Machete Gillette... Mama (1989)

MIA es un cortometraje erótico-documental autobiográfico que retrata los roles de dominación y sumisión entre dos jóvenes. Aya Wolf, una actriz de 25 años, encarna a la protagonista, que relata sin censura y sin tapujos sus confesiones más íntimas en su primer acercamiento a un mundo totalmente nuevo.

A folk horror movie about a woman who follows her boyfriend into the woods for a romantic surprise only to find something far more sinister. Inspired by thousands of witness accounts documenting the ongoing phenomenon of a certain species of shape-shifting creature in the forests of North America.

Al darse cuenta de que Bridget y los Bergens no tienen ningún día de fiesta, la reina Poppy ingenia un plan con Branch y el resto de la pandilla para crear uno.

Deadpool sees an opportunity to save the day, but it doesn't go entirely as planned.

Rising es un cortometraje de terror dirigido por Dylan Doornbos Hayes, protagonizado por Jackson Robert Scott y Molly Gordon.

Han pasado diez años desde que los dragones se mudaron al Mundo Oculto, y aunque Toothless ya no vive en New Berk, Hiccup continúa las tradiciones navideñas que una vez compartió con su mejor amigo. Pero los vikingos de New Berk comenzaban a olvidarse de su amistad con los dragones. Hiccup, Astrid y Gobber saben exactamente qué hacer para mantener a los dragones en los corazones de los aldeanos. Y al otro lado del mar, los dragones tienen un plan propio ...

Una anciana quiere cenar con sus amigos. Como todos están muertos, el mayordomo tiene que desempeñar el papel de cada huésped.

Los Minions le preparan a Agnes una bicicleta muy especial.

Un Minion observa a la gente paseando a sus mascotas. Esto despierta en él un deseo de hacer lo mismo, así que busca la forma de lograrlo.

Cortometraje ambientado en el mundo de Hotel Transilvania, en el que Denis, el nieto de Drácula, lidia con una mascota de tamaño gigante.

Nos situamos un año después tras el final de 'Capitán América: El primer Vengador' con la agente Peggy Carter persiguiendo algo llamado Zodiac.

Trevor Slattery se ha convertido en un icono infame. También está encerrado en una prisión de alta seguridad. Por suerte, su nuevo perfil le ha comportado la fama y la protección en el interior. El actor ha aceptado de buen grado someterse a una entrevista en profundidad con un director de documentales para que elabore su perfil.

Claire y Benny son una pareja que encuentra una de las armas de los Chitauri después de que Los Vengadores salvan al mundo, decidiendo usar el poder de este artefacto para cometer fechorías y tener una vida llena de lujos y facilidades, al estilo de Bonnie y Clyde. Dos agentes de S.H.I.E.L.D., tienen como misión recuperar el arma conocida como 'Artículo 47'.

Un trabajador social llega a casa de Gru para descubrir si es idónea para niños. Los Minions tendrán que hacerse cargo de la situación. Spin-off de la película "Gru, mi villano favorito".

La pequeña Ángela tiene una idea estupenda cuando acude a la iglesia junto a su familia en Nochebuena. Una historia conmovedora basada en el libro de Frank McCourt.

En esta nueva aventura, Wallace le regala unos modernos pantalones a Gromit que le acabarán saliendo más caros de lo que esperaba después de conocer al huesped al que hospedarán en su casa, un aparentemente inocente pingüino...

After discovering her mother’s dead body, Luz tries to protect her younger sister, Catalina, from the harmful reality by using fantasy and games.

El capitán de la policía de Deacon City Jackson Briggs informa al asesino Hanzo Hasashi sobre los criminales Reptile y Baraka; Este último recientemente mató al actor convertido en agente secreto Johnny Cage en una pelea. Briggs cree que ambos trabajaban para un hombre llamado Shang Tsung. Este cortometraje fue realizado por el director para vender a Warner Bros. en su visión de una nueva película de Mortal Kombat. Después de una respuesta positiva a la película, el tono eventualmente se convirtió en la serie web Mortal Kombat: Legacy.

Three kids unleash more than they bargained for from an ancient book of witches.

Christened for the Greek mythological personification of human memory, MNEMOSYNE, MOTHER OF MUSES is Larry Gottheim's facsimile edition of how one reflects on life and experiences (namely, in flashes and excerpts of sound and imagery). Typically known for his avant-garde, single-shot meditations on nature, Gottheim here provides a palindromic quotation of his own memories, including street corners, movie quotes, family members and Johnny Hartman tunes.

