Kajirō Yamamoto

The mythical adventures of the legendary Chinese trickster Monkey, who must outwit a variety of wily demons who stand in the way of him and his fellow Buddhist travelers. Though portrayed as a literal, if rather anthropomorphized, monkey in the original legends, this film substitutes the spindly comic actor Norihei Miki, sans makeup.

The mythical adventures of the legendary Chinese trickster Monkey, who must outwit a variety of wily demons who stand in the way of him and his fellow Buddhist travelers. Though portrayed as a literal, if rather anthropomorphized, monkey in the original legends, this film substitutes the spindly comic actor Norihei Miki, sans makeup.

May Kawaguchi is a famous Japanese fashion designer. Returning to Tokyo from her home in New York, she travels incognito with a tour group, in hopes of having a quiet vacation without being noticed. But she is spotted and the press has a field-day with the returning celebrity. Her hopes of rest shattered, she agrees to put on a large-scale fashion show.

May Kawaguchi is a famous Japanese fashion designer. Returning to Tokyo from her home in New York, she travels incognito with a tour group, in hopes of having a quiet vacation without being noticed. But she is spotted and the press has a field-day with the returning celebrity. Her hopes of rest shattered, she agrees to put on a large-scale fashion show.

Yakuza boss Furuya leans more and more on his protege Takao Shoji, though Shoji has become romantically involved with Furuya's mistress, Natsue. Furuya himself has fallen in love, with a nurse after his recent hospital stay. As the gang grows more jealous of the favoritism Furuya shows Shoji, they decide to reveal Shoji's relationship with Natsue. But Furuya's affection for Shoji cannot be easily destroyed, even in the gang war that erupts.

Gangsters Ken and Maki are rivals in the ticket-scalping game. They make an uneasy truce, but Ken wrecks the truce by agreeing to fix a boxing match in which Maki has an interest in one of the fighters. After a terrible brawl, the two gangsters discover that they have both been played for suckers by their bosses. They join forces to turn the tables on the bosses.

1950s Japanese comedy.

1950s Japanese comedy.

Once an average and seemingly ordinary Tokyo girl, she suddenly finds herself as a TV star owing to her discovery by a casting company, which noticed photographs that her cousin had sent. When another actress falls ill she is given the role instead. Her first film is a success propelling the young actress to popularity, her own fans, money and a house. While everything looks dandy from the outside not all is well within the family however.

Ikeuchi was captain of the K - University ice hockey team. The daughter Shikotsuko of Ginza 's western restaurant "Piccolo" was also a female student at K University and was a figure player. They had a dream of being dispatched to Oslo in the Olympic Games and were struggling in each way. Mizuno who runs a sports equipment store in Ginza, showed the geisha by guiding the junior's Ikeuchi and others to the shop of Shimbashi one day.

Ikeuchi was captain of the K - University ice hockey team. The daughter Shikotsuko of Ginza 's western restaurant "Piccolo" was also a female student at K University and was a figure player. They had a dream of being dispatched to Oslo in the Olympic Games and were struggling in each way. Mizuno who runs a sports equipment store in Ginza, showed the geisha by guiding the junior's Ikeuchi and others to the shop of Shimbashi one day.

Wataru Naohiko who has the prosecutor general as his father became a young composer and its symphony "saint" invoked the world echoed. But his disciple Uchiyama and his best friend prosecutor Daisuke Toki accused his music as a sesame of pause-only technique, not a truly heart-hungry art.

Wataru Naohiko who has the prosecutor general as his father became a young composer and its symphony "saint" invoked the world echoed. But his disciple Uchiyama and his best friend prosecutor Daisuke Toki accused his music as a sesame of pause-only technique, not a truly heart-hungry art.

Ambientada en la postguerra japonesa tras la II Guerra Mundial (1939-1945). Con la estructura del thriller americano y los convencionalismos japoneses, narra la historia de un joven detective al que roban su pistola. Agobiado por un sentimiento de deshonor más que de pérdida, emprende, con un veterano compañero, una frenética e incansable búsqueda que lo lleva a los bajos fondos de Tokyo.

Tobisuke, puppeteer in Kyôtô, saves O-fuku's life. Wounded in the head, it can now count to three. O-fuku invited him to meet her mother so she can heals him with a golden fruit. But O-fuku and Tobisuke had to cross the valley of death filled with fantastic creatures, will they survive?

Shizuko Kasagi and Hideko Takamine star as young women who try to raise money for a needy old friend by becoming wandering singers who work for tips in Tokyo's Ginza nightlife district.

