Johann Wolfgang von Goethe

The film tells the story of Faust who unites with the devil in search of ultimate wisdom. He realizes too late, that winning Gretchen's heart with the devil's help means destroying her life.

Prodigal scientist and technology entrepreneur, Dr Faust, seeks to emulate Gods ability to create life. He sells his soul to the devil in order to realise his greatest ambition - to create the world's first super-human.

While cycling through a dark forest at night, a young boy is visited by der Erlkönig, a harbinger of death. He asks for his father to save him but the father can't see the Erlkönig and there is nothing to stop the approach of death.

The director, Roland Schwab, has created his version of Hell. The set is like a high iron walled hanger and the stage is continually occupied with people who look like fugitives from Mad Max and who interact with Mefistofele. The orchestra and choir are wonderful. Rene Pape gives a nuanced interpretation with a certain amount of sardonic humour under the evil. His singing and acting are first rate, as is that of Kristine Opolais and Joseph Calleja.

Star tenor Jonas Kaufmann brings aching intensity and vocal charisma to the tortured title hero of Massenet’s Goethe adaptation. Sophie Koch, in her Met debut, is an appealing and elegant Charlotte, the object of Werther’s passionate affection that will lead to tragedy. Lisette Oropesa as Sophie, David Bižić as Albert, and Jonathan Summers as Le Bailli co-star. Richard Eyre’s atmospheric production is conducted by rising maestro Alain Altinoglu.

Tenor Jonas Kaufmann is riveting as the title character of Gounod’s popular opera, seen in this Live in HD presentation of Des McAnuff’s thrilling 2011 production that places the mythical and timeless story in an early 20th-century setting. René Pape as Méphistophélès is menacing and elegant in equal measure, and Marina Poplavskaya delivers a searingly intense portrayal of the innocent Marguerite. Russell Braun as her brother, Valentin, shines in his Act II aria. On the podium, Yannick Nézet-Séguin brings out all the lyricism and drama of Gounod’s score.

Faust inhabits an earthy, 19th-century world of primitive autopsies and medical rituals. He becomes obsessed with the beautiful Margarete and desperately turns to a physically grotesque moneylender to conjure their union.

Werther loves Charlotte, but she promised her mother on her deathbed that she would marry Albert. After the marriage Charlotte suggests that Werther should travel - but not forget her. In addition to the singing and orchestral accompaniment, the entire cast acts very convincingly. And, there's no backstage mugging, entrances and spoken nonsense to spoil the experience of the drama.

Radiant mezzo-soprano Susan Graham and dashing Italian tenor Marcello Giordani are unlucky lovers in La Damnation de Faust, Hector Berlioz’s classic take on dancing with the devil.

Alain Guingal conducts the Orchestre du Teatro Regio di Torino in this production of Massenet's opera based on the novel 'The Sorrows of Young Werther' by Goethe. Roberto Alagna stars as the titular character, a lovelorn poet whose heart is set on a beautiful young woman of his acquaintance. Unfortunately, the girl in question has already pledged herself to another. How will Werther deal with the thwarting of his romantic ambitions?

David McVicar's spectacular production of Charles Gounod’s Faust, featuring a divine cast of opera’s superstars: Roberto Alagna, Angela Gheorghiu, Bryn Terfel, Simon Keenlyside and Sophie Koch – recorded at the Royal Opera House, Covent Garden on 19 June 2004.

Second part of Goethe's Tragedy

Inspired by Goethe's early romantic play Clavigo, Roland Petit's ballet recounts the agonies of a weak-willed lover torn between the contradictory promptings of his heart and his evil spirit, which urges him to serve his own interests and forsake true love in favor of a life of debauchery. Recorded live at the Opera National de Paris, Palais Garnier, October 1999.

The three main soloists have voices on a scale that can compete with these flashy production values – White and Kasarova, in particular, sing at a level of intensity that would swamp anything less; the climactic seduction trio has rarely been sung so well or with such an overpoweringly polymorphous eroticism. Cambreling marshals his forces effectively, giving full rein to the work's showstoppers like the "Hungarian March" but not neglecting the subtler less kinetic Gluckian side of Berlioz's vocal writing. Recorded live at the Salzburger Festspiele, 1999.

After an architect (Fabrizio Bentivoglio) is invited to the home of his associate, the harmony of the place comes undone with the visitor's attraction to someone.

A very free adaptation of Marlowe's 'Doctor Faustus', Goethe's 'Faust' and various other treatments of the old legend of the man who sold his soul to the devil. A nondescript man is lured by a strange map into a sinister puppet theatre, where he finds himself immersed in an indescribably weird version of the play, blending live actors, clay animation and giant puppets.

Homeless, all thrown Mephistopheles is suffering from idleness and boredom. In a market where you can buy everything - from gralic to books on Russian history, he manages to find the soul of a ballet dancer.

The neurotic director Max Karlsson tries to do a film of Goethe's "Die Leiden des jungen Werthers". He finds all actors for his melodrama - except Lotte, the wonderful girl who is an object of two mens love. He auditions a number of girls. But when he finds the right one nothing goes the way he had figured.

Boito's retelling of Goethe's Faust

A director (Hanns Zischler), his fiancee (Vera Tschechowa), a scriptwriter (Rudiger Vogler) and a student interact and discuss their emotions, at length.

On the outskirts of Weimar, Edouard and Charlotte, an aristocratic couple united after both becoming widows, invite two guests to their home: a childhood friend of Edouard's called the Captain, and despite Charlotte's ominous premonition, Ottilie, Charlotte's beautiful and orphaned niece...

Sir Gotz von Berlichingen, a knight who fights for God and his Emperor, is the bitter enemy of the Bishop of Bamberg, who has managed to persuade Gotz's old friend Adalbert of Weislingen to fight for him. He allows Adalbert to kidnap him and bring him to his castle, where he tries to convince his old friend to come over from the "dark side". Complications ensue.

Adaptation of Goethe's novel.

The young and rebellious Werther is passionately, but hopelessly, in love with Lotte. Although he knows that she is married to somebody who can offer her a secure future, Werther tries to be near her. Lotte cannot decide between these two men. She eventually rejects Werther, who does not survive her decision.

Loosely adapted from Goethe's novel on the social conventions of marriage raised to level of symbolic parable.

Six days in the life of Wilhelm: a detached man without qualities. He wants to write, so his mother gives him a ticket to Bonn, telling him to live. On the train he meets an older man, an athlete in the 1936 Olympics, and his mute teen companion, Mignon. She's an acrobat in market squares for spare change.

Eduard and Charlotte live an isolated and idyllic life together. But soon Eduard feels that something is missing and he invites his friend Otto to come stay. Charlotte, meanwhile, decides that her foster daughter Ottilie should come live with them. Complex and passionate relationships between the four people begin. Based on Goethe's novel of the same title.

A despairing scholar sells his soul to Satan in exchange for one night with a beautiful young woman.

Werther was one of the last feature films that Jean-Pierre Lajournade made for television. The Lajournade's version of Werther makes a critical rereading of Goethe's work through a challenge to bourgeois society.

In 1957 Gustaf Gründgens staged a new production of Goethe's Faust in which he once again played Mephisto, a part he had played since 1932. The brilliant production was a huge success and ran for a couple of years. In 1959 Peter Gorski captured the performance on film in his directorial film debut. Basically it is a registration of the production, but Gorksi did manage to accentuate the details of the acting by using enough medium and close-up shots which give a view on the acting you normally would not able to see in a theater.

A conquering woman of love, power, and fame is challenged by the devil, as he too wants to conquer all. Even the devil learns that there is no wrath like a woman’s scorn.

In the kingdom of animals, Master Fox is used to trick and fool everyone. So the King, the Lion, receives more and more complaints about him. He orders that Master Fox is arrested and brought to him.

Herr Werther, a new magistrate to the Grand Duchy of Walheim who is a violinist and poet, seems to have fate on his side as he meets and pursues a beautiful local woman, Charlotte. But as Werther sets to propose marriage, Charlotte reluctantly tells him she has been promised to another, Werther's superior, Judge Hochstätten. Werther and Charlotte decide to keep their romance from the judge and each descends into depression. Will they be able to keep their feelings a secret?

Alternate-language version of Le roi des aulnes (1931)

A young man races to save his son's life, but death - incarnated in the child's imagination as the titular Erl King - calls unceasingly.

God and Satan war over earth; to settle things, they wager on the soul of Faust, a learned and prayerful alchemist.

The various parts of Faust are played by puppets.

Faust, an aged philosopher and magician who has grown weary of life and has sought in vain for the secret of eternal youth, decides, after a night's long vigil, to call forth from the realms of darkness the evil one to aid him. Mephistopheles appears and offers him his services in return for Faust's soul. The aged philosopher refuses to accept until the devil shows him a vision of Marguerite in all her maiden simplicity and beauty. Faust agrees to accept the compact providing Mephistopheles will give him youth, wealth and love.

A re-telling of the classic tale of Faust in all of two minutes by French filmmaker Alice Guy.

Satan conjures a vision of a girl, for whom an old man signs a pact and is made young. This is a lost film from George Albert Smith