The second in Larry Gottheim's ELECTIVE AFFINITIES cycle, MOUCHES VOLANTES is, in the filmmaker's own words, "a celebration of elusive relationships" between sound and image, color and black-and-white, the moon and the waves, the aural testimony of Blind Willie Johnson's widow Angelina and the camera's illumination of a world simultaneously of and beyond the everyday. These lyrical fragments sweep in and out as with the tides; a time-based symmetry slowly emerges as the film reveals itself to be a perfect circle.

This portrait of the filmmaker's apartment, painted in the color of the title, was made a few months before his departure from New York. It is dedicated to the filmmaker Stan Brakhage and was shot without a scenario and edited entirely in the camera.

Larry Gottheim’s Fog Line consists of a fixed shot of clearing fog in a valley in upstate New York where he lived and worked in the early seventies.

"…elegant yet rustic in its simplicity of execution; tugged gently toward different sides of the set by hints of color and motion interactions, positive and negative spaces, etc., and the unyielding delivery on one of the great apotheoses of poetic cinema at fade-out time." – Tony Conrad

Like constellations wheeling round, a double chain of four image segments and four sound segments wheel past each other in sixteen combinations (a family of Gibbon apes, a landscape measured, a shadowed diagram after Paul Cézanne, a wintry urban scene, a text by William Wordsworth, a climactic scene from Claude Debussy's opera "Pelleas et Melisande").

Working with Virgil’s four-part poem “Georgics” and Antonio Vivaldi’s concertos “The Four Seasons” as models, Gottheim arranged his painterly compositions into four distinct sections, each edited according to its own exacting pattern. The seasonal flux thus informs both the form and content of the image, with the basic elements of trees, sky, hills and the occasional crisscrossing clothesline filmed in every imaginable light.

Arguably Larry Gottheim’s most exuberant experiment in the single-shot, single-roll format (and his first with a soundtrack), HARMONICA trains the camera on a friend improvising a tune in the backseat of a moving car. Held out the window, the harmonica becomes a musical conduit for the wind, while Gottheim's film transforms before our eyes into a playful meditation on wrangling the natural elements into art. - Max Goldberg

Things spin: amusement park rides, a phonograph record. A man wakes, shaves, and takes a phone call. Another man, in a kimono, walks in the woods, stops, and opens a small decorative box on the forest floor. People at an amusement park called Little Harlem enjoy themselves. A man walks through another amusement park, called Cavalcade Worlds, as midway rides spin. At a house, an older woman cleans; a pre-teen girl sets the table; a teenaged boy showers. After he dresses, he holds a candle high above his head and walks swiftly toward a young man standing bare-chested, his arms extended. A man arrives home where the girl has set the table. The youth sleeps. Christmas?

Set to music by Beethoven, this lyrical portrait moves from a chilled and misty exterior to the crystalline interior of the Swiss chateau that King Ludwig II built for Wagner.

A woman arrives in Paris with her little girl to look for work. With limited funds and no luck, they end up penniless, homeless and dependent on the rare kindness of strangers.

Initially a made-to-order documentary on Spain, the film becomes an open-ended work-in-the-making about the creative process. “Settling in the Spanish capital to make a documentary, Hanoun sketches out for us the different steps involved in making a film. The author turns his hesitations, his doubts and difficult working conditions into the constituents of his work”. (Raphaël Bassan)

A visual and sound montage about a fighting bull in the arena.

The short film is like a journal page of film making. On making a film (in 1966) in Barcelona. On assembling together surviving fragments of the film, but not as a vestige of something for ever lost, but rather an occasion for making a new film of all sorts of fragments: images in Barcelona (in 2008/9) that echo images of the older film; images of making films (Hanoun's own, Boris Lehman's; other friends'); images of a storm in Biarritz; fragments of conversations...

A couple takes charge of mounting the film of love and war of a filmmaker friend faded away.

Inspired by the Cantat-Trintignant drama.

An actress rehearses behind closed doors scenes from the trial of Joan of Arc, confronted with the view that spectators have character.

In his solitude, a man dreams, imagines, fumbles, eructs. In front of his computer, he writing, he sends e-mails, like bottles at the sea. Robinson, he tries to escape, not from a deserted island, but a world of appearances, deserted, empty, inconsistent, mirage of a mirage.

Film in memory of the workers of the Lille company Massey-Ferguson, who manufactured tractors and combines, and closed its doors in 1984.

A butcher whose meat is most tender, surrounded successively by ephemeral and delightful cashiers.