality faced by Korea’s youth during the late 1960s, when the country was hurtling toward the Constitutional revision enforced by President Park Chung-hee to ensure the longevity of his government.

"A Long Goodbye" - Taken in by an elderly woman and raised as her own, a boy spends all his days dreaming of the time when he can be reunited with his lost parents.

An oriental doctor Kim Hak-gyu is a cantankerous man who is the longest-term householder in a small village in Seoul. He often causes domestic trouble by being nasty to his wife and his children. Kim Hyeon-ok, a daughter of a young widow who runs Nahana Beauty Shop, is in love with Choi Du-yeol, an obstetrician across the street. Kim Hak-gyu has great distaste for western medicine, and at the same time, is jealous of the obstetrician. He always gets in the way of Choi Du-yeol. Kim's son, Hyeon-gu, dates Jeom-ryae, a daughter of a bar owner.

A poor boarder inherits 30 million dollars from an American soldier whose life he saved during the Korean War. The stingy landlady instantly turns into a completely different person, women swarm around him, and charities ask him for donations. Gangsters come forward and try to kill him...

Son Hak-su (Kim Seung-ho) is a middle school teacher who barely gets by on his income because he's paying off a monthly mortgage for his welfare housing facility sold by the government. One day, Mr. Son and his wife make the acquaintance of a U.S. immigrant Charlie Hong (Heo Chang-kang) who is engaged in the smuggling business.

A young sailor arrives in Busan Harbour; an outrageous-looking, woolly bear of a man appears in downtown Busan with a shotgun over one shoulder, a heavy knapsack thrown over the other; a tough-looking young woman joins her friend in robbing a naïve fat man in a suit. The strands of character and story will slowly converge, well after the audience, tuned to the coincidences and mistaken identities of melodrama, has recognised that these three have a shared history and are fated to meet and reconcile.

When his wife sees him helping his boss' lover, a low-level manager finds his marriage in shambles

A middle-aged man is so crazy about his mistress that he doesn't care about what happens to his family. The feud between his children by his wife and by the mistress gets worse until the family almost breaks apart.

A man tries to raise his two sons and two daughters under some of the most adverse conditions known to man. The father operates a horse-drawn cart, but in a city that is modernizing after the destruction of the Korean War, automobiles are making carts obsolete. The children are experiencing difficulties as well. The eldest son has flunked the bar exam twice and is not hopeful of passing it a third time to become a lawyer. The eldest daughter is mute and married to an abusive husband. The younger daughter tries to pose as a rich university student to move up in life. The youngest son has a penchant for petty theft.

Chun-hyang, the only daughter of an old gisaeng named Wolmae, falls in love with Lee Mong-nyong and promises to marry him. But Lee leaves for Seoul with his father who's an aristocrat, and the new governor, Byeon Hakdo, covets Chun-hyang because she is the most beautiful girl in town. When Chun-hyang rejects his order to serve him at night, Governor Byeon sends her to jail. In the mean time, Lee passes the state exam and becomes a special undercover agent of the king. He comes back to where Chun-hyang lives to save her and punishes Governor Byeon

Chun-hyang, the only daughter of an old gisaeng named Wolmae, falls in love with Lee Mong-nyong and promises to marry him. But Lee leaves for Seoul with his father who's an aristocrat, and the new governor, Byeon Hakdo, covets Chun-hyang because she is the most beautiful girl in town. When Chun-hyang rejects his order to serve him at night, Governor Byeon sends her to jail. In the mean time, Lee passes the state exam and becomes a special undercover agent of the king. He comes back to where Chun-hyang lives to save her and punishes Governor Byeon

Following the death of his parents, Yeong-cheol shines shoes in the streets, struggling to care for his sick younger sister Yeong-hui and make ends meet. Despite the persuasive efforts of low-life criminal boss Wang-cho, pickpocket Jjang-gu, and prostitute Mi-hwa, Yeong-cheol vows to lead an honest life by looking after Yeong-hui with cigarette salesgirl Myeong-sun and helping newly arrived shoeshine boy Dong-seok settle in. However, a tragic accident forces Yeong-cheol to make an important decision that may change his life. ※ Sharing the same Korean title with Vittorio De Sica’s classic Shoeshine (1946), this film was noted at the time of release for its strong neorealistic approach. All of the picture elements have been lost and only 4 original sound negative reels (around 40 minutes) survive today. The plot summary and scene descriptions have been added in the form of title cards as well as a selection of production stills to aid the viewing experience.

A piano composer's family moves into a new house; when his pregnant wife collapses from working to support the family, he hires a hot housemaid to help with housework.

Mr. Park raises his children by repairing charcoal pits. Although ignorant and stubborn, Mr. Park has a good heart. He is displeased, however, with his eldest daughter, Yong-sun (Jo Mi-ryeong), because of her close relationship with Jae-cheon (Hwang hae), who is a scamp in his eyes. He is also unsatisfied with his second daughter, Myeong-sun (Eom Aeng-ran), for liking Ju-sik (Bang Su-il). Only his eldest son, Yong-beom (Kim Jin-gyu), is the apple of his eye, as he approves of his son's wife, Jeom-rye (Kim Hye-jeong). When Yong-beom is sent to a foreign branch office, Mr. Park is against it at first but approves of it, as he knows what it means for his son's future. Eventually, too, he begins to approve of his two daughters' relationships.

A thousand-year-old snake that has transformed itself into a human, Madame White Snake (Choe Eun-hui), falls in love with a young pharmacist named Heo-Seon. Although they encounter difficulties, they are wed, and their love for each other does not change. However, Beophaeseonsa (a Zen priest) and Gwaneumbosal (the Buddhist goddess of mercy) order Madame White Snake, who had transformed into human without being granted permission to do so, to return back to the world of the gods before July 7. Grieving, she prepares to say goodbye to her beloved husband. But before she can return to the world of the gods in time, she falls into a trap set by Dae-yun (Choe Sam), who is attracted to her. Because of the trap, she is not able to keep the promised deadline, and ends up risking her life to save her husband.

Captain Kim is grievously wounded in the first days of the war. When the northern troops continue their advance, his wife and small daughters flee south to Taegu, dragging him along in a two-wheel handcart. His wife struggles to keep herself and their surviving daughter alive. Working as a market trader, she meets a kind young man -- who happens to be tall, dark and handsome.

Heo Seung, who states that he was “born from soil, will live in soil, and die in soil”, becomes a lawyer in Seoul. However when villagers in his hometown are imprisoned for protesting against Japanese oppression, he decides to return to his village and rediscovers the true way to help his country.

A middle-aged man is laid off from work but is too proud to tell his family. His children, however, learn of the situation and take jobs of their own to help him save face.

Would-be feminist Yoanna, running her own company, is insulted in a phone booth by a stranger named Yong-ho. While searching for a job, Yong-ho applies to a magazine named 'The Modern Woman,' not knowing that the company's boss is in fact Yoanna. She hires him with the intention of paying back the humiliation she received. But his masculine attitude captivates her and she ends up marrying him. She resigns her post and becomes a housekeeper, handing over the company to her husband.

Upon hearing that her fiance has been killed in battle, a woman makes her way to the Park Pagoda to seek comfort from the monument. There she becomes acquainted with Henry Jang, a Korean-American whom she eventually marries. There is no happy ending for the two, however, because her fiance shows up alive and well, but bitter over his lover's fickle nature

A 10-year old girl in a mining town, separated from her family, keeps a diary which becomes a best-seller.

The son of a freedom fighter, Sang-hun is a member of an anti-Japanese resistance group called "Seongjinhoe," composed of students who share a dedication to the cause of liberation. Their spiritual guide is a teacher named Song Un-in. One day, Yeong-ae, whose brother is a detective in the Japanese police force charged with monitoring independence movements, joins their group. Following a series of sporadic incidents, the students gather one night to resolve on an uprising, but are discovered by the police. Young-ae is wrongfully accused of betraying their plans, but she risks her life in order to allow the group members to escape. The morning after, the students of Gwangju rise up against the Japanese government.

Lee Suk-hui (Choe Eun-hui) lost her husband to the Korean War eight years ago. She runs a dressmaking shop that has fallen into debt. When Kim Sang-gyu (Kim Jin-gyu), the executive director of a publishing company, helps her pay off debts, she falls in love with him. He, however, is engaged to the daughter of his boss, Ok-ju (Do Geum-bong). His sister (Ju Jeung-nyeo) pushes him to marry the boss's daughter, hoping that will bring him rapid success. Meanwhile, Suk-hui's grown-up daughter Gyeong-hui, wanting her mother to be happy, urges her mother to marry Sang-gyu, but Suk-hui vacillates between social mores and her own happiness. Even though she and Sang-gyu truly love each other, she decides to leave him and heads for her country home after selling her house in Seoul. Hearing the news, he who is ill in bed hurries to Seoul station, but it is too late. All he can do is just to stand on the platform and to watch her train pulling away.

A medical doctor, Ko, has three daughters. The first daughter, Suk-hee, confesses her past when her husband asks her to forgive his past, on the first night of their honeymoon. When he breaks off the marriage and goes to America, Suk-hee confines herself to her home for three years.