Sólo Dios sabe (2006)

Vampire hunters track down a vampire and attempt to steal the ashes from his coffin in order to stop him from reviving nightly.

Otto Scheidel (Manfred Krug) has been captain of the Elbe steamer Jenissei for over twenty years, but his ship, the last of its kind, is going to be converted into a floating restaurant. Otto, whose his strong attachment to the ship has already cost him his relationship with his girlfriend Caramba (Renate Krößner), refuses to take another job and instead joins a railway construction brigade.

El Dr. Caronte y su grupo de científicos locos construyen una bomba de neutrones con la que intentan chantajear al mundo libre para obtener el poder global. Pero aparece el héroe, Neutrón, que, con ayuda del Dr. Thomas y la reportera Nora, echan a perder tales planes.

In this East German film, the third one in The Third is Margit's third lover. After her mother's death, Margit has two affairs which don't work out, and one lesbian friendship which she retains. She is looking for a husband, though, and thinks she has spotted a candidate in her fellow factory worker. As she contemplates marrying him, her story is told in a series of flashbacks.

In order to stop a vampire from terrorizing the countryside, some locals decide to break into his coffin at night and steal his ashes. Complications ensue.

The authorities expect the case of Friedel Walter, alias "Dr. Mueller," to be a straightforward one: he was working as a doctor without proper credentials under a false name. But Mehlin, the man in charge of his case, knows that there is more to the story. When he was injured fleeing from a concentration camp, resistance worker Irene asked her medical student boyfriend Walter to give him medical care.

An ordinary man goes to work in a rich household of Peru and has a dream in which he sees his boss and himself appearing as equal in front of the Archangel before going to heaven... Based on a tale by Jose Maria Argueda

As Long as You're Near Me (German: Solange Du da bist) is a 1953 West German drama film directed by Harald Braun. It was entered into the 1954 Cannes Film Festival.

Sogo Sanon, apodado Tasuma, es un ex-tirador que luchó en las filas del ejército francés en Indochina y Argelia. Espera cobrar su pensión de jubilación después de años de espera. Cuando se dirige a Bobo para cobrar, tropieza con su amigo Kahalil, célebre comerciante libanés. Le compra un molino a plazos, ya que está seguro de cobrar su pensión y quiere ayudar a las mujeres de su pueblo. A su regreso lo festejan como a un héroe. Pero la pensión prometida no llega.

Three men sentenced to death are spared and changed into “shadows executioners”, a group of ruthless ninja working for mysterious high ranking officials. During their investigation on some illegal business, one of them, called “Yazuke the Viper”, finds his abandoned daughter, Ocho, who has now become a mistress of Denzo, a smuggler. After Yazuke’s death, Ocho is also recruited as a “shadows executioner”, with the task of completing her father’s mission.

This new version of Nagasaki's Yami utsu shinzô (1982) is neither a remake nor a sequel. It is both those things, and at the same time it is also a documentary, a portrait of the consequences of passing time, and an occasionally very funny reflection on what the hell the point is of all this filmmaking business anyway. Shigeru Muroi and Takashi Naito, back then young hopefuls willing to take chances, now among the most established and recognisable actors in Japan, return to play the roles they assumed in the 1982 film, each of their characters having gone their own way. Alongside, another young couple (Honda and the ever-brilliant Eguchi) find themselves in the exact same situation as their older counterparts 25 years earlier. Their paths cross, an opportunity arises: for the elder two to redeem part of their own lives, for the younger couple to find a helping hand in their darkest hour.

At the end of the year 1942 and the start of 1943, to stop spreading the revolution in county of Bitola, bulgarian occupiers are reinforcing the persecutions and the acts of violence on civil population. The movie is based on true events,

La historia de cuatro modelos, contada por el fotógrafo que las lanzó.

The film centers on a Dominican monk named Jérôme (played by one actor in colour and another actor in black-and-white) and his interactions with various higher-ups within the French Catholic Church. Ruiz's intention was to reflect the ideological arguments that plagued Latin American left-wing political parties.

An insight into the world of Julio César Cu Cámara, the chief diver for Mexico City's sewerage system, whose job it is to perform repairs and remove rubbish blocking the flow of water.

Un cortejo de motociclistas llega a un panteón. Ahí El perro evoca a Mike en su motocicleta acompañado de Claudia al frente de un grupo de jóvenes rebeldes. Eran amigos desde que ambos eran porros en una escuela y golpeaban estudiantes. Mike era hijo de un político que nunca tenía tiempo para verlo, y por eso él se dedicó a vender drogas y protección y a hacer desmanes pues su padre siempre lo protegía. + Los policías que intentaban capturarlo callaban al reconocerlo o eran removidos por sus superiores. Él no se detenía ni ante la violación de jóvenes pero al embarazarse su novia Claudia pretendía cambiar, sólo que su enemigo El chivo y sus amigos lo golpearon en un café y se llevaron a Claudia.

On the edge of a big city on a go-kart track, Mike and Werner meet Alice and her friends. They like the girl. Mike manages to separate Alice from her group and get into the car with Werner. It had been decided to go to a lake with the others to take a bath at night. Too late Alice realizes that Mike and Werner did not drive to the agreed lake, but to a lonely gravel pit. The friends will not come anymore. And she realizes the intentions of her companions.

An experimental film edited from footage of the Japanese countryside.

The Ta'ang or Palaung people, an ethnic minority living in the mountainous area between Myanmar's Kokang region and China's Yunnan province, have historically suffered many forced migrations due to war. When their survival is threatened again in 2015, thousands of them flee across the border. Filmmaker Wang Bing accompanies them and becomes a privileged witness to a human story that is both a modern reportage and a mythical epic.