Víctor González
Birth : 1959-01-01, Jujuy, Argentina
History
Víctor González is an Argentinian cinematographer and filmmaker. He co-founded Kinofilm with Vanina Spataro, an independent film production company headquartered in Buenos Aires.
Director of Photography
Heartbroken, Maite arrives at a coastal town where the few residents live out their lonely lives. The peace soon disappears, when they come across an unconscious sailor on the beach one day, prompting Maite to decide whether to move forward and create a new life or remain stranded on those shores.
Producer
Heartbroken, Maite arrives at a coastal town where the few residents live out their lonely lives. The peace soon disappears, when they come across an unconscious sailor on the beach one day, prompting Maite to decide whether to move forward and create a new life or remain stranded on those shores.
Director of Photography
Rosario in the 80s. The disappearance of a man during the military dictatorship. Two young people from the court must do everything possible to solve the case while facing police corruption and various dangers that put their lives at risk.
Writer
A well-intentioned novice priest tries to stay out of two older clerics' criminal scheme. Until money and a girl come into play.
Director
A well-intentioned novice priest tries to stay out of two older clerics' criminal scheme. Until money and a girl come into play.
Director of Photography
It’s the late 1950s, and in an affluent and quietly respectable part of Buenos Aires, young Sulamit Löwenstein strikes up a friendship with her next-door neighbour Friedrich over the whereabouts of her family dog. She is the daughter of German-Jewish immigrants to Argentina, he is the son of a senior SS officer, a tragic political legacy from whose shadow both characters struggle to escape over the next three decades. Following the teenaged Friedrich to Germany, Sulamit finds him caught up in the radical politics of late-1960s student life; and she’s forced to make important decisions about her attitude to her homeland when Friedrich returns to Argentina to join the fight against the military junta.
Director of Photography
Director Andrés Di Tella travels for the first time to India in search of his Indian mother's past only to find unexpected facts.
Cinematography
A country boy tries to find his place in Buenos Aires. He goes to live with his cousin in the outer suburbs and works as a parapalos ("pin setter") in one of the city's last hand-operated bowling alleys.
Director of Photography
Pedro, a Falklands veteran, cannot forget the days when he was in the trenches, nor can he forget Raúl, his best friend, who stayed forever in that desolate place of nightmares.
Camera Operator
Pedro, a Falklands veteran, cannot forget the days when he was in the trenches, nor can he forget Raúl, his best friend, who stayed forever in that desolate place of nightmares.
Cinematography
The problems of a young man, his pregnant girlfriend and his lover.
Producer
A portrait of a couple, living in poverty and prostitution. Couple is joined by a second woman, and problems escalates.
Writer
A portrait of a couple, living in poverty and prostitution. Couple is joined by a second woman, and problems escalates.
Director
A portrait of a couple, living in poverty and prostitution. Couple is joined by a second woman, and problems escalates.
Director of Photography
A young father takes his son on a journey away from Buenos Aires and through the strange and wondrous world of rural South America. The man is unemployed and separated from the boy's mother. The trip teaches the man to rediscover both the world outside urban Argentina, and also to rediscover his son.
Director of Photography
Between 1976 and 1982 thousands of citizens were kidnapped, tortured and killed in Argentina. How do Argentinians cope with this tragedy? How do they elaborate their recent past?
Script
A man steals a warehouse and, to hide from the police, enters a house where a girl and an old man live. Short film made by Víctor A. González (\" Ciudad de Dios \ ") during his time at CERC (Centro of Experimentation and Filmmaking), which earned him the ban to continue directing within the institution.
Director
A man steals a warehouse and, to hide from the police, enters a house where a girl and an old man live. Short film made by Víctor A. González (\" Ciudad de Dios \ ") during his time at CERC (Centro of Experimentation and Filmmaking), which earned him the ban to continue directing within the institution.