José Mora Ramos

After llega a su fin. Por fin conoceremos cómo acaba la historia de Hardin y Tessa, dos almas gemelas que no pueden estar separadas, pero que no saben cómo estar juntas.

Due to his developmental disorder, the autistic inspector Leander Lost has a photographic memory and a feeling for whether his counterpart is lying. For this, he has trouble understanding irony and understanding social and emotional connections. As part of a European exchange program, Lost is transferred to the small fishing town of Fuseta, where he is supposed to help solve the murder of a private detective.

The story of a little girl who went to live with her uncles after seeing her mother being murdered by her boyfriend

Adventurer, pilgrim, penitent but above all outstanding writer, Fernão Mendes Pinto left us an unparalleled romance, the living and human palpitation of one of the greatest historical adventures of man.

Francia, 1656. Julie decide disfrazarse de espadachín para buscar a su verdadera familia después de que unos hombres hayan asesinado a su padre adoptivo, Gastón de Maupin. En su búsqueda tendrá que enfrentarse a miles de obstáculos y peligros. (FILMAFFINITY)

Durante la Semana Santa del año 59, en el tragicómico paisaje social de la España franquista, radiofónica y con bombillas de pocos vatios, transcurre la fábula de la crónica sentimental de un niño de nueve años: Pablito. Pablito desea el coche de pedales que ve en un escaparate cerca de su casa. Su familia -clase media con mala suerte-, sufre la sorda presión familiar de la otra parte de la familia -clase media con buena suerte y mejores influencias-. El deseo del coche y la esperanza de conseguirlo que le alientan sus padres llevan al niño, hucha en ristre, a un viaje extraño al abigarrado y sorprendente mundo familiar lleno de mentiras y chantajes. Pablito sobrevive sentimentalmente en ese ambiente gracias a su capacidad para obtener en la imaginación las respuestas que sus padres y sus educadores no le brindan. Pablito creará su propio final feliz.

Every year, four ex-soldiers who call themselves "Os Imortais" ("The Immortals"), get together with four women to celebrate their war deeds and remember the old days, back in the war. On the summer of 1985, tired of their monotonous lives, they decide to rob a bank. Joaquim Malarranha, a chief inspector from the local police force who is about to retire, crosses their path and chooses to spend his last days of duty trying to solve the robbery. But as he carries on with his investigation, he discovers more than he could have ever imagined...

One bad thing never comes alone, says the people. The village Estrela is threatened by the waters of the new Alqueva dam. It will become an "island". But, as one bad thing never comes alone, the daily lives of the inhabitants of this small mountain village are changed by the death of Adriano. "In order to create, I destroyed myself; I have so much externalized within myself that within me I exist only outwardly. I am the living scene where various actors perform various plays." (from Livro do Desassossego by Fernando Pessoa), as Adriano liked to quote Adriano. He committed suicide on the day of the village feast, hanging himself in the main square. For Adriano, the main square of the village has long been the center of the world. Adriano felt surrounded, depressed, unable to escape his destiny. "No one can stop a man who travels with suicide on his lapel" Adriano repeated to Lisete, always to the point of exhaustion.

João Vuvu, lives alone in a house that requires regeneration but due to being alone he is unable to do the work. On his son's release from prison and João's ensuing deception triggers a series of somber events.

In 1983, little João Amaral Severo asks his father to go to the circus. His father, and army captain who had been recently widowed, refuses to take him under the pretext that the circus would draw his attention away from his studies. Ten years later João is a student in the Military College, and is tired of the harsh discipline imposed by his father and decides to join a travelling circus that stops in his hometown, Alcochete. From then on João, alone and free to live his life the way he wants, finds a world of magic, the love of Dolores (a young trapeze artist) and the family he never really had. Until a twist of fate turns João into a father...

The relationship between António and Ruth ends unexpectedly when Ruth decides to live with Pedro, António's best friend. António doesn't fight back and lets himself drown. From the woods come Violeta and Gaspar, two strange beings, a mixture of fairies, demons and guardian angels, who help António overcome his depression. With the thunders the two characters return to their domains. And life goes on.

En la frontera hispano-portuguesa, un grupo de ex comandos especiales del ejército portugues se ve envuelto en un incidente con una banda de narcotraficantes. Los antiguos soldados, ahora cuarentones y barrigudos, tendran que olvidar sus rencillas para unirse de nuevo y recordar los viejos tiempos con el objetivo de salvar las vidas de dos de ellos, que son retenidos como rehenes por los narcos en un oscuro prostibulo de carretera.

En un viejo parque helado y solitario, dos sombras se encuentran: la de Dios y la de un Mensajero. Este le entrega al vagabundo una maleta repleta de dinero. En un lago cercano, la joven Joana está a punto de ahogarse; Joao le salva la vida y la conduce, desvanecida, a un convento de monjas. Después vuelve al parque a recuperar la maleta y su precioso contenido: por suerte, nadie ha tocado nada

In order to make some much-needed cash for himself, 65-year-old Portuguese prison inmate Eugenio impersonates a young woman and begins a romantic correspondence with a lonely Portuguese truck-driver living in Boston, convincing him that her tragic life has culminated in financial dire straits so he will send money. At first Eugenio's sister Idalina assists him in creating the character of Maria da Luz. Touched by her sweetness and apparent loving nature, the trucker willingly sends her money. When Idalina starts fearing they will be caught, she backs out of her arrangement with Eugenio who then convinces his young cellmate Vasco to help write the letters and even sends a picture of himself at age seven to "prove" that Maria has a young son. As prison life exacts an increasingly heavy toll upon Eugenio's health, his feminine alter-ego helps sustain him.

Two actors performing in Strindberg's "Inferno" as God and Lucifer, find themselves competing in real life as well. One of them, Henrique, has spiritual obsession with John Wayne and his way of walking. He and de Dieu, his fellow actor who plays Lucifer and also directs the Strindberg play, engage in a philosophical and spiritual tug-of-war, especially when they meet an author named God, who has plans for another drama to feature both actors.

The film is set in Lisbon, and tells the story of a day in the life of Rita and Paulo, a Portuguese young couple of the 90's. The fast changing city around them makes them wish to break with all traditions and live the day the get married (only civil marriage) like it is an ordinary day.

Catarina (Maria de Medeiros) es una famosa reportera de la televisión portuguesa con treinta años y un deseo principal: tener un hijo. Sabe exactamente el tipo de padre que busca, y sabe también quién responde al perfil que ha dibujado en su mente... (FILMAFFINITY)

Historia de los Trueba, una turbulenta famila chilena de clase alta que, durante tres generaciones, vive los cambiantes acontecimientos de su país. Con su violento patriarca y sus mujeres clarividentes, la historia familiar se extiende desde finales del siglo XIX hasta el golpe de estado que derrocó al gobierno de Salvador Allende en 1973.

One night Jorge will meet with a Japanese industrialist, who will allow him to abandon his teaching position and resume his chemical work. However, when he gets home he finds a person there.

Xavier returns to Lisbon after a military stint, determined to lead a meaningful life, only to find his world closing in on him.

Coming from Fundão to Lisboa where he did conscription service, Matias found that the reality of the big city is not exactly how he remembers

Nogueira, a man in his fifties, is a relic of times long past. While the youngsters at the school where he works as a caretaker still think the world is their oyster, Nogueira knows that, for him, most doors have long closed.

Last feature film of Stanislav Barabas