Marie Castro

Two sisters, their families, and sometimes complicated lives.

In the Medina of Casablanca, Thami, a young man from a conservative family with a lineage of honourable Koranic lawyers, incenses his father as he decides to enter the profession of butchery. Whilst handling the meats, he soon discovers another taboo passion: women and love. “Love in the Medina” is about a journey of initiation, a quest for freedom and Thami’s revolution of romance in ever-changing Morocco.

Three women in their late thirties, one with marital problems, one trying to be perfect, and a spinster, discuss their relationship to men.

Félix Mandel, an internationally renowned astrophysicist, is married with a four-year-old son and often has his head in the clouds.

Eight-year-old Judith was plucked from everyday life to act in a film that was made in Paris. After returning home from the experience, she finds that her parents' marriage is on the rocks. She makes her way back to Paris with her friend Nora, and the two of them do what they can to survive.

Between Alice, a hospital nurse and Aldo, a shampoo sales representative, things have turned sour of late. Alice blames her husband for lacking ambition and contemplates divorce.One day Aldo wins the ten million euro lotto prize. But, unwilling to share the bonanza, he keeps mum about it, all the more as he finds out Alice has an affair with Gérard, Aldo's former friend and ... new boss. However, Aldo, leading a double life, starts spending his money ...

What should have been a simple family reunion turns into a settling of scores.

Françoise Barnier, the film's heroine, is a mother. One day, she stole something. She was in dire straits but no more so than usual. She was not in debt. She had always refused the degradation of excessive debt and charities, attempting to live in line with the rules laid down by society and the law. We follow her journey through the judicial institution. Here, two ideas of justice and law collide.

In the year 60 B.C. a group of Druids, including the arch-druid Guttuart (Max von Sydow), witness the passing of a comet and interpret it as the sign of the coming of a king for their country Gaul, which has not had a king for a long time. Guttuart goes to Gergovia, the capital of the Arvenes tribe, to attend a meeting of Gallic tribal chieftains. The young boy Vercingetorix, along with his friend the young girl Eponia, sneak into a large cavern where Celtill, Vercingetorix's father and chieftain of the Arvenes, hosts the meeting of chieftains with the intention of proclaiming himself king of all Gauls. When Celtill shows off the crown once worn by the old kings of Gaul, an arrow from two Roman spies (dressed as Gauls) hits Celtill in the back.

God comes to Earth in order to make a film.

Eight-year old Francois has moved from Paris to a quiet chateau with his parents who want to escape the stress of the war. In a nearby town, his father's mistress works as a tutor. Soon his father allows a refugee family of Polish Jews to move into the basement. Francois has a terrible crush upon their daugther. Real trouble begins when a Nazi commander and his unit also move into the house, totally unaware of the refugees living below them.

Victor Derval is returning home after a performance when he is hailed by Lisa, a young Hungarian woman. Her motives are mysterious; is she simply a star-struck peasant girl, or an ambitious, manipulative aspiring star?

Even among bombers and murderers, there is a social ladder, a hierarchy to climb. Jeremie is a mere bomber who blows up people and places for mobsters in Paris. He may not look it, scruffy lad that he is, but he is a sensitive fellow, and he feels his lowly status keenly. If only he could graduate to the ranks of hitmen, who are honored in his world, perhaps then he would feel more like somebody. He finally gets his chance when he receives instructions to kill the eminent hitman Max, who knows too much to be left alive. Instead of planning a cool and distant hit, Jeremie gets to know his quarry personally and thereby gets entangled in a mass of conflicting allegiances. Max has one more assignment and has asked Jeremie to help him with it. The hero-worshipping boy can't bring himself to knock of this classy guy. However, just having such an inept apprentice as Jeremie around is enormously dangerous for the soon-to-be-retired killer.

Canada, 1911. Narrated by a vulture, the story of Jesuit Joe, a mixed-race who belongs to a rebel Indian family, which have pay a lot for the defense of their territory. After having striped a policeman of his uniform, Jesuit Joe cross the Far North to give justice.

A Palestinian seeks Israeli permission to waive curfew to give his son a fine wedding. The military governor's condition is that he and his officers attend. The groom berates his father for agreeing. Women ritually prepare the bride; men prepare the groom. Guests gather. The Arab youths plot violence. One Israeli officer swoons in the heat and Arab women take her into the cool house. A thoroughbred gets loose and runs to a mined field; soldiers and Arabs must cooperate to rescue it. As darkness falls, tensions between army and villagers rise, and the groom's wedding-night anger and impotence threaten family dignity and honor. Can cool heads prevail?

After serving his sentence, a robber returns to his small, quiet hometown to retrieve the loot. But a ruthless Police inspector and his equally nasty young subordinate are after the criminal.

After a train accident, a woman survives and is mistaken for an other woman she just met on a train before the accident.

The sexual and social dysfunctional behaviour of the corporate elite are further aggravated when a naive married woman becomes the obsession of two wealthy suitors.

Paris, France, 1942, during the Nazi occupation. Robert Klein, a successful art dealer who benefits from the misfortunes of those who are ruthlessly persecuted, discovers by chance that there is another Robert Klein, apparently a Jewish man; someone with whom he could be mistakenly identified, something dangerous in such harsh times.

What does being a woman really mean? How do women live the status society reserves for them? A group of women, beautiful or not, young or not, gifted with motherly instinct or not, answer before Agnès Varda's camera.