Tomás Baltazar

The evocation of light in the cinema leads the Character of the Man of Light to ponder over it, over its essence and its multiple manifestations in a revisitation of geographical places and memories.

'A Távola de Rocha' enables us to enter Paulo Rocha’s universe, to gather memories and find, within his personal and professional relationships, a key to decipher some of the unknown symbols and allusions contained in his films.

A compilation of films project multiple versions of people won by vida.

En las afueras de Londres, una pareja portuguesa y padres de tres hijos, Bela y Jota, luchan por llegar a fin de mes. Cuando surge un malentendido en la escuela con su hija sorda, los servicios sociales británicos se preocupan por la seguridad de sus hijos. La película retrata la incansable batalla de estos padres inmigrantes contra la ley para mantener unida a su familia.

In a rural landscape, that resembles an old Portugal, an elderly man find out that his wife, whom he believed to be dead, was seen shopping in town. Spiteful and sad, he wants to hide from everyone, but his friends insist that he uses this situation to become stronger and try to get married again.

A mysterious shadow unveiling a female figure walking naked towards us in the desert. In another sequence, the same woman speaks on the phone, talking about the end of the world. In a third moment, a couple prepares breakfast in their apartment, with the same woman from the previous sequences embracing a baby. What will these three narrative moments have in common? What is the relationship between them? Everything and nothing. Is the answer in the woman’s emotional words on the phone? Or in her helpless expression when walking naked? Or in the happiness she seems to find in the domestic routine? Perhaps the charm is really not in trying to decipher, but in getting lost in this visual and impressionistic poem, this shake that slowly expands in our senses. Max Planck, one of the founders of the ancient quantum physics theory, said that energy has a discontinuous structure and can only exist under the form of fragments. These are the fragments that hide here an ethereal promise.

The sound was deafening. The noise of the machines, the steps, the daily hustle of the more than a thousand workers, entering and leaving the shifts. There were 12-hour days, people without holidays, a stolen youth so that the cloth would continue to leave the factory. The revolution came and everything changed. Strikes, picket strikes, worker’s rights. Then the globalisation came. The factory went down to close. We went back to it, with the former workers, the old and the young. The machines continue to work in the empty spaces, the ghosts wander illuminated by traces of light until the walls begin to fall.

At 30, Jiro embarked on a year-long trip taking in the Soviet Union, North Africa, Europe, and the United States. Nearly half a century later, his daughter makes use of various memorabilia to take a step back in time and explore how such adventures have shaped the man’s take on the modern world.

Cinema and affections from life in images and what goes on outside the frame. 'Snapshots' of shootings and the present-day memory of directors, actors and technicians.

A man, a child, two wars, a river, a tree. A man and a child meet under a tree on a river bank, sharing the same memory and a secret. They find in each other the serenity, the silence and the time they lost in the flowing water of the river.

Ico is a post-colonial hero on a strange and familiar city, going from victim to predator.

Marta and Jorge have been a couple for seven years. All their friends think they are living a perfect romance. Too perfect, perhaps, for the despair of all: Bruno, who is much younger than Marta but madly in love with her; Lígia, who is Bruno's sister and Marta's best friend and would love to see her brother happy; Carlos, Jorge's friend, who maintains a superficial romance with Lígia while secretly in love with Marta; and for Jorge himself, who is afraid this idyllic romance will imprison him and, convinced that his love and his lover's desire to marry will take away his freedom, decides to show her the way into Carlos arms.

Bound by a silent pact, five students make a secret trip to the country for what seems to be an initiation ceremony. In threatening landscapes and abandoned ruins, they submit to the strange rituals of their leader, the Dux.

Manuel Teixeira Gomes the Portuguese President who left everything behind with only one premise: become who he really wanted to be

Feature documentary about ex-maverick filmmaker António de Macedo.

André's Eyes is an experimental docudrama in which the actual family members themselves participate in the recreation of their own story. Set in a small village in the Portuguese countryside, the film follows the struggle of a divorced father to keep his family together after his youngest son is taken away from them and placed in a foster family.

A teenage girl's dream of becoming famous turns into a dangerous obsession.

The word panchão was first heard in Macao. From the Chinese pan-tcheong or pau-tcheong, dictionaries define it as a Macanese regionalism also known as China cracker. Who inhabits the ancient IEC Long firecracker factory?

How to reinvent democracy by the eyes of two Portuguese activists.

By the director: "Ar.Co embodies each person’s geography, it escapes normalisation. Each individual’s experience is his own. This film is my experience, our experience. Pieced together from the school’s archive, from recordings of classes by Manuel Castro Caldas and from conversations at home."

Luis Miguel Cintra, renowned actor, stage director and director of the Portuguese theatre company Teatro da Cornucópia, staged the play Illusion in early 2014. This play was based upon texts by Federico García Lorca. However, the 119th company's show was no ordinary show, for in the cast there were 59 non-actors, amateurs and theatre students.

Redheads. Fire crotches… This film collects samples of their testimonials and their body hair and skin. About being different genetically, about gay gingers, doubly in a minority, from Ireland to Israel to Brazil. A film made especially for ginger lovers.

A survivor travels in search of the last bastion of civilization. Battling to survive, but never losing hope that something nostalgic from the past, which lives on in his memory, might still exist.

In the summer of 1969, four friends built a raft to travel down two Portuguese rivers from the center of the country to Lisbon. Forty years later, the son of one of these men reported this event in a book of poems, as a metaphor of the Portuguese travel literature of the 16Th and 17Th centuries. After, it occurred to him to turn the poems into a real event, to invite some friends to reenact the raft journey and exhibit texts from those peregrinations. His brother went along to film the floating recital.

Two childhood friends grew up and face strange feelings now. One of them tries to explore that feelings by words and their relationship becomes uncomfortable. When the words stay in silence they discover what they are looking for.

This is the story of a man who after living over ten years isolated away from his country, returns to avenge His brother's death. Inspired by the writings of David Henry Thoreau, he is translating 'Civil Disobedience' into Portuguese. The action is set between 1908 and 1910, between the assassination of the Portuguese King and Prince and the creation of the Portuguese Republic, an era where anarchists who fight against the monarchy often cross the path of burglars. On a country where corruption is set, the state representatives try to rob, arrest and kill innocents. The main character faces the tyranny of the state and tries to save the rest of his family. But this is a country where nothing changes.

A spectacular view of the world as seen from Armando and Maria's control tower, eight floors up from the river Douro. A comic and probing portrait of an old Portuguese couple whose private life has remained permeable to the modern world.

Through the letters received from friends and family who remained in Japan, the filmmaker recalls the past and reflects on moving to Portugal and leaving Tokyo.

The day starts in Lisbon and with it people return to the streets. These men live in a place which is not a home. Martins, the barber from Luanda, Simões with his spears, Manuel and his films and Francisco's silence share a place to rest, a shelter. They have some affinities with the outside world but they communicate through the words that they don't say. Perhaps the differences are clearest in everything that is silenced.

He is a miner, everyday tries to go with the river flow. She dreams of escaping too, but she’s trapped...

Free adaptation of Sophocles classic tragedy “King Oedipus” crossed with Jack Kerouac's classic “On the Road”. The starting point is the loss of identity of a generation of Portuguese emigrants. Tebas tells the story of a young man who, looking for his origins, departs from Paris to Portugal with a beatnik truck driver. The film is a voyage into the strange depths of Portugal in the form of surreal road-movie.

Documentary about 4 large architectural landmarks that projected Portugal abroad.