Miguel Sesé Guillot

An outrageous comedy about a group of radical anarchist squatters who inadvertently overtake the Cuban Embassy in Madrid at the very same time that Fidel Castro announces Cuba's first democratic elections.

Joseph and Helen, who had been boyfriends, there meeting some years later and fall madly in love again, but now the two are married. His hard and clandestine love story addition is determined by the circumstances of the times in which they have lived: the last years of the Franco regime and the beginning of the transition.

During the Spanish Civil War (1936-1939) a Republican detachment occupies a huge mansion near the front. One of the daughters of the owners of the house falls in love with a soldier, a young priest who seeks to keep hidden her condition.

Peter is a widower who writes crime novels, signing as Peter P. Peter, and is about to marry Beatriz (Analia Gade), a widow who proves to be a ruthless woman who makes his life miserable. As an expert in inventing crimes committed by his characters, he imagines a plan to get rid of his new wife. The trouble is that she also plans to kill him.

An old priest, who has old ideas, is intended to exercise the apostolate in a neighborhood in the suburbs of Madrid. There the revolutionary climate and anti-religious character of the congregation thwarts all his attempts to attract them. The Archbishop admonishes him and asks to renew his methods, using the example of a young priest of a modern parish. The old priest tries to apply in his environment what he has seen in the parish model, setting off a chain of events.

Diego, retired from flamenco due to an illness, is obsessed with the memory of Antonia Jiménez, a beautiful woman he loved in the past and with whom he formed an artistic duet. Now, after having triumphed on the stages of half the world, she returns from America, while he is dedicated to survive in the suburbs of Madrid mixed up in shady business. He kills the man who stole his woman. A tragedy could be sensed in the air.

Hector travels with Luisa by the road linking Madrid with Barcelona. When another car suddenly crosses his path, his vehicle leaves the road and plunges into a tree. Hector dies and she is seriously injured. The other car was occupied by Jorge and Paula, her lover. Several vehicles cross before the car crash and do not stop, each for a different reason. Among them is Julio, a truck driver who does not stop in order to reach his destination on time, not knowing that at the wrecked car travels his old girlfriend.

Lola and Maria are two Spanish young ladies engaged to Franz and Pepe, all so eager to spend their honeymoon that the moment seems never to come, as all sorts of problems pave their way.

In a sector of Madrid inhabited by families of a well-off class, a gang of boys and girls has continuous fun, sleep and drink, while their parents ignore practically everything. However, each of these young people has, to a greater or lesser degree, a problem. The parties and parties enjoyed by a group of young people from the upper class are the basis of the story that explains this film. Among them we find the famous couple, once happy, formed by Carlos Larrañaga and María Luisa Merlo. Directed by Fernando Palacios, and with a script by Rafael J. Salvia and Pedro Masó, " It's always Sunday " has no greater intention than entertainment, despite giving history a certain sociological touch, for that of valuing the behavior of the Youth of the time.

In the resort of La Molina an international competition is held and ski racers from different countries come to Barcelona. They become friends, especially Nuria and Ramon, but Nuria already has a boyfriend