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King Bee is a time-lapse documentary/comedy about contemporary society and times. The collective portrait of the people of Spišský Hrhov – a Slovak village featured in the New York Times – strives to find answers to whether or not ideal community life is still attainable. In the 21st century, our society emphasises the importance of individual self-realisation, thus forgetting about our interdependence. Are we just going to bitterly, yet with admiration, watch the prosperous bee kingdom?
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In her documentary on Hungarian-Slovak relations, Vladislava Plancíková focuses on the word "felvidék", which refers to the now non-existent northern part of Austro-Hungary. In a personal collage consisting of the stories of members of her Slovak-Hungarian family and of visual references to historical events, she follows the eventful and today often taboo history of the post-war fate of Hungarians on Slovak soil. The abstract topic grabs our interest not only through the witnesses' testimony, but also by using thre novel technique of animating real objects, including a number of contemporary and modern photographs.
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Part documentary, part mockumentary and part stranger-than-fiction lesson in guerilla tactics, Velvet Terrorists is a quirky profile of three very different men and their former attempts to take down the communist regime of Czechoslovakia – by blowing the hell out of it. Having all spent time in prison for their crimes, one-time bombers Stanislav, Frantisek and Vladimir muse on their personal histories, the fall of the regime and their journey into middle age.
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