Mónika Mécs

The film brings together various everyday and relationship stories from Budapest that at first glance have nothing in common. A sequel to Fliegauf's 2003 film 'Forest'

No equal signs of justice can be drawn between those who are accused of a crime, those who are convicted of a crime and those who are the true offenders. That triangle always contains the accused who are not guilty and true offenders whose guilt cannot be ultimately proven. Throughout history, one of the greatest deviations in the strive towards equality has occurred in the triangle of guilt in sexual crimes, where guilt is largely proven on the basis of a woman’s will.

A sea captain makes a bet in a cafe with a friend that he will marry the first woman who walks in.

A man who lost his wife and daughter in the Holocaust and a girl who lost her parents meet. Knowing each other′s emptiness, they become like father and daughter. It is the beginning of a sad love that the world cannot accept.

A mysterious wanderer (Isaach De Bankolé) settles into a strange homestead on the parched Hungarian plains populated by an odd assortment of outcasts, in this stunning, dreamlike reverie from ambitious director Szabolcs Hajdu.

Interviews with 3 people who had near death experiences.

While cleaning offices at night, Zsolt Kovàcs learns a lot about his invisible employers by examining what they leave behind, carefully choosing his targets, often disillusioned women whom he seduces, methodically taking their money. An artist of manipulation, with a generous dose of humor and the ability to assume different personalities, Zsolt begins to work in a psychologist's practice, where he meets Hanna, a 30 year-old dancer who is physically incapacitated and the daughter of a millionaire. The ideal victim if love doesn't get in the way.