Gastón (2010)

Luiz is a guy with a peculiar way of questioning the simple things in life.

"When death is inevitable... there is only one thing left to do."

Anna, Georg y su hijo Georgie van a pasar las vacaciones a su bonita casa a orillas de un lago. Sus vecinos Fred y Eva han llegado antes que ellos. Las dos parejas quedan para jugar al golf al día siguiente. Mientras padre e hijo preparan el velero, Anna prepara la cena. De repente, Peter, un joven muy educado que se aloja en casa de los vecinos, se presenta para pedir que le presten algunos huevos porque a Eva no le queda ninguno. De repente, Anna se pregunta cómo ha podido entrar en la casa. El joven le explica que Fred le ha enseñado un agujero que hay en la cerca.

“Mammy is washing her little pickaninny. She thrusts him, kicking and struggling, into a tub full of foaming suds.” (Edison film catalog)

A woman sneaks up behind a seated couple, stabs the woman in the back, and makes an escape.

A short film that took director Quentin Tarantino to task for failing to credit director Ringo Lam's City on Fire (1987 film) as an influence upon the making of Reservoir Dogs. It screened at the New York Underground Film Festival.

George Albert Smith's remake of Georges Méliès - Le Manoir du diable (The Haunted Castle) from 1896. This film is lost or never existed. Copies of it online are actually a Méliès film.

Here we present a picture that simply convulses an audience with laughter. The scene opens in the bedroom of a hotel. A traveler appears, evidently a "little worse for wear." After stretching and yawning, he proceeds to disrobe. He throws off his coat and vest, but to his surprise and anguish, he suddenly finds himself clothed in a continental uniform. He throws this off in anger, but immediately a policeman's costume flies on him. This is in turn thrown aside in great rage and he finds himself clothed in a soldier's uniform. At last, thinking himself successful, he makes for the bed and finds a skeleton complacently resting on his pillow. The bed suddenly disappears, leaving him seated on the floor, and great quantities of bed clothes rain down from the ceiling. The picture ends leaving the audience simply convulsed in laughter. (Edison Catalog)

The famous acrobats in the above title appear in a marvellous acrobatic act. There are three barrels arranged on the stage. The boys, blindfolded, stand on opposite sides of the stage, and jump from one barrel into the other until they both land in the same barrel at the same time. They then jump backwards onto the stage over the two barrels. One table is then mounted upon another and the center barrel is placed on top. The brothers still blindfolded jump one each into a barrel and from them to the first to the second table and from the second table into the barrel on top of the second table. They then jump backwards onto the stage. This is pronounced by show people to be the most marvellous acrobatic feat that has ever been introduced. (Edison Catalog)

La gira de estadios norteamericanos de 1981 de los Rolling Stones, que batió récords, documentada por el director Hal Ashby. Con las canciones más grandes de los Rolling Stones de los primeros 20 años, en palabras de Mick Jagger, "una sensación de lo que es estar allí", mientras 20 cámaras lo llevan al escenario con la banda en esta gira innovadora y dinámica.

Several competitors take part in a friendly sack race, with widely varying degrees of success.

An artist draws the head of a pretty girl, takes the drawing off the paper and places it on a small table, turning the image into the head of a real woman. He then continuous drawing the lady, one body part after the other.

An old proprietor is startled and haunted by the strange happenings inside his curiosity shop.

Presented as loosely autobiographical, Hold Me While I’m Naked centres on the tribulations of an independent filmmaker, frustrated at every turn as he tries to make a film that pretends to artistic merit.

After the title, a white screen gives way to a series of frames suggestive of abstract art, usually with one or two colors dominating and rapid change in the images. Two figures emerge from this jungle of color: the first, a shirtless man, appears twice, coming into focus, then disappearing behind the bursts and patterns of color, then reappearing; the second figure appears later, in the right foreground. This figure suggests someone older, someone of substance. The myth?