Pedro Díez del Corral

In 1939, Ramón was a young man, caught up in his Barcelona family's involvement on the Republic side in the brutal Spanish Civil War. He and his family fled into exile ahead of Franco's troops. Now it is many years later, and he has come back to see how his old homestead fared in the intervening years. The only person he can find who is able to remember those years clearly is his family's old butler Claudio.

After being estranged for 15 years, flamboyant actress Becky del Paramo re-enters her daughter Rebeca's life when she comes to perform a concert. Rebeca, she finds, is now married to one of Becky's ex-lovers, Manuel. The mother and daughter begin making up for lost time, when suddenly, a murder occurs...

After a robbery at a bingo hall, the girlfriend of one of the robbers escaped with the help of another woman tries to recover the loot from the raid. The problem is that some cops also want to do with the loot, to finance political assassinations.

This is a Spanish Drama starring Antonio Banderas

Poor gigolo tries to frame his rich mature mistress, but gets tangled in his own wiles.

This is the story of a man fighting with all his might for his life and his freedom. Eleuterio (”El Lute”) embarks upon an action-packed future, fuelled by the notions of freedom and dreams of living just as his countrymen, ever-growing in his mind. Nothing and no-one can stop him. After escaping the Puerto de Santa María prison, the reunion with his family is just the beginning of what will become an endless escape.

After a period of inactivity, Crisanto, a police inspector, returns to the service. When a friend of his is murdered, he decides to take over the investigation.

A set of nine stories whose central theme is eroticism. The different directors of the film deal from philosophical aspects to others that are almost pornographic, but always with a common denominator: sensuality.

Ana, abandoned by her husband, who confessed her having fallen in love with another woman, tries to restructure her life with another man, Andrés, but thinking of not getting married yet. They decide that they'll experience their relationship with full freedom of feelings, until their love lasts. Andrés is often ignorant but believes he's doing things well, cursed by the old ways he's been educated into. Ana herself is not even ready for anything new in her life, yet discontented with her new situation. The problems between the couple are not just financial, but more subtle, and inevitably disenchantment appears.

José is a happily married executive, with children, a flat in Madrid and a house in the suburbs. It's Friday and the weekend seems to follow the usual pattern: football match with mates, travel to the mountains and family visit. Nevertheless, José feels no motivated by his routine, he no longer distinguishes leisure from their obligations, all of which result in an unexpected final decision by his attentive wife.

After Paula's suicide, her best friend, Ana, recalls the circumstances that united both women in the past and how they lived a close relationship that could have become more than just a friendship if social conventions had not prevented it.

Persecuted by her controlling ex-husband, Rosa plots an escape

Madrid 1933. Aurora Rodriguez kills her daughter Hildegart and turn herself over to the police. In jail she remember the circumstances that made her committing the crime...

Spain, 1977. The first general elections are about to take place after the long dictatorship and the progressive environment of Madrid is easily palpable. Protagonists, Carmen and Juan were once married and now living separately, both have a child. It's one of the only reasons they maintain cordial to one another. Their separation, the political context and the contradictions of the progressives of the time will not defeat the affinity between the two.

Given the proximity of death, the experiences of the past come to the memory of Juan. In a fragmented, sometimes confused way, Juan relives the crucial moments of his life, always linked to the names of women. Moments that remind him of having missed numerous opportunities to be happy.

The particular storyline concerns memory, specifically the transference of chief scientist Professor Ulop’s memories to a mentally vacant physical subject. Considering this is a banal idea, and more-or-less certain to go horribly wrong (the alternative atavistic title Beasts Shouldn’t Look in the Mirror hints how), the visuals had better be good if this story is to keep the audience’s interest. And against expectations they actually are.

In a fictitious South American country there's lots of political tension, the labor-unions have all their members on strike. The public demands the return of politician B. from exile. However private trucker Pal can't afford to strike, so he's beaten up and his truck burned. In the headlines he's described as strike-breaker. This is only part of an intrigue which shall get him to murder B.

The lieutenant Miguel Aguirre's dream is to become a military pilot, but a dispute with a superior is about to make him abandon his studies, had it not been for the intervention of his mother and his girlfriend, Luisa. Miguel's first destination is Granada Air Base. There he meets an attractive young woman, Patricia, whom he takes for an American tourist.

The story of two loves: a young boy that fall sin love with a girl of his school, but she is more mature and finally forgets him; and the story of a man and a woman that live in an hospital for old people and can't see each other.