Isobel Buchanan

Isobel Buchanan

Perfil

Isobel Buchanan

Películas

El largo día acaba
Vocals
Liverpool, 1956. Bud es un muchacho de doce años, sensible, tímido e introvertido que pertenece a una familia de clase trabajadora. La estrecha relación que mantiene con su madre y, especialmente, su pasión por el cine, le ayudan a afrontar el ambiente represor y asfixiante del colegio.
Amadeus
Susanna in 'The Marriage of Figaro' (singing voice) (uncredited)
Antonio Salieri es el músico más destacado de la corte del Emperador José II de Austria. Entregado completamente a la música, le promete a Dios humildad y castidad si, a cambio, conserva sus extraordinarias dotes musicales. Pero, después de la llegada a la corte de un joven llamado Wolfang Amadeus Mozart, Salieri queda relegado a un segundo plano. Irritado por la pérdida de protagonismo, hará todo lo posible para arruinar la carrera del joven músico. Mientras tanto, Mozart, ajeno a las maquinaciones de Salieri, sorprende a todos con su genialidad como músico, pero también con sus excentricidades.
Carmen
Micaëla
CARMEN is the classic tale of forbidden passion between a young man and a spoken-for woman, Carmen. From ORF and TDK Music, this release features a live performance of Georges Bizet's 19th century operatic masterwork Carmen. Directed by Academy Award-nominated filmmaker Franco Zeffirelli, the production was shot on December 9, 1978, at the Wiener Straatsoper. Starring Elena Obraztsova in the titular role, the orchestra is conducted by Carlos Kleiber.
Lakmé
Ellen
Opera Australia's 1976 production of Lakmé, an opera in three acts by Léo Delibes, with a French libretto by Edmond Gondinet and Philippe Gille. Set in India during the British Raj, the story focuses on Lakmé, the daughter of a Hindu priest. Lakmé's life is troubled by her infatuation with a British officer.
Dialogues of the Carmelites
Blance de la Force
Francis Poulenc's only full-length opera is firmly rooted in the post World War II era. Based on the historical events of the time of the French Revolution, this story of a community of Carmelite nuns who go to the guillotine rather than renounce their calling can be received in many ways. Poulenc's warmly melodic and lyrical score is wholly dramatic and gripping, and Dame Joan Sutherland, recreating the role she sang at the opera's British premiere in 1958, sings the second prioress with commanding moderation. This production serves the inspiration of Poulenc in every important particular of style, economy and theatrical force. Richard Bonynge conducts the Elizabethan Sydney Orchestra. Sung in English.