Abi Feijó

"Sabes, cuando era niño, me enamoré de la Virgen María. Sucedió en un pequeño pueblo bávaro llamado Altötting".

A partir de las memorias afectivas y visuales de su infancia, la directora rinde homenaje a su tío Tomás. Es su reconocimiento de que uno no tiene que ser alguien para ser excepcional en la vida.

A partir de las memorias afectivas y visuales de su infancia, la directora rinde homenaje a su tío Tomás. Es su reconocimiento de que uno no tiene que ser alguien para ser excepcional en la vida.

A partir de las memorias afectivas y visuales de su infancia, la directora rinde homenaje a su tío Tomás. Es su reconocimiento de que uno no tiene que ser alguien para ser excepcional en la vida.

Quick cutting provides the speed in this tribute to two wheeled transport.

A rescued poem, written by the neorealist Álvaro Feijó in 1940, brings it back to the days that imitate it. Slowly settling in the hearts of men and women who become hostage to her grace, there she is revealing all her nature, at the same time as she utters his name unmercifully.

This is the story about a boy not like the others that dreams about finding his place in the world.

This is the story about a boy not like the others that dreams about finding his place in the world.

A girl whose heart beats faster than normal and so loudly that it bothers the neighbors seeks both acceptance and escape.

An act of passion, filmed in a church turned into a bar, on Easter 2003, and starring as many actors as the days of the year… Taking the sacred painting as a reference, the film questions the human condition: letting oneself die like Christ or betray scientifically like Peter?

An act of passion, filmed in a church turned into a bar, on Easter 2003, and starring as many actors as the days of the year… Taking the sacred painting as a reference, the film questions the human condition: letting oneself die like Christ or betray scientifically like Peter?

There are many in-betweens in my film. The most relevant that are in the source material are essential to the film, they are their own Time and Space generators, they are what exists between each of the imagens.

Commission by Museu Nacional Soares dos Reis (Portugal) for the exhibit Faiança Portuguesa to the studio Filmógrafo.

The opening credits of the festival "Odyssey mas imagens" in Porto in 2001. (25 Sec. )

The opening credits of the festival "Odyssey mas imagens" in Porto in 2001. (25 Sec. )

An old, rusty freighter enters the harbor on the morning of December 24th. A board brings a clandestine passenger who tries, at night, to jump into the country.

An old, rusty freighter enters the harbor on the morning of December 24th. A board brings a clandestine passenger who tries, at night, to jump into the country.

It's the story of a child and her mother, two lives that don't communicate with each other. Is that loneliness that sometimes reaches the size of the night. Dark is the night. Dark is the mother. And dark becomes the entire Universe when you are alone and abandoned.

It's the story of a child and her mother, two lives that don't communicate with each other. Is that loneliness that sometimes reaches the size of the night. Dark is the night. Dark is the mother. And dark becomes the entire Universe when you are alone and abandoned.

X’mas wish-list that two brothers are writing is leading to them not wanting to share their desired toys once they get them for Christmas, so Santa Claus gives them one new toy, for both, for them two to share and play together with, so as to teach them a lesson in fellowship.

X’mas wish-list that two brothers are writing is leading to them not wanting to share their desired toys once they get them for Christmas, so Santa Claus gives them one new toy, for both, for them two to share and play together with, so as to teach them a lesson in fellowship.

Christmas Song. (40 Seg. )

Christmas Song. (40 Seg. )

Glaxo Wellcome Anti-Tobacco Commissioned Film. (23 Sec. )

Glaxo Wellcome Anti-Tobacco Commissioned Film. (23 Sec. )

Portugal feels himself a little country in the tail of Europe. Has a wandering heart, an adventurous spirit, an embittered soul and an obedient body.

In the 40's, after the Spanish Civil War, many republicans defeated by the nationalist forces of Franco found refuge on the bordering mountains in the north of Portugal. Some saw them as brigands, others gave them shelter and helped them on the sly to police forces of Salazar. They were... the Outlaws.

In the 40's, after the Spanish Civil War, many republicans defeated by the nationalist forces of Franco found refuge on the bordering mountains in the north of Portugal. Some saw them as brigands, others gave them shelter and helped them on the sly to police forces of Salazar. They were... the Outlaws.

In the 40's, after the Spanish Civil War, many republicans defeated by the nationalist forces of Franco found refuge on the bordering mountains in the north of Portugal. Some saw them as brigands, others gave them shelter and helped them on the sly to police forces of Salazar. They were... the Outlaws.

In the 40's, after the Spanish Civil War, many republicans defeated by the nationalist forces of Franco found refuge on the bordering mountains in the north of Portugal. Some saw them as brigands, others gave them shelter and helped them on the sly to police forces of Salazar. They were... the Outlaws.

Nights are hidden days beyond our minds. But some remain like flying shadows reshaping the naive images of our lives. Faces hurt with emptiness, characters petrified in silence, lands inked with blood....And we become sleepy, carelessly dying, until morning happens.

A journey through the fears and ghosts of Portuguese popular culture