Director
Touching and thought-provoking documentary western about a likable man who tries to live out his life's calling online as he feels outside the norms of non-digital society.
Director
Laura and Malik are tired of being in an insecure and indefinable love affair. They are therefore part of a cinematic experiment to find out whether they should call themselves boyfriends or go their separate ways. With the help of others in the same situation, they reconstruct episodes from the four years they have been together, record them in the real locations, and show them to each other in a movie theater. Through the movies-in-the-movie, Laura and Malik rediscover each other and confront their demons to find out why they can neither escape nor give in to each other. But in the end, they have to make a final decision.
Director
In three long, uninterrupted one-takes shot over a single summer’s day and night, the camera moves slowly through the park while the guests alternately react to the lens or try to ignore it. A gang of Pierrot clones mingle with the visitors. The film is an joint creation between students of the Royal Danish Academy of Fine Arts and the Danish Film School, initiated independently by the students. Using Bakken as a frame - historically, architecturally and socially - all the contributors helped develop the concept for both the film and the performative interventions in front of the camera, which are sometimes inseparable from the hedonistic and condensed semi-fictional universe that an amusement park is.
