Toshirô Ishidô

In the Antarctic, after an expedition with Dr. Davis McClaren, the sled dog trainer Jerry Shepherd has to leave the polar base with his colleagues due to the proximity of a heavy snow storm. He ties his dogs to be rescued after, but the mission is called-off and the dogs are left alone at their own fortune. For six months, Jerry tries to find a sponsor for a rescue mission.

White-collar worker Yamashita finds out that his wife has a lover visiting her when he's away, suddenly returns home and kills her. After eight years in prison, he returns to live in a small village, opens a barber shop (he was trained as a barber in prison) and talks almost to no-one except for the eel he "befriended" in prison. One day he finds the unconscious body of Keiko, who attempted suicide and reminds him of his wife. She starts to work at his shop, but he doesn't let her become close to him.

About an establishment where old men pay to sleep besides young girls that had been narcotized and happen to be naked, the sleeping beauties. The old men are expected to take sleeping pills and share the bed for a whole night with a girl without attempting anything of bad taste like putting a finger inside their mouths.

Hiroshima is a 1995 Japanese / Canadian film directed by Koreyoshi Kurahara and Roger Spottiswoode about the decision-making processes that led to the dropping of the atomic bombs by the United States on the Japanese cities of Hiroshima and Nagasaki toward the end of World War II. Except as actors, no Americans took part in the production. The three-hour film was made for television and evidently had no theatrical release, but is available on DVD for home viewing. A combination of dramatisation, historical footage, and eyewitness interviews, the film alternates between documentary footage and the dramatic recreations. Both the dramatisations and most of the original footage are presented as sepia-toned images, serving to blur the distinction between them. The languages are English and Japanese, with subtitles, and the actors are largely Canadian and Japanese.

Shigematsu Shizuma lives with his senile mother, his wife Shigeko, and his niece Yasuko in a village near Fukuyama. He, his wife, his niece and his close friends in the village were present at the atomic bombing of Hiroshima. The Shizumas look for prospective husbands for Yasuko, but find that the families withdraw on finding out she was at Hiroshima.

Shipwrecked African-American slaves arrive in the midst of Bakumatsu-era Japan; they soon carve out a niche in the market with their musical talents.

A group of seemingly ordinary merchants is really a band of assassins for hire. When they discover that all the assassins in Edo are being killed they must act quickly to find the culprit.

Nakata, an author, resides utilizing the painful memory regarding the death of his partner, whoever life had been cut short a few many years earlier. Ended up being it a crash or ended up being it suicide? Doubt persists. In order to escape his guilty Nakata, conscience gives up on marriage and fatherhood. Hence freed, he embarks on an obsessive intimate records and jeorney his activities in a book, "The Dark Room". A philisophical essay on sexuality, reproduction and the fate of mankind.

Two Japanese scientists, Ushioda and Ochi, develop a bond with their sled dogs while on an expedition in Antarctica.

A thief, a murderer, and a charming lady-killer, Iwao Enokizu is on the run from the police.

Two yakuza, one of whom frequently reflects on an uncomfortable past taking advantage of Korean women, meet a stowaway on Japanese soil from across the Genkai Sea.

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The young houseboy in Uta wakes up every night to patrol the house of a teacher with a flashlight. He leads an austere life of meditation and he focuses his devotional attention on writing inscriptions for tombstones.

About two student couples who become members of an obscure sect. The cult seeks a prehistoric utopia with free sex and without society's norms and values. The students are torn between ambient pressure and the sect leader's authority to organ music in the creative camera angles.

Near a remote Buddhist monastery, a young man falls in love with his sister and gets her pregnant. After a monk finds out, the young man becomes an assistant to a master sculptor, only to proceed to complicate matters with his affairs.

A Korean man is sentenced to death in Japan but survives his execution, sending the authorities into a panic about what to do next.

In an isolated mountain resort, a woman gets involved in a love triangle between herself, her volatile lover and her ex-boyfriend, for whom she had platonic feelings.

A married woman lets her lover take naked pictures of her. The photos end up in possession of a man who starts blackmailing the couple.

Struggling with his true emotions, dreams, memories of the past and the reality Shizuo is about to marry, but is torn between his wife-to-be and the love to his mother.

South of Tokyo is a small island until quite recently relatively unchanged since feudal times. Now, however, it is being made into a tourist's playland and the girls, who had been abalone divers, now become geisha, and the old ways of the island are all topsy-turvy. One of the girls, more sensitive than the rest, sees that here, too, people are motivated only by greed and decides to leave and try to find a better life elsewhere.

Wakae is a 15 year old girl who lived under the same roof with her alcoholic father and stepmom. Her mother had died years ago. She spends her nights at a rundown bar, sharing drinks and cigarettes with the lowlife drunks. She has nowhere to turn and no one to talk to, until she is reunited with her childhood friend, Saburo, who brings warmth to her heart.

This movie depicts a familiar samurai Tange Sazen story realistically. A Tange loses one of his eyes and arms in an attempt to recover a masterpiece sword for his lord. However, his efforts are not appreciated and he becomes a man of hatred.

In the year 1637 in Shimabara of Tokugawa-era Japan, oppressed peasant Christians revolt against the shogunate with the aid of a charismatic Christian rebel leader Shiro Amakusa.

Towards the end of the Second World War, a downed U.S. pilot is captured and imprisoned by rural Japanese villagers, who await official instructions as to how to proceed with their “catch.”

Towards the end of the Second World War, a downed U.S. pilot is captured and imprisoned by rural Japanese villagers, who await official instructions as to how to proceed with their “catch.”

Nagisa Oshima’s most personal film is a reflection by the director on his own disillusionment with the revolutionary student movement of the 1950s and the failure of political radicalism. Taking its title (as a reference or homage) from Alain Resnais’ pivotal 1956 documentary Nuit et Brouillard, the film has a group of former student revolutionaries who meet again years later at the wedding of one of their classmates. Old feelings, rivalries and grudges gradually erupt to the surface as the one-time friends recall the various treacheries by which their cause was defeated. Cutting between times past and the present, and unfolding the action from each of his characters viewpoints, Oshima creates an abstract and yet engrossing study of passions past and principles eroded. —Yume Pictures

In Osaka's slum, youths without futures engage in pilfering, assault and robbery, prostitution, and the buying and selling of identity cards and of blood. Alliances constantly shift. Tatsu and Takeshi, friends since boyhood, reluctantly join Shin's gang. Shin's an upstart and moves his gang often to avoid the local kingpin. Hanoko is a young woman with ambitions: first she's in the blood business with her father, then she joins forces with Shin. She soon breaks off that partnership, even though she's taken the sensitive Takeshi under her wing. Double crosses multiply. Those with the closest bonds become each others' murderers.

A budding gangster enthralls a freeloading young woman, soon taking advantage of her knack for hitch-hiking to rob middle-class, middle-aged men.