Kevin Pontuti

History

K Pontuti is a trans / non-binary artist and filmmaker based in northern California. Their debut feature film The Yellow Wallpaper won best narrative feature at the Topanga Film Festival. Pontuti writes, produces, and directs film projects, primarily in the elevated horror genre, through their production company Hysteria Pictures. They also create drawings, photographic, and multimedia works under their brand Anything 4 Another Day. Additionally, Pontuti is a professor, and chair of University of the Pacific's Department of Art, Media, Performance, and Design.

Profile

Kevin Pontuti

Movies

The Yellow Wallpaper
Producer
A dark and disturbing adaptation of Charlotte Perkins Gilman’s controversial gothic feminist horror story about patriarchy and hysteria. Jane, a writer and young mother, is prescribed a rest treatment by her physician husband John, who takes her to a remote country estate for the summer. She becomes obsessed with the peculiar yellow wallpaper in the bedroom he has chosen for her. In her isolation, she secretly writes about a woman trapped in the wallpaper—that she must free.
The Yellow Wallpaper
Director
A dark and disturbing adaptation of Charlotte Perkins Gilman’s controversial gothic feminist horror story about patriarchy and hysteria. Jane, a writer and young mother, is prescribed a rest treatment by her physician husband John, who takes her to a remote country estate for the summer. She becomes obsessed with the peculiar yellow wallpaper in the bedroom he has chosen for her. In her isolation, she secretly writes about a woman trapped in the wallpaper—that she must free.
The Yellow Wallpaper
Writer
A dark and disturbing adaptation of Charlotte Perkins Gilman’s controversial gothic feminist horror story about patriarchy and hysteria. Jane, a writer and young mother, is prescribed a rest treatment by her physician husband John, who takes her to a remote country estate for the summer. She becomes obsessed with the peculiar yellow wallpaper in the bedroom he has chosen for her. In her isolation, she secretly writes about a woman trapped in the wallpaper—that she must free.
Vanità
Director