André Asriel

Abel Hradscheck, the owner of an inn in the Oderbruch country, faces financial ruin. For this state of affairs, Ursula, his wife and former actress, is by no means free of blame. She is a "newcomer" to the area and even after eleven years in the area, still a "stranger". A Cracow company announces that a money-collector is on his way to the innkeeper. Mr. Szulski arrives and the debts are settled - with money supposedly stemming from an inheritance. The next day, Szulski departs but according to the maid and the stable-boy, behaves in a very strange manner. Soon afterwards, his carriage is discovered in the Oder River, but there is no trace of the drowned man. Hradscheck's neighbor starts casting suspicion on the innkeeper. The Counselor of Justice, who heads the investigations has the spot under the pear tree dug out. A dead body is exhumed...

Young seminary student Franziskus (Benjamin Besson) has been ceremonially ordained. He wants to escape the harshness and injustice of the world and devote himself to the service of God in the quiet seclusion of a monastery. He is also hoping to forget the beautiful lady Aurelie (Jaroslava Schallerová), whose life he saved in a flooded brook and with whom he spent an amorous night. He knows that her father would never allow her to marry him. But the devil dressed in a monk's habit and under the name Viktorin (Andrzej Kopiczynski) intervenes in Franziskus's destiny and attempts to lead him astray. To do so he first uses the diabolical elixirs kept at the monastery as a rare relic. When the young monk gets expelled from the monastery, Viktorin prepares another trap with the help of Aurelie's stepmother Euphemie (Milena Dvorská).

August 24, 1937: a day in the life of expressionist sculptor and author Ernst Barlach (Fred Düren). Barlach lives in the small town of Güstrow, keeping to himself and wanting to steer clear of politics. On this day he learns that the Nazis have dragged his famous 1927 sculpture The Hovering Angel out of the Güstrow Cathedral. Barlach begins to reflect on his life of “inner emigration” and on his work.

East German television film.

Film by Ralf Kirsten.

Hans Müller finds himself on a trip in Thüringen, accompanied by his loving female friend, Moritz. Hans doesn't understand much about trust, which constantly leads to problems between the two of them. During one of their fights, Lady Venus intervenes and sends the young man back to the Middle Ages - so he can learn the true meaning of love. Disguised as Tannhäuser, he has to stand his ground against a horde of minstrels. At a singing competition, he blunders, without the support of Moritz, who had also been thrown back into the 13th century. And with the help of Frau Venus, his adventure will surely turn out even worse...

In a reception camp for ethnic Germans in Eisenach, the director gets to know the girl Doris S. who went to West Germany and came back. This film interview tells the story of her individual fate in a divided Germany.

A wild story set in eighteenth-century Prussia. Alexander can do everything that a real devil of a fellow must be able to do: ride, shoot, love and devise clever plots. As a result, he is able to climb the ladder from herder to chamber master, where he makes a fool of the feudal lords.

The World War II. 1944. Nazis staged a cache which stores archival documents of its agents, rescued from the east during the retreat, near a small German town Ostburga.

Carolin lives in the East and works in a West Berlin bar. After the building of the wall she tries to persuade Georg, a soldier of the border regiment, to let her cross over. He falls in love with her and defends her against a West German pimp with a punch to the jaw.

The story of the steel melter Martin Hoff, whose factory delegates him to a drama school, corresponds to the real life of the actor Manfred Krug. Like his (film) hero, Krug works as a steel melter, does artwork, sings and acts, and is sent to drama school. Like his hero, who behaves anarchically and conspicuously, Krug is soon expelled from school.

Film by Joachim Hasler.