Director of Photography
A boy dreams of being a man like the ones he lusts for. Does the man he becomes live as he imagined?
Producer
A boy dreams of being a man like the ones he lusts for. Does the man he becomes live as he imagined?
Director
In the first scene of this screenplay, there is something I call "the prologue". The image of an erect dick trying to stay standing. I understood during the various modifications of this script, that this scene, "the prologue", was a movie in itself. And it is this experience that I wish to provide to the audience: the observation of a falling object struggling to stay standing. This object subjectively represents thousands of symbolisms for our culture, but I leave this symbology to your imagination.
Ana Brasil
A film about love, also a memoir, about the trip made in the 1970s to Morocco by Jarda Ícone, an artist, sexologist, and octogenarian rocker, as she defines herself, and Lírio Terron, a human rights activist. In fact, a journey that is not over in their lives. Jarda Icon teaches classes on how women can obtain their own orgasm. With her group of disciples and friends Ana Brasil, Sheyla Fernanda, Caroline Sylvie and Lakshmi she develops self-sustainable feminist and artistic projects. The film is political, but not at all politicized in the traditional sense. It is an ode to the underground and counterculture movements, it is a hymn to freedom, and its title is also a tribute to Oswald d Andrade, one of the main names in Brazilian modernism.
Production Assistant
A film about love, also a memoir, about the trip made in the 1970s to Morocco by Jarda Ícone, an artist, sexologist, and octogenarian rocker, as she defines herself, and Lírio Terron, a human rights activist. In fact, a journey that is not over in their lives. Jarda Icon teaches classes on how women can obtain their own orgasm. With her group of disciples and friends Ana Brasil, Sheyla Fernanda, Caroline Sylvie and Lakshmi she develops self-sustainable feminist and artistic projects. The film is political, but not at all politicized in the traditional sense. It is an ode to the underground and counterculture movements, it is a hymn to freedom, and its title is also a tribute to Oswald d Andrade, one of the main names in Brazilian modernism.
Flávio loses his sexual appetite editing porn videos. José, his husband, is trying to create an equation that determines when humans will colonize Mars. Flávio is focused on a more internal journey, and José is trying to find ways to bring Flávio's lust back. Meanwhile, Hypnos, god of sleep and youtuber, tries to give people back the art of rest.
The film is a poetic testimony of these women's relationship with their city: being foreigners, discovering their roots, trying to create art, experiencing urban violence, dealing with space, architecture and movement.
Director
The film is a poetic testimony of these women's relationship with their city: being foreigners, discovering their roots, trying to create art, experiencing urban violence, dealing with space, architecture and movement.
Writer
Director
Director
T H R E E S O M E is a collaborative film performance developed during the confinement between John Herman (Cologne, Germany), Thaís Almeida Prado aka Filmes de Infiltração (São Paulo, Brazil) and Va-Bene Elikem Fiatsi aka crazinisT artisT (Kumasi, Ghana).
T H R E E S O M E is a collaborative film performance developed during the confinement between John Herman (Cologne, Germany), Thaís Almeida Prado aka Filmes de Infiltração (São Paulo, Brazil) and Va-Bene Elikem Fiatsi aka crazinisT artisT (Kumasi, Ghana).
After theirs father's death, Carl and Ana decide to go to Germany to rescue his unknown story. There, not only will they discover familiar tracks, they will confront and recognize themselves, to move forward in their lives.
Assistant Director
The feature-length documentary Fakir portrays the success of fakirism in Brazil, Latin America and France. This circus art origin show is presented and analyzed through archives that reveals the success of these presentations with their pain resistance championships and the great public presence, including politicians and government officials. Fakir spans current footage from contemporary artists who keep this art alive in performances and shows.
Producer
The feature-length documentary Fakir portrays the success of fakirism in Brazil, Latin America and France. This circus art origin show is presented and analyzed through archives that reveals the success of these presentations with their pain resistance championships and the great public presence, including politicians and government officials. Fakir spans current footage from contemporary artists who keep this art alive in performances and shows.
Thaís
New York City attracts Jane and Carlos, like so many others, with the promise of a better life. That's why they've left their home country, Brazil. Yet as immigrants, they don't have all the opportunities that the American dream implies. Their search for a new and better life represents that of all the immigrants who dare to attempt a fresh start in another country. It is also the story of changes taking place in United States and Brazil. The fictional story about Jane and Carlos in this experimental film is intertwined with the personal experiences of the film team, which reports in interspersed episodes about their own immigration and that of others they've researched.
Widow
Marcelo, a 40-year-old dandy, has a memory like no other. Monologuing between coffee and hookups, he holds court on a wide range of topics: his status, his Catholic grandmother, and his unusual sexual fantasies. At times, he takes himself for Genghis Khan or poet-philosopher Novalis.
Script
I saw leaves that were moving. I thought: "It's a bird in its nest". I separated the leaves and looked; but there was no bird. The leaves continued to move. As I ran, faster and faster, I screamed. What moved the leaves? What moves my heart, my legs?
Patrícia Galvão (Pagu)
Essay on Eva Nil, the first star of Brazilian cinema.
Director
Terror. Horror. Terror. Humour.
Sound Designer
"Com Meus Olhos de Cão" (With My Dog-Eyes), is a "friction" film that mixes documentary elements from the life and work of the erudite composer Gilberto Mendes with fictional elements from the book Com Meus Olhos de Cão, by Hilda Hilst.
Director of Photography
"Com Meus Olhos de Cão" (With My Dog-Eyes), is a "friction" film that mixes documentary elements from the life and work of the erudite composer Gilberto Mendes with fictional elements from the book Com Meus Olhos de Cão, by Hilda Hilst.
Editor
"Com Meus Olhos de Cão" (With My Dog-Eyes), is a "friction" film that mixes documentary elements from the life and work of the erudite composer Gilberto Mendes with fictional elements from the book Com Meus Olhos de Cão, by Hilda Hilst.
Director
"Com Meus Olhos de Cão" (With My Dog-Eyes), is a "friction" film that mixes documentary elements from the life and work of the erudite composer Gilberto Mendes with fictional elements from the book Com Meus Olhos de Cão, by Hilda Hilst.
