Irma Patkós

La súbita caída de los regímenes comunistas de la Europa del Este supuso para muchos un cambio radical y, a veces, de una injusticia sangrante. Buen ejemplo de ello son Emma y Böbe, dos maestras que impartían clases de ruso en Budapest y que, tras el fracaso del sistema socialista, se ven obligadas a reciclarse para subsistir. Mientras que una escoge la limpieza doméstica, la otra se dedicará a la prostitución.

Andras (Zygmunt Malanowicz), an older man employed as a furniture designer, gets a life-jarring shock when he returns from a trip and finds that some of the work he developed has been given over to a younger employee. This instigates a mid-life crisis over his own identity and his sense of security and self-worth, all exacerbated by a recent divorce and estrangement from his son. Recognizing that he needs help, the man goes for therapy and starts to face his problems. Therapy counteracts some of the damage of living, and the man starts to consider his son, his relationships with women, and his father in a different light.

"Ripacsok" is a great movie with great soundtrack, acting, cinematography, direction, etc. The world of "artists", hamming actors, good clowns and bad clowns... A unique movie in many ways. Pál Sándor is a very good hungarian director, watch his movies (especially the slightly better "Régi idõk focija") if you have the chance.

Film by Judit Elek.

This Hungarian film chronicles the slow deterioration in the life of Juli, a farmer's wife. As the countryside grows ever more deserted because people are moving to towns or large collective farms, she spends more and more time alone. Despite her best efforts to appreciate her situation, her despair grows. The loneliness is briefly interrupted when she and her husband take in an old woman and care for her, but the woman dies. Shortly after her son visits, she is killed in an accident which may have been a suicide. ~ Clarke Fountain, Rovi

This Hungarian film chronicles the slow deterioration in the life of Juli, a farmer's wife. As the countryside grows ever more deserted because people are moving to towns or large collective farms, she spends more and more time alone. Despite her best efforts to appreciate her situation, her despair grows. The loneliness is briefly interrupted when she and her husband take in an old woman and care for her, but the woman dies. Shortly after her son visits, she is killed in an accident which may have been a suicide. ~ Clarke Fountain, Rovi

The head of the nunnery is dying, and the members are divided in two groups as the election of the new head approaches. Led by Virginia, the younger nuns stand up for changing the strict religious dogmas and would like a modern school with genuine science, a bathroom to be built, and a freer spirit. Their candidate is sister Magdolna, who went to secular universities, too. The seminarists, led by Király Erzsi, also rebel against the older nuns' strict discipline and the depressed atmosphere of the institution. However, Magdolna does not want to stay involved in the fight because she is deterred by Virginia's sinful attraction towards her and the tools Virginia is using to gain victory at any price.

After his divorce, Bóna Péter, a beginner film director needs a bigger amount of money to settle his financial problems with his ex-wife. He travels to Pécs to see Sárika, an old veteran. He has not seen his aunt for a long time, and she receives him very friendly, but she flatly refuses to lend him any money.

Dani, the few-month-old little boy born outside marriage is left by Eszter in the lap of her companion on the train. The widowed Aranka takes him willingly to her. The child is already ten years old and has a good life with Aranka. Then Géza enters their life and he does not welcome the child of someone else.