Shūsaku Endō

Two Jesuit priests travel to seventeenth century Japan which has, under the Tokugawa shogunate, banned Catholicism and almost all foreign contact.

Mitsu works in a factory and has a crush on Tsutomu, a young man she met on the Tokyo streets. One day the two go out, and after some deception, Tsutomu manages to have his way with her. Coming from a broken home, he is frightened by love, so he cruelly allows her to wake up alone. A month passes and a more grown-up Tsutomu returns. The lovers joyously reunite and move in together. All is blissful until both notice a strange sore on Mitsu's arm. The doctors diagnose it as leprosy. Without telling Tsutomu, Mitsu checks into a leper sanitarium. Hanging out with society's pariahs gives her much insight. She discovers the old lepers to be wonderful people. In turn, Mitsu becomes their source of joy and renewed hope. Still, she misses her Tsutomu. One day, the doctors inform her that they erred and that the sore is not leprosy. Happily she heads back to her true love until she realizes with a guilty pang that to return to him would mean unhappiness for her newfound friends

Nakaura of Julian (Julião Nakaura), a priest of the Society of Jesus, was one of four young ambassadors sent to Rome by the Jesuits in 1538, as proof that Japan had converted to Christianity. Fifty years after the mission, which so fascinated European royalty, Julian was forced again to prove his faith, only this time before a Shogun, who wanted to force him to abandon his religion. Julian resists, as does Miguel Chijiwa, a fellow at the embassy to Rome, who become a martyr. Betrayed by Cristóvão Ferreira, who cannot bear the torture, Julian suffers an inglorious death ... or maybe not.

A group of Japanese tourists try to forget their pasts and find themselves in India.

Two interns and a nurse are interrogated by American MPs for their involvement in an atrocity during the war: the vivisections of a downed American air crew.

A woman fears for the safety of her fiance after his three brothers mysteriously disappear.

Keiko Inagawa (Asami Kobayashi) pays a visit to neurologist Aizawa about her fiancé Tatsuo Tamura (Kaoru Kobayashi). A mysterious case involving the disappearance of Tatsuo’s three brothers, one after the other, is yet to be resolved and now Tatsuo, seized with the idea that he too may disappear, has had a nervous breakdown. Aizawa suggests that Tatsuo recount his dreams as a means of solving the mystery, since human beings have an instinct that foretells the near future in the form of a dream. Keiko and Tatsuo eventually discover that the three disappearances have a strange connection…

Hiroshi Nanjo is an active and tactful youth devoting more of his energies to his part time job than to studying for a college entrance exam. On the other hand, Bunpei Noro is an awkward fellow who once failed in a college entrance exam and is now studying hard for a second try. ‘Light and Shade of Youth’ depicts the friendship between these two young men of opposite characters, interlacing a cute waitress along the way.

Two Jesuit priests encounter persecution when they travel to Japan in the 17th century to spread Christianity and search for their mentor.

Two Jesuit priests encounter persecution when they travel to Japan in the 17th century to spread Christianity and search for their mentor.

Tsutomu Yoshioka, a Tokyo office worker, is enaged to Mariko, the niece of his company's president. But Yoshioka has a crisis of consence when he remembers his former love Mitsu, a rural girl whom he met and later left while in college. Shimako, a former friend, persuades Yoshioka to meet with Mitsu while she plots to blackmail Yoshioka by photographing the meeting to break up Mariko and Yoshioka.

Zensaku, middle-aged and deaf in one ear, learns that his son's fallen for the daughter of a war officer responsible for the maiming.