Vibración de Granada (1935)
Género : Documental
Tiempo de ejecución : 20M
Director : José Val del Omar
Sinopsis
This is a short film that, although a documentary in appearance, has very little to do with the generic conventions of that form. It would seem, then, that what we have here is the embryo of what he was subsequently to call the "elementary": an abstract or lyrical modality in the perception and exposition of the real.
MIA es un cortometraje erótico-documental autobiográfico que retrata los roles de dominación y sumisión entre dos jóvenes. Aya Wolf, una actriz de 25 años, encarna a la protagonista, que relata sin censura y sin tapujos sus confesiones más íntimas en su primer acercamiento a un mundo totalmente nuevo.
A documentary following young Anishinaabe water activist Autumn Peltier as she travels to the UN to preserve the future of Indigenous communities.
A folk horror movie about a woman who follows her boyfriend into the woods for a romantic surprise only to find something far more sinister. Inspired by thousands of witness accounts documenting the ongoing phenomenon of a certain species of shape-shifting creature in the forests of North America.
Las creaciones de Gus son obras de arte, pero no lo son tanto para la cigüeña que tiene asignada y que se encarga de hacer las entregas, Peck.
Al darse cuenta de que Bridget y los Bergens no tienen ningún día de fiesta, la reina Poppy ingenia un plan con Branch y el resto de la pandilla para crear uno.
Deadpool sees an opportunity to save the day, but it doesn't go entirely as planned.
Rising es un cortometraje de terror dirigido por Dylan Doornbos Hayes, protagonizado por Jackson Robert Scott y Molly Gordon.
Han pasado diez años desde que los dragones se mudaron al Mundo Oculto, y aunque Toothless ya no vive en New Berk, Hiccup continúa las tradiciones navideñas que una vez compartió con su mejor amigo. Pero los vikingos de New Berk comenzaban a olvidarse de su amistad con los dragones. Hiccup, Astrid y Gobber saben exactamente qué hacer para mantener a los dragones en los corazones de los aldeanos. Y al otro lado del mar, los dragones tienen un plan propio ...
Una anciana quiere cenar con sus amigos. Como todos están muertos, el mayordomo tiene que desempeñar el papel de cada huésped.
Los Minions le preparan a Agnes una bicicleta muy especial.
Un Minion observa a la gente paseando a sus mascotas. Esto despierta en él un deseo de hacer lo mismo, así que busca la forma de lograrlo.
Cortometraje ambientado en el mundo de Hotel Transilvania, en el que Denis, el nieto de Drácula, lidia con una mascota de tamaño gigante.
Nos situamos un año después tras el final de 'Capitán América: El primer Vengador' con la agente Peggy Carter persiguiendo algo llamado Zodiac.
Trevor Slattery se ha convertido en un icono infame. También está encerrado en una prisión de alta seguridad. Por suerte, su nuevo perfil le ha comportado la fama y la protección en el interior. El actor ha aceptado de buen grado someterse a una entrevista en profundidad con un director de documentales para que elabore su perfil.
Claire y Benny son una pareja que encuentra una de las armas de los Chitauri después de que Los Vengadores salvan al mundo, decidiendo usar el poder de este artefacto para cometer fechorías y tener una vida llena de lujos y facilidades, al estilo de Bonnie y Clyde. Dos agentes de S.H.I.E.L.D., tienen como misión recuperar el arma conocida como 'Artículo 47'.
Un trabajador social llega a casa de Gru para descubrir si es idónea para niños. Los Minions tendrán que hacerse cargo de la situación. Spin-off de la película "Gru, mi villano favorito".
La pequeña Ángela tiene una idea estupenda cuando acude a la iglesia junto a su familia en Nochebuena. Una historia conmovedora basada en el libro de Frank McCourt.
En esta nueva aventura, Wallace le regala unos modernos pantalones a Gromit que le acabarán saliendo más caros de lo que esperaba después de conocer al huesped al que hospedarán en su casa, un aparentemente inocente pingüino...
After discovering her mother’s dead body, Luz tries to protect her younger sister, Catalina, from the harmful reality by using fantasy and games.
A little girl wanders all alone in the morning, through a bustling city, looking for the white bells she noticed in the window of a florist's shop. This film heralded the birth of a new film language in Latvian cinema. It received awards at the San Francisco and Oberhausen festivals. and was included on the list of the “world’s 100 best short films” by the film critics at the 1995 Clermont-Ferrand film festival.. All three of the film’s authors together with their peers became the creators of the legendary Riga School of Poetic Documentary.
In this child's game, a live-action boy and girl draw characters and compete who is better. The girl draws a flower and the boy draws a car that runs it over. Then a drawn lion chases a drawn girl, until it all becomes frightfully serious.
Two weeks after the bombing of Hiroshima and Nagasaki, in August 1945, Indonesian Independence leaders proclaimed “Indonesia Merdeka!” ‘Freedom for Indonesia’ and an end to Dutch colonial rule over the Netherlands East Indies. Internationally renowned Dutch filmmaker Joris Ivens, in Australia as Film Commissioner for the Netherlands East Indies government in exile, resigned his position in protest against Dutch policy, which sought to re-impose its colonial rule. In collaboration with Indonesian activists, Chinese, Indian and Australian trade unionists, and local artists and filmmakers, Ivens made Indonesia Calling, a film documenting the crucial role of Australian trade union support in the establishment of the new Republic of Indonesia. Ivens’ film was an activist documentary; it actively contributed to the events it depicted. All those who worked on it became ‘adversely known’ to the security services.
A documentary showing the struggle to bring electricity to rural areas of the United States.
If any single piece can act as a key to Ruiz, it may be the 1997 short Le Film à Venir (The Film to Come). The titular film is a holy fragment of celluloid that can only be seen by a secret society known as the Philokinetes. They watch it on a loop, somnambulating through a life that is unreal by comparison. It is the belief of the Philokinetes that film has an existence “independent from humans. Cinema, they said, is the primeval soup of a new life form. There from were to emerge pure screening creatures. Which is to say, non-topical beings.” - n+1
This is the subject of ongoing discovery of the beauty of the world, that man makes in his life and in his work, which is being developed as part of a big city, presented during a day's work. This film starts and ends with the rotating image of the sculpture of Rodin the Thinker; this famous sculpture has long since become the symbol of the unchanging expression of human thought.
With the use of montage sequences, voiced over with the observations of the children, van der Keuken was able to use artistic expression to portray the sightless children’s unique perspective of the world.
When a mysterious figure appears to cause a series of disruptions at the Frisbie Home in New York, word goes out to Scotland Yard that the Fuzz-Faced Phantom is at work. Soon, Charley MacNeesha and his assistant MacGregor are sent across the ocean to investigate.
A poetic ode to the River Seine, Ivens' distinguished camera eye surveys its lively banks and step-stone canals with a vérité candor, a beguiling elan.
During the solar eclipse of August 11, 1999, Chris Marker documents the French public looking up to the skies, with many of them wearing eclipse glasses.
An avant-garde montage of a boxing match, based on a poem by Paul Werrie.
A day in the life of Ako, a 16 year old Japanese girl, and her friends and co-workers. An alarm clock wakes her in a dorm; she gets ready for work and travels to a large bakery. We see her with friends, chatting and laughing, as well as working. They go out, seven of them jammed in an old Pontiac: bowling, then to an amusement park, then driving around. Car trouble may put her at risk. Is she going to be okay?
An industrial film which shows the operations inside the Philips Radio plant: In a mêlée of activity, glassblowers make delicate glass bulbs. Machinery assists the bulb manufacture. A virtuoso glassblower begins a more complex tube used in radio broadcasting; it is then turned, fired, and sculpted. Conveyors carry partially completed units. Workers perform their various specific assembly-line tasks. Cases are manufactured and machined, wire harnesses are assembled, loudspeakers are produced. As radios near completion, they are run through a series of tests. Engineers and draughtsmen define future developments. In a closing stop-motion sequence, in a style reminiscent of Norman McLaren, a group of loudspeakers performs a playful dance. The film overall is a poetic depiction of an industrial process.
Philosophical essay about the October Revolution of 1917 in Russia, its influence on the destiny of the world in the 20th century.
A man living a dream experience linked to memories of his childhood.
A man puts all the things from his apartment into one enormous closet and starts living there.
Stock footage edited with music to comment on American culture.
"A film portrait cut to the tune of Conway Twitty's version of 'Mona Lisa.' Filmed in part at a 1964 show of Conner's artwork in San Francisco, the film is also a witty statement about forces that take the life out of art. Vivian Kurz, the subject of the film, is entombed in a glass display case." - Judd Chesler Award: Gold Medal Award, Sesta Biennale D'Arte Republica Di San Marino. Da Vinci thought he caught her smiling.
Johan van der Keuken went against the grain in 1980: from Amsterdam (on April 30 with the coronation riots and squatting actions) via Paris, southern France and Italy to Egypt. He made his personal travelogue in three parts for VPRO television. Later, he fused the three parts into one long movie.
The painter António Cruz wanders around the city of Porto painting what he sees: old and modern buildings, people arriving and leaving work in the factories, children playing. The impressionist realism of Cruz’s drawings dissolves into Oliveira’s vision of Porto, which at the same time portrays the painter and his work.
