Krakow in the sixties. A doctor, though not having finished his studies, earns a living providing medical advice. A former nurse enters the stage, saying she hears voices from "the other world". At first, they can exploit gullible victims without problems, but soon the authorities start to show interest in these quacks.
The miners of one of the mines in Zagłębie Dąbrowskie receive news about the planned layoffs. The miners decide to organize a strike. One of the local MPs is trying to prevent this from happening. The French mine owner makes a dangerous decision - he orders the miners to work in an area at risk of fire. An explosion occurs unexpectedly. The miners lynch Coeur, and their demonstration, in which they carry the bodies of the victims of the crash, is brutally suppressed by the police.
A budding playwright is thrilled to find out that his play will be performed at a prestigious theater, but a series of problems pile up, along with the general feeling that opening night will be disastrous.
A pair of lovers go off to a small hotel in a little town. The memories of war, however, intrude on their idyll. The girl and boy relive certain wartime experiences in flashback. She was a communist who drove a boy loving her to give himself up.
A group of people find themselves stuck in remote train station in German-occupied Poland. A drunk German station guard there gets paranoid and sees partisans all around him, phones headquarters, and when the German soldiers arrive and search the station they find a gun. They then threaten to execute every fifth person unless someone claims it.
"In 1960 Kazimierz Kutz' second film NIKT NIE WOLA / NOBODY'S CALLING, based on a Jozef Hen novel that was never published in Poland, described the fate of Poles on the Eastern Front. Kutz used the film to explore new formal solutions, collaborating closely with cinematographer Jerzy Wojcik to reveal the psychological landscape of a pair of lovers who are strongly affected by wartime events. The camera recorded the couple's inner experiences, contrasting their muted intimacy against the surrounding scenery of a ruined town. The film did not win over critics at the time of its release. It was not until later that critics recognized Kutz's effort to experiment with aesthetics in a manner akin to that pursued by filmmakers of the new wave. NOBODY'S CALLING came to be compared with Michelangelo Antonioni's THE ADVENTURE, which was produced around the same time."