Japanese adaptation of Marcel Pagnol's play "Marius", set in early XXth century Japan.

Japanese adaptation of Marcel Pagnol's play "Marius", set in early XXth century Japan.

Japanese adaptation of Marcel Pagnol's play "Marius", set in early XXth century Japan.

A modern take on history with songs and comedy presented by Enoken (as Gonza), Fujiyama (as Sukeju), and Kasagi (Gonza’s wife Osaki).

Dos hermanas, una bailarina y la otra supervisora de guiones de un gran estudio de cine, se ven envueltas en una huelga de trabajadores del ferrocarril.

Dos hermanas, una bailarina y la otra supervisora de guiones de un gran estudio de cine, se ven envueltas en una huelga de trabajadores del ferrocarril.

Three IJN flyers Mikami (Susumu Fujita), Kawakami (Masayuki Mori) and Murakami (Akitake Kono) are good friends, and they are all renowned for their torpedo techniques. Mikami is posted as a staff officer at a base on an island in the Pacific. Kawakami and Murakami later joins him as the base squardron is reinforced. The enemy task force approaches the island and all three of them attack the fleet, killing themselves in the process.

Three IJN flyers Mikami (Susumu Fujita), Kawakami (Masayuki Mori) and Murakami (Akitake Kono) are good friends, and they are all renowned for their torpedo techniques. Mikami is posted as a staff officer at a base on an island in the Pacific. Kawakami and Murakami later joins him as the base squardron is reinforced. The enemy task force approaches the island and all three of them attack the fleet, killing themselves in the process.

El Coronel Kato es un verdadero oficial que sirve a la Fuerza Aérea de Ejército Japonés Imperial en el Sudeste Asiático. Un oficial muy respetado por sus pilotos por su imparcialidad y su su excelente capacidad de vuelo. Su heroísmo y atractivos atributos físicos hacen de él un instrumento ideal para la maquinaria propagandística japonesa que encargó esta película a dos años de haber sido asesinado el Coronel Kato. No es un biopic de la vida y muerte de Kato. La película es más sobre el honor, el deber y la abnegación – esencialmente del liderazgo.

El Coronel Kato es un verdadero oficial que sirve a la Fuerza Aérea de Ejército Japonés Imperial en el Sudeste Asiático. Un oficial muy respetado por sus pilotos por su imparcialidad y su su excelente capacidad de vuelo. Su heroísmo y atractivos atributos físicos hacen de él un instrumento ideal para la maquinaria propagandística japonesa que encargó esta película a dos años de haber sido asesinado el Coronel Kato. No es un biopic de la vida y muerte de Kato. La película es más sobre el honor, el deber y la abnegación – esencialmente del liderazgo.

Japanese Navy air cadets train for the attacks on Pearl Harbor and the HMS Prince of Wales.

What is marriage? Young couple in match-making wanted to know before they decide. They visited married couples of sisters and brothers. Love comedy in 1942.

What is marriage? Young couple in match-making wanted to know before they decide. They visited married couples of sisters and brothers. Love comedy in 1942.

Ine Onoda, the eldest daughter of a poor family of farmers, raises a colt from birth and comes to love the horse dearly. When the horse is grown, the government orders it auctioned and sold to the army. Ine struggles to prevent the sale.

Ine Onoda, the eldest daughter of a poor family of farmers, raises a colt from birth and comes to love the horse dearly. When the horse is grown, the government orders it auctioned and sold to the army. Ine struggles to prevent the sale.

Second part of the Comedy-Musical about the legendary Monkey King.

Second part of the Comedy-Musical about the legendary Monkey King.

Comedy-Musical about the legendary Monkey King.

Comedy-Musical about the legendary Monkey King.

A legendary pre-war comedy operetta starring Enomoto Kenichi, Hideko Takamine and Li Xianglan. The Sanzo Ikkou continues its westward journey, on a mission to prevent a demonic resurrection. As Genjo Sanzo, Cho Hakkai, Sha Gojyo, and Son Goku (Kenichi Enomoto) fight their way to their goal, their path is fraught with internal strife.

A legendary pre-war comedy operetta starring Enomoto Kenichi, Hideko Takamine and Li Xianglan. The Sanzo Ikkou continues its westward journey, on a mission to prevent a demonic resurrection. As Genjo Sanzo, Cho Hakkai, Sha Gojyo, and Son Goku (Kenichi Enomoto) fight their way to their goal, their path is fraught with internal strife.

Enoken no wanwan taishô AKA Wanwan Taisho AKA Bowwow General directed by Nobuo Nakagawa

A jidaigeki film on Banzuiin Chōbei produced in 1940 and directed by Yasuki Chiba.

Enoken's pickpocket Kinta (returned from the Chakkiri Kinta movies) finds some unexpected trouble: a stolen diamond necklace he just can't seem to get rid of!

A Kajirô Yamamoto directed comedy starring Roppa Furukawa.

A Kajirô Yamamoto directed comedy starring Roppa Furukawa.

Based on an autobiographical story by Toyota Masako.

A colourful study of theatrical life. Two acting troupes vie for the Kyoto market during the Genroku Era. Tojuro, an extremely popular actor, feels the limits to his acting when he sees his rival troupe put on a new type of play featuring its star, Nakamura. He has the famous Chikamatsu write a new play but cannot get used to the character he is to play in it.

Enoken plays legendary ninja Sarutobi Sasuke, whose magical powers never help as much as expected - in war or in love.

1930s Japanese comedy.

1930s Japanese comedy.

A comedic tale told in four parts, this film follows the antics of the pickpocket Kinta as he is pursued by a low ranking deputy named Kurakichi. The two get into all manner of peccadilloes and encounter a range of peculiar characters as their game of cat and mouse moves across the countryside in the last days of the Tokugawa Shogunate.

A comedic tale told in four parts, this film follows the antics of the pickpocket Kinta as he is pursued by a low ranking deputy named Kurakichi. The two get into all manner of peccadilloes and encounter a range of peculiar characters as their game of cat and mouse moves across the countryside in the last days of the Tokugawa Shogunate.

Kayo and Kuniko graduated from girls' school together and are as close as sisters. Kuniko's fiancé, Minakami, feels something that attracts him deeply towards Kayo. On the other hand, Kayo prays for the happiness of her best friend and marries a very ordinary man. However, at one point, this mediocre but increasingly ferocious husband died in an accident ... A triangular love story develops depicting a woman's heart that sways between love and morals. Based on a novel by Nobuko Yoshiya, there were originally two parts to the film (If Spring Comes & Fall Once Again), both supposed to be 85 minutes, but apparently what we have now is this 103-minute amalgam of the two.

Kayo and Kuniko graduated from girls' school together and are as close as sisters. Kuniko's fiancé, Minakami, feels something that attracts him deeply towards Kayo. On the other hand, Kayo prays for the happiness of her best friend and marries a very ordinary man. However, at one point, this mediocre but increasingly ferocious husband died in an accident ... A triangular love story develops depicting a woman's heart that sways between love and morals. Based on a novel by Nobuko Yoshiya, there were originally two parts to the film (If Spring Comes & Fall Once Again), both supposed to be 85 minutes, but apparently what we have now is this 103-minute amalgam of the two.

The story picks up from Part 1 as Enoken's young scion forsakes his wealth and takes a department store job – in drag and sometimes blackface – to prove to the girl of his dreams that he be a hard-working, serious man.

Enoken plays a cloistered rich kid whose father hires a disreputable tutor to teach him how to really be a millionaire: by drunken debauchery, women, and song.

1936 P.C.L. adaptation of Natsume's novel.

Enoken plays a frog-oil-hawking conman whose claims to martial prowess land him in hot water with the local samurai gentry - but not before he falls in love with exactly the wrong girl. Another musical comedy period film quick on the heels of the earlier Kondo Isami.

Enoken plays both Kondo Isami and his deadly enemy Sakamoto Ryoma in this comedic, song-filled vision of the Meiji Restoration.

1935 P.C.L. adaptation of Natsume's novel.

Studio P.C.L. was specifically founded to make sound films, and this early musical balances the aesthetics of the sound film with those of the stage revue. The king of Tokyo’s revue stage, comedian Ken’ichi Enomoto (Enoken) had made his name in the capital’s theatrical district of Asakusa. The film employed not only the star, but his entire theatrical troupe, and the narrative was structured around scenes which Enoken had played successfully on stage. Billed as offering 'Japan’s number one comedy actor and Japan’s number one musical comedy,' the film self-consciously borrowed from Hollywood musical comedy; indeed, the original posters carried spoof endorsements by Eddie Cantor and the Marx Brothers! Director Kajiro Yamamoto, making his P.C.L. debut, would become a stalwart of the company and its successor, Toho. He was to have a profound influence on Japanese film history as mentor to Akira Kurosawa, who assisted him on a number of films including Horse (Uma, 1941).

Tomotaka Tasaka's earliest surviving surviving film is a powerful adaptation of Hector Malot's "Nobody's Girl".