Art Direction
Bohus is indolent and spends his days drinking brandy. One day he finds he has inherited a brickworks, several shops and a five-star hotel. Bohus sets out to tour his new empire, insulting everyone on the way.
Production Design
Bohus is indolent and spends his days drinking brandy. One day he finds he has inherited a brickworks, several shops and a five-star hotel. Bohus sets out to tour his new empire, insulting everyone on the way.
Production Design
Stage mime Antoine Moreau is compelled by the Gestapo to put on a performance for the children of Terezin, a "model" concentration camp, to convince the Red Cross observers that the camp is truly what it seems. Reluctant at first, Moreau slowly learns the true nature of the camp, including the meaning of the "transports" on which people leave. With a world-class orchestra (made up of people interned in the camp) and a cast of children, Moreau stages a show to end all shows.
Production Design
A commemorative and essayistic meditative piece on the Prague quarter Libeň during the 1950s.
Production Design
Czechoslovakia 1918. The newly formed National Assembly has made Stoklasa the administrator of the Kratochvile Castle. Although with no aristocratic background, he is a man of fortune and is trying to buy the castle. To impress his neighbors and the local politicians he invites them to a great hunting party. Uninvited comes a man who claims to be Duke Alexej. Stoklasa believes him to be a hustler. This hustler, however, manages to charm all the women before he leaves.
Production Design
Pan Tau, the friend of all children, now also helps the adults.
A movie producer is in trouble and decides to shoot another Pan-Tau movie. But the old Pan-Tau actor Karasek is no longer young enough to walk the almost weightless walk of Pan Tau.
Mr. Novak turns up - he resembles Pan Tau like a twin brother. He succeeds every pirouette. And as if by magic, he solves all the problems between people! Who is Mr. Novak? Is he really ...?
Art Direction
Production Design
Production Design
House for Two is a 1987 Czechoslovak drama film directed by Miloš Zábranský. This film stars two of the most recognized Czech actors, Ondřej Vetchý who plays Dan, and Jiří Schmitzer as Bóza. (From Wikipedia)
Art Direction
Based on the only extensive prose work by the surrealist painter Josef Capek, Shades of Fern most resembles the philosophical fairy tales and fables of Josef’s older brother, the legendary Czech novelist and playwright Karel Capek. Two young poachers, more boys than men, kill a gamekeeper when they are caught illegally hunting. Panicked, they retreat into a forest that grows steadily more forbidding and deadly as their fear for the future—and guilt over their action—mounts. Loosely based on hundreds of oral folk tales and legends that haunt the woods of Czechoslovakia, Vlácil’s contemporary updating artistically underscores the relationship between man and nature, crime and punishment, isolation and society, and guilt and memory.
Production Design
Dorota, a bad woman married the miller, out of sheer greed drives him to death. She then took the mill away from his son Peter and threw him out of the hime. Lucifer, who is known to rule in hell, sends out the devil Janek. He is supposed to fetch Dorota because the measure of her earthly sins is overflowing. But the devil himself can not handle this evil woman and flees to the military. There he meets Peter. By joining forces, they finally succeed in transporting the wicked Dorota to hell. Since then hell is hell. But for Peter, who is suddenly in possession of a magic mantle, begins a nice time, because strangely, the prince shows great interest in him.
Art Direction
Production Design
Producer
Los habitantes de Krekovice, un pueblo cercano a Praga, viven en régimen de cooperativa, siguiendo el modelo soviético impuesto en Checoslovaquia después de la II Guerra Mundial. Por este motivo, todos son responsables de Otik, un joven retrasado que vive solo. La cooperativa decide que Otik trabaje como ayudante de Pávek, un camionero. Pero, tras una larga temporada, Pávek decide prescindir de él, pues es demasiado despistado y sólo le crea problemas. Así que otro vecino del pueblo tendrá que admitir al joven como ayudante. Pero surge un problema nuevo: alguien está intentado apropiarse de la casa de Otik sin que éste se dé cuenta. La cooperativa deberá encontrar una solución.
Art Direction
Entrevista realizada por Maximilian Schell a Marlene Dietrich en 1984. Lo peculiar del asunto es que Marlene aceptó que su voz fuera grabada, pero prohibió que se tomaran imágenes suyas.
Set Designer
Art Direction
Carol es una mujer joven insatisfecha y exigente con la vida. Para probarse a sí misma se hace pasar por terrorista. Es internada y mantenida en observación en una residencia, a pesar de no estar enferma. El suicidio de un paciente la hará enfrentarse a la realidad y tratar de volver a la normalidad.
Art Designer
In the final days of the Second World War in 1945 Frantisek Pribyl is killed during a shoot-out with the Germans. After the funeral, the widow (Jana Svandová) and her two young sons Martin and Ondra move to her deceased husband's native village at the foot of the Kralický Snezník mountains. Life in the borderlands is far from easy for the lonely woman. The village is almost deserted, food supplies are delayed; the Werwolf (Nazi guerrilla squads) are hiding in the mountains, and shooting is heard from time to time. The elder son Ondra (Michal Dlouhý) is helping out his mother and at the same time absorbing intense new experiences. He meets an old Czech resident Skurek (Lubomír Kostelka), German women working in the forest, soldiers from the engineering units removing the mines, and a young first lieutenant. At night he dreams about his dead father whom he loved very much. This is why he runs away from home when he finds out that the lieutenant is courting his mother.
Set Designer
Production Design
Returning home to Prague, the magician Pasparte, an owner of a circus caravan, meets his dying colleague who entrusts his beautiful daughter Aloisie to his care. In Prague they all take up their lodgings at the house At Blue Fish in which they intend to arrange the programs. The firm is owned by widow Evzenie with whom Pasparte shares flat and bed. Evzenie is jealous of Aloisie therefore Pasparte sends Aloisie as a housewife to the single man Jakub Kolenatý who earns his living by photographing and wants to record the revived pictures of Prague. Pasparte wants to found in Prague the first permanent Czech movie theatre in which there would be projected also the original Czech films.
Production Design
Taxi driver Koukal (Miroslav Machácek) is stopped by the police for a routine traffic check. In the boot of his car the police find the body of a naked man. Koukal is arrested even though he claims he knows nothing about it. The case is assigned to Major Mlynár (Milan Sandhaus). The police identify the corpse as that of an Austrian citizen called Mitrik. Koukal has been regularly driving people interested in gambling to a secret gaming den. The police are put onto the gambling den by another taxi driver, who admits that he drove Mitrik there. Mlynár and officer cadet Pecka (Ivan Vyskocil) feign interest in gambling and visit the gaming den incognito.
Production Design
Production Design
The fisherman Fuksa fishes in the creek an old bottle and he sells it to innkeeper Merta. When Merta opens it, a genie appears, who can fulfill all his wishes.
Production Design
Production Design
Los Lavicka, una familia checa de la ciudad, alquilan una casa en el campo con opción a compra. Sin embargo, el anciano Sr. Komarek parece reacio a vender la casa como acordaron.
Production Design
It is summer 1944. The war is far away from Slovak mountains for the time being. The head of forest management Borodác brings a new employee to complete the eight woodcutters work team of Czechs, Slovaks and one Pole - the young guy is Martin Uher, a former clerk form Prague. The eight tough men do not trust the newcomer at first, but as time is passing, they got used to him. After some time, Martin gets next to Julika, a young wife of the gamekeeper Tkác (Vlado Müller) and they begin to go out secretly. The gamekeeper knows that Martin had promised to cooperate with German Gestapo, after he had experienced a hard interrogation. In avoiding to be a grass, Martin leaves Prague to hide in Slovak mountains. Tkác wants Martin to inform on his colleagues who hide guns in the forest to ready to use them against Nazis.
Production Design
Production Design
Production Design
Production Design
It is the summer of 1945. A party of young people are enjoying the beginning of a new life to the full. For them this is the year one. One of them, law student Pavel, is more attracted to film than to law. With his eight-millimeter camera, he films everything that catches his attention. One day he captures an interesting face on film, a girl with an air of mystery. Pavel visits the girl, whose name is Helena, and meets hers and her elder energetic sister Olga. From Olga, he learns that the girls have spent the years of German occupation in a concentration camp and cannot forget the horrors they have lived through.
Set Designer
Production Design
Production Design
Set Designer
Production Design
Jealous of her vapidly "good" sister's popularity, poisonous Viktoria doses pretty Klara's tea with a slow-acting fatal substance. As the latter grows hysterically weak, the former finds success increasingly compromised by guilt, blackmail, and the pesky need to kill others lest she be exposed.
Production Design
In 1900, Stepha, the vivacious 30 year old daughter of a wealthy couple, agrees to marry her cousin Paul, who has accumulated large debts as an Austrian army officer. Paul refuses to work or to consummate the marriage, and then his health steadily declines.
Set Designer
Art Direction
Set Designer
Costumer
The female employees of the poultry-processing factory find relief from their monotonous work in chatting about weddings and marriages. The very young Zdena (Marta Vancurová), too, dreams about a white veil and an entourage of bridesmaids. On her return home from work, she runs into a peculiar man on an abandoned road who pertinaciously offers to read her palm for a few crowns to buy soup. His augury is rather usual - wealth and poverty, suffering and happiness. Then however, he declares that Zdena must marry exactly on 3 November of that year otherwise she will be unhappy.
Production Design
The female employees of the poultry-processing factory find relief from their monotonous work in chatting about weddings and marriages. The very young Zdena (Marta Vancurová), too, dreams about a white veil and an entourage of bridesmaids. On her return home from work, she runs into a peculiar man on an abandoned road who pertinaciously offers to read her palm for a few crowns to buy soup. His augury is rather usual - wealth and poverty, suffering and happiness. Then however, he declares that Zdena must marry exactly on 3 November of that year otherwise she will be unhappy.
Costume Design
Impressionistic film based on a Maupassant story about five friends who fall in love with the same beautiful girl one summer.
Production Design
Impressionistic film based on a Maupassant story about five friends who fall in love with the same beautiful girl one summer.
Set Designer
A horror film set in and around an opulent theater, featuring vampirism, ghosts, romance, and music.
Set Designer
Costume Design
Production Design
Production Design
El señor Karel domina a sus familiares, amigos y empleados. Sólo está preocupado porque el tránsito de los difuntos hacia el más allá sea lo más limpio y rápido posible, todo mediante la incineración de cadáveres en el cementerio que regenta. (FILMAFFINITY)
Production Design
A baleful limping man walks through Prague. He is Asmodeus (Juraj Herz), the fiend of lustfulness, entertaining himself by putting together by magic couples of lovers. He only fails at the swimming pool. Zuzana (Jana Sulcová), the good-looking blonde, ignores the men whom the devil foists off onto her. She loves Honza (Václav Neckár) and the boy shares her feelings. The fiend is annoyed by the couple and tries to provoke a row. He sends heavy rain to force them into a hotel and then warns Zuzana's father by phone, but the young lovers manage to get out in time. Then the obstinate Asmodeus takes Honza in his sleep to the Institute for Emotional Disorders, where he shows him the ugly sides of love - hysteria, voyeurism, fetishism, suicide attempts...
Production Design