Évelyne Bouix

Outvoted by his board of directors and hounded by the press, the Parisian CEO of a large company finds refuge for the weekend in a country inn run by his ex-wife.

Nicole invites her husband's two brothers and their wives for their housewarming party. Except that she also asked the assistant of one of them, the mysterious Talia, to come. This does not seem to please the other guests.

They stick to our skin and soul, our clothes. We believe we buy them, they own us. Warning ! these rags are traitors: far from dressing us they expose our complexes, our moods ... Clinging to their hangers, to our memories too, they exercise an underhand dictatorship. Snuggled up, huddled together, they build a bulwark against oblivion in our closets. Often stained for eternity with ink or redcurrant, impregnated with perfume, tears sometimes, piled up or messed up on our shelves, they remain forever linked to the happy or unhappy chapters of our life. It is through the evocation of their wardrobe that Gigi, Eve, Marie, Nora, Françoise, Amanda, Lisa and the others evoke the past, missed appointments and those that changed their lives, the joys and childhood revolts, giggles, disappointments, dramas, parties and hopes too…

Un conservateur terrorisé par les plantes vertes, une mère plastifiée pour être exposée, un ballet de Saintes Vierges, des gardiens épuisés par Rodin, un ministre perdu dans une exposition de sexes, une voiture disparue au parking Rembrandt, des provinciaux amoureux des Impressionnistes, touristes galopins galopant d'une salle à l'autre, passager clandestin dans l'art premier, Picasso, Gauguin, Warhol, ils sont tous là dans ce petit monde qui ressemble au grand, dans ce musée pas si imaginaire que ça, valsant la comédie humaine jusqu'au burlesque.

In the summer of 1938, in the heart of Indochina, a French colony, Pierre Balsan hear the latest news about conquering Czechoslovakia after Hitler invaded Austria. World War II will bring even more problems for Pierre Balsan, nicknamed Tiger, who will be charged with the murder of his wife.

This film follows father Ahmed and son Tarik Karaga during WWII and the Siege of Sarajevo.

France, 1940. German troops have just invaded the country, but in the rural idyll of the family chateau inhabited by 20-year-old Mellie with her impoverished aristocrat father Alexandre and adolescent cousin Robinson, the war still seems far away, apart from the fact that Mellie's rich and unpopular fiancé André has been drafted into the army. For Robinson and his friends the same age, including the temperamental Bertrand, the war is merely a game they play in the remoteness of the blue island in the lake.

Pierre Bazeille, a writer seeking a quiet place to work, sublets Félice's home, artist / sculptor in the Lot. While he is manic, meticulous and discreet, she is messy, cyclothymic and unpredictable. Living together will not go peacefully.

A respected German doctor, head surgeon of a hospital, sees his career jeopardized when a childhood love reappears.

Over the course of five seasons, this film chronicles a young woman's rise to power within a tempestuous all-female office. Employing elements of fantasy, realism, drama and satire, much of the story takes place in the confines of an oppressive looking steel and glass skyscraper owned by a powerful insurance company. Though the office is populated only by women, the place seethes with tension due to office politics and the personal turmoil suffered by the employees, something that the beautiful and outwardly ruthless office supervisor Carabosse does her best to ignore. When the ever business-like Carabosse finally gets promoted, she appoints Agate (the story's true protagonist) as her successor. Power corrupts and it does not take long for the compassionate Agate to transform into a copy of Carabosse.

Beaumarchais the Scoundrel is a biopic film based on the life of the French playwright, financier and spy Pierre Beaumarchais depicting his activities during the American War of Independence and his authorship of the Figaro trilogy of plays.

Paris during the 1920s. Ever since her parents' separation, ten-year-old Maisie has been travelling to and fro between her father Beale Farange and her mother Ida. She spends half a year with each one alternately. But neither parent can provide Maisie with the warmth and affection she so desperately needs.

The plot is about a trial against three men who tried to earn loads of money by illegal methods to get to Canada and about the lawyers and the judge who get on with the trial and who are being unfaithful to their couples.

The teacher Odile Langlois starts her new job in the elementary school of a small French town. She is elegant and mysterious - but most of all, she is very friendly to her new students, whose confidence she gains so quickly. On the contrary, however, Odile's unconventional, alternative way of teaching does not appeal to some colleagues and parents who do everything to get rid of the young teacher ...

A fight happens during a a big party organized by a couple for their housewarming

Suzanne has had an affair which so traumatized her that she is out of the running, romantically. Perhaps that is why she is roommates with her gay best friend, Marc. However, just because one isn't going out on dates doesn't mean never seeing or being seen by anyone, and, one day while swimming in a public pool, Suzanne is caught by surprise by a lovely young man. Her new acquaintance, Lucien, begins to spend time with her and Marc. Romance blooms among the threesome: Marc falls in love with Lucien, but he is unlucky in that: Lucien and Suzanne have become lovers.

A philosophizing uninvited hitchhiker terrorizes a writer, who's selling dictionaries while he's struggling with writer's block.

A couple who appears to have the perfect relationship finds their future in jeopardy following a scorching night of lust and debauchery in this erotic drama adapted from the controversial novel by French author Colette.

This fast-paced mystery is in part based on a novel by Yves Ellena and is at least equally based on the 1943 classic Le Corbeau, which in 1951 was produced in English by Otto Preminger as The Thirteenth Letter. In this movie, someone is using a pirate radio broadcast to dish the dirt on the lives of the elite of a small French town.

Jean-Louis and Anne have had their fling and separated. Now 20 years have passed. He is still dating various women. She is now a big-time director whose most recent film was a very expensive bomb. She comes up with the idea of making a romance based upon her fling with Jean-Louis. She contacts him to gain his permission. Jean-Louis is still in racing and goes away for a desert rally while she begins filming. She finds the mood of their romance difficult to recapture in her film.

Salomé Lerner just finished writing an autobiography. She goes to a TV show called "Apostrophes", hosted by French TV showman Bernard Pivot. Pivot then imagines a film that could be created from her gripping story. A film entirely made of music because after seeing the young pianist Erik Berchot, Salomé believes seeing her long lost brother, who was a musician as well. A brother she had lost along with her parents in 1943. However, the Lerners did in fact escape the gestapo and might have based themselves in Paris...

The movie starts with an interview with director Claude Lelouch. He pleads viewers not to disclose the plot of the movie after leaving the projection room. Even the movie's trailer shows only a long sequence of faces gazing speechlessly in space. "Like all my movies, this one is about a man and a woman", says Lelouch in the interview.

This tragic musical drama chronicles the star-crossed love between beloved French singer Edith Piaf and World Middleweight boxing champion Marcel Cerdan who died in a plane crash. The tumultuous affair is paralleled by the love affair of a French POW and his young pen pal who get engaged after writing to each other for four years and having never met. Their romances are framed by the sad, torchy songs of Piaf.

The story of Jean Valjean, a Frenchman convicted of minor crimes, who is hounded for years by an unforgiving and unrelenting police inspector, Javert.

The film follows four families, with different nationalities (French, German, Russian and American) but with the same passion for music, from the 1930s to the 1960s. The various story lines cross each other time and again in different places and times, with their own theme scores that evolve as time passes. The main event in the film is the Second World War, which throws the stories of the four musical families together and mixes their fates. Although all characters are fictional, many of them are loosely based on historical musical icons (Édith Piaf, Josephine Baker, Herbert von Karajan, Glenn Miller, Rudolf Nureyev, etc.) The Boléro dance sequence at the end brings all the threads together.

Klaus Kinski plays the role of a drifter on a motorcycle who happens to be passing through town immediately after a young school girl has been run over and killed by an unknown person on a motorcycle. The parents of the girl conspire to get rid of Kinski with the help of some of the locals including the town bully who recently had a run-in with Kinski in a pub over a woman. Kinski's only ally is the woman whose honor he tried to defend. Trapped in the town due to sabotage on his bike and a number of other incidents, Kinski soon realizes he is in real trouble.

Rien ne va plus is a series of comedy sketches of disparate quality, on the social, cultural, and political foibles that make the French, French. Various settings and character types are given a once-over, including pseudo-intellectuals, punk bikers, right-wingers, and patrons of a low-end cafe